Badges of the Regular Infantry, 1914-1918 is based on over thirty years research in museums, archives and collections. It is an exhaustive study of the development of the battalion, brigade and divisional signs of the twelve divisions that formed the regular army during the Great War. It also looks at the badges of those battalions left behind to guard the Empire. While the divisional signs are well known, there has been no authoritative work on the signs worn by the infantry battalions. The book will illustrate the cap and shoulder titles used, as well as cloth signs worn to provide easy recognition in the trenches. Each regular and reserve battalion of a regiment has a listing, which provides a brief history of the unit and detailed information on the badges worn. It is prodigiously illustrated and contains much information, like why a shape or color was chosen, when it was adopted, what size it was, whether it was worn on a helmet, what color the helmet was and even what colors were used on horse transport; the majority of this rich and detailed information has never been published before. What helps make the information accurate and authoritative is that much of it comes from an archive created at the time and from personal correspondence with hundreds of veterans in the 1980s, many of whom still had their badges and often had razor-sharp recollections about wearing them. The book also provides some comments from these veterans. Using the illustrations will allow many of those unidentified photos in family albums to come to life.

Badges of the Regular Infantry, 1914-1918 is based on over thirty years research in museums, archives and collections. It is an exhaustive study of the development of the battalion, brigade and divisional signs of the twelve divisions that formed the regular army during the Great War. It also looks at the badges of those battalions left behind to guard the Empire. While the divisional signs are well known, there has been no authoritative work on the signs worn by the infantry battalions. The book will illustrate the cap and shoulder titles used, as well as cloth signs worn to provide easy recognition in the trenches. Each regular and reserve battalion of a regiment has a listing, which provides a brief history of the unit and detailed information on the badges worn. It is prodigiously illustrated and contains much information, like why a shape or color was chosen, when it was adopted, what size it was, whether it was worn on a helmet, what color the helmet was and even what colors were used on horse transport; the majority of this rich and detailed information has never been published before. What helps make the information accurate and authoritative is that much of it comes from an archive created at the time and from personal correspondence with hundreds of veterans in the 1980s, many of whom still had their badges and often had razor-sharp recollections about wearing them. The book also provides some comments from these veterans. Using the illustrations will allow many of those unidentified photos in family albums to come to life.

The fascination with the British involvement in the First World War extends to all aspects of the conflict. The battles and their outcomes; the armies and their leaders; the conditions of trench warfare; and the controversies form part of the growing literature examining every aspect of a war that was to cast a shadow over the rest of the twentieth century, the effects of which are still being felt today. For the British army, the cap badge is the most easily identifiable form of insignia. It represents a distillation of the pride of the regiment, its various battle honors and symbols borne proudly on the metallic emblem that was worn on all headdress, even within the trenches. Identification of the cap badge on old photographs is a first, important step in unraveling the military service of an individual. Cap badges have been collected avidly since they were first thought of in the nineteenth century. Cap-badge collecting is as popular now as it has ever been; yet with a growing number of fakes and forgeries, there is a need for a book that illustrates clearly the main types, and allows the collector and family historian alike to understand their meaning. Surprisingly, there are no real comprehensive web-based resources; and the available books (many of which are out of print), are often dull, arcane and poorly illustrated with grey, muddy images of otherwise spectacular badges. This book illustrates, for the first time in full color and high quality, images of the main types of badges used by the British Army in World War I. In addition, contemporary illustrations of the soldiers themselves wearing the badges, and the wider importance of their symbolism, is also included. Employing the skills of an established writer (and collector) and artist, it provides a unique reference guide for all people interested in the World War I.

An identification guide to British Army cap badges from the Calvary and Royal Armoured Corps, the Guards, Women’s Units, Kitchener’s Army, and others. This book is a comprehensive guidebook, which will appeal to anyone with an interest in medal collecting. The book contains British Army badges from the earliest days to the present, with photographs of 800 examples. “This is an excellent text and complements the bookshelves of any researcher of the British army . . . an outstanding feat of research and I can only summarise by saying ‘Well done.’”—Military Archive Research.com

Recent history should remind us that it was events in the Balkans which sparked off the Great War, with the assassination of the Austrian heir Prince Franz Ferdinand in Sarajevo, and the consequent invasion of Serbia by Austro-Hungarian armies on 2 August 1914. Nevertheless, the subsequent four-year war in that theatre is always overshadowed by the simultaneous campaigns on the Western Front. For the first time this book offers a concise account of these complex campaigns, the organisation, orders of battle, and the uniforms and insignia of the armies involved: Austro-Hungarian, German, Ottoman, Serbian, Montenegrin, Albanian, British, French, Italian, Russian, Bulgarian, Greek and Rumanian.

The First World War has left an almost indelible mark on history, with battles such as the Somme and Passchendaele becoming watchwords for suffering unsurpassed. The dreadful fighting on the Western Front, and elsewhere in the world, remains vivid in the public imagination. Over the years dozens of books have been published dealing with the soldier's experience, the military history and the weapons and vehicles of the war, but there has been little devoted to the objects associated with those hard years in the trenches. This book (new in paperback) redresses that balance. With hundreds of carefully captioned photographs of items that would have been part of the everyday life for the British Tommy; from recruiting posters, uniforms and entrenching equipment to games, postcards and pieces of 'trench art', this book brings to life the experience of the Great War soldier through the objects with which he would have been surrounded.

"[A] superb history…so much has been forgotten, including the course of the war in the east across multiple theaters of operation and the strategies pursued by both sides. It is all this and more that Mr. Lloyd has resurrected in compelling detail." —Economist "[H]arrowing…excellent…[a] masterly study." —William Anthony Hay, Wall Street Journal The first major history in fifty years of the often overlooked Eastern Front of the First World War, where a more fluid conflict resulted in the destruction of great empires and the rise of the Soviet Union. Writing in the 1920s, Winston Churchill argued that the First World War on the Eastern Front was “incomparably the greatest war in history. In its scale, in its slaughter, in the exertions of the combatants, in its military kaleidoscope, it far surpasses by magnitude and intensity all similar human episodes.” It was, he concluded, “the most frightful misfortune” to fall upon mankind “since the collapse of the Roman Empire before the Barbarians.” Yet Churchill was an exception, and the war in the east has long been seen as a sideshow to the brutal combat on the Western Front. Finally, with The Eastern Front—the first major history of that arena in fifty years—the acclaimed historian Nick Lloyd corrects the record. Drawing on the latest scholarship as well as eyewitness reports, diary entries, and memoirs, Lloyd moves from the great battles of 1914 to the final collapse of the Central Powers in 1918, showing how a local struggle between Austria-Hungary and Serbia spiraled into a massive conflagration that pulled in Germany, Russia, Italy, Romania, and Bulgaria. The Eastern Front was a vast theater of war that brought about the collapse of three empires and produced almost endless suffering. As many as sixteen million soldiers and two million civilians were killed or wounded in enormous battles that took place across as much as one hundred kilometers. Unlike in the west, where stalemate ruled the day, the war in the east was fluid, with armies embarking on penetrating advances. Lloyd narrates the repeated invasions of Serbia as well as the great battles between Russian, German, and Austrian forces at Tannenberg, Komarów, Gorlice–Tarnów, and the Masurian Lakes. All along, he takes us into the strategy of the generals who decided the war’s course, from the Germans Ludendorff and Hindenburg to the Austro-Hungarian chief, Conrad von Hötzendorf, to the brilliant Russian Brusilov. Perhaps the most radical aspect of the struggle in the east was that the violence was not confined to combatants. The Eastern Front witnessed calculated attacks against civilians that ripped the ethnic and religious fabric of numerous societies, paving the way for the horrors of the Holocaust. Lloyd’s magisterial, definitive account of the war in the east will fundamentally alter our understanding of the cataclysmic events that reshaped Europe and the world.

This absorbing illustrated study reveals the evolving tactics and techniques used by all sides in the underground war during 1914–18. Covering the Western Front but also the Gallipoli and Italian theatres, this study explores three aspects of World War I below ground: military mining, attack tunnels and dugouts. In 1914–17, the underground war was a product of static trench warfare, essential to survive it and part of both sides' attempts to overcome it. In 1917–18 it was rendered largely obsolete by the development of the all-arms battle as mobility was restored to the battlefield. In the stagnant, troglodyte existence of trench warfare, military mining was a hidden world of heroism and terror in which hours of suspenseful listening were spent monitoring the steady picking of unseen opponents, edging quietly towards the enemy, and judging when to fire a charge. Break-ins to enemy mine galleries resulted in hand-to-hand fighting in the darkness. The ingenuity, claustrophobia and tactical importance of the underground war are discussed and depicted in this fully illustrated study from an acknowledged expert. The artwork plates include depictions of the specialized uniforms, weapons and equipment used underground, as well as vignettes that vividly convey the many aspects of subterranean warfare during World War I.