Shares excerpts from the personal diaries and photographs of British soldiers to depict the daily life of a Tommy in the trenches between 1914 and 1918.

The extraordinary diaries of Thomas Cairns Livingstone represent twenty years of gorgeously idiosyncratic daily records of a middle-class Glasgow household, over a period spanning shortly before the Great War to the early 1930s.

The First World War has left an almost indelible mark on history, with battles such as the Somme and Passchendaele becoming watchwords for suffering unsurpassed. The dreadful fighting on the Western Front, and elsewhere in the world, remains vivid in the public imagination. Over the years dozens of books have been published dealing with the soldier's experience, the military history and the weapons and vehicles of the war, but there has been little devoted to the objects associated with those hard years in the trenches. This book (new in paperback) redresses that balance. With hundreds of carefully captioned photographs of items that would have been part of the everyday life for the British Tommy; from recruiting posters, uniforms and entrenching equipment to games, postcards and pieces of 'trench art', this book brings to life the experience of the Great War soldier through the objects with which he would have been surrounded.

The Searing Portrayal Of War That Has Stunned And Galvanized Generations Of Readers An immediate bestseller upon its original publication in 1939, Dalton Trumbo?s stark, profoundly troubling masterpiece about the horrors of World War I brilliantly crystallized the uncompromising brutality of war and became the most influential protest novel of the Vietnam era. Johnny Got His Gun is an undisputed classic of antiwar literature that?s as timely as ever. ?A terrifying book, of an extraordinary emotional intensity.?--The Washington Post "Powerful. . . an eye-opener." --Michael Moore "Mr. Trumbo sets this story down almost without pause or punctuation and with a fury amounting to eloquence."--The New York Times "A book that can never be forgotten by anyone who reads it."--Saturday Review

The extraordinary diaries of Thomas Cairns Livingstone represent twenty years of gorgeously idiosyncratic daily records of a middle-class Glasgow household, over a period spanning shortly before the Great War to the early 1930s.

Tommy Cameron is illiterate, and excluded from the other children's games. He is befriended by a war veteran, Jack, who teaches him to read using the papers of a Private Tommy Cameron killed in the war, whose name is on the memorial where they met.

Young journalist Simon Peckham is seeing the New Year in at a London nightclub when he first notices Soraya, the daughter of an Iraqi refugee. His evening isn’t going to plan, so he steps out to get some air and watches as paramedics attend to an old rough sleeper, Tom, in an alley close by. The next morning at the local hospital, Simon enquires after Tom’s condition and is surprised to meet Soraya, who tells him that 3 men had assaulted both her and Tom, and that a second rough sleeper came to their rescue. Sifting through Tom’s meagre possessions out the back of the club, Simon stumbles across a notebook, the entries in which are written in a curious code. Will he decipher it? What will it lead to? And why is Soraya keeping the second rough sleeper secret from the police? Peter Crawley has worked amongst rough sleepers and has interviewed many former servicemen and refugees to lend authenticity to the story. The Wind between Two Worlds is a gripping novel that twists and turns as its characters conceal and reveal in equal measure. Readers who enjoy clever plots, secretive characters and a modern, original storyline will delight in this well-researched, expertly-crafted book.

In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.

March 3, 1945, turns into a fateful night of horror for a young American Marine caught in the onslaught of Japanese fire on Iwo Jima. But worse than the machine-gun wounds that he sustains is a reality that he will bury, a mental and psychological scar so terrible that he won't allow it to surface with doctors at Letterman Army Medical Center in San Francisco. It is only with a nurse who has an actual scar of her own from an abusive stepfather that he finds some respite. Given a medical discharge after V-E Day, the wounded Marine returns to his home in Mount Pleasant, Pennsylvania, which lies on the fringes of the dying coke and coal country. There he begins the agonizing journey of recognition to confront a naked, shattering truth. How he deals with his strong-willed father, friends, one antagonist, and the nurse who makes her way to Mount Pleasant, will determine the outcome of his nightmare on Iwo Jima. The Oldest Son is a story of the triumph of hope that springs from the love between a woman and a man.