DescriptionThis book started life as a short story in a children's writing group. 'Anatolian Tale' is about the backwaters of Turkey; it is a story of Ayshe growing up in Anatolia and the hardships she endures. Girls in villages in Turkey are not encouraged to read, this is a luxury which their sisters in the cities have so Ayshe rebels. Ayshe rebels to such an extent that she conquers the societal paradigm of cheap and sometimes enforced labour. Ayshe is brave and resourceful, a great charmer. This book teaches the lesson that life is bigger than we are and that life is a gift for us to treasure. About the AuthorFatma Durmush was born in 1959; after years spent suffering from schizophrenia she has finally achieved her ambition to be gain an art degree and become a renowned artist. She will be going on to study an MA in art this year. As well as an artist and successful author, Fatma is also a play-right. She found a modest niche in America where two of her plays have been performed, one of which will soon be published in an anthology. In the UK she has been published by the Big Issue as well as in books and pamphlets. Her artwork has featured in over sixty exhibitions at, amongst others, the Tate Modern and The National Gallery.

DescriptionA diary in the life of me. About the AuthorDurmush writes in London with constant demons on her heels she is recovering from stress related exhaustion and the diary reflects this time in her life. Property is explored is it valid to have property when you are suffering from mental illness? Should people who are vulnerable have anything but what they are given? Why should they be given property by their families why should mad people own things? Madness is an illness and ill people need property more than anyone else. Would you throw a pensioner to the work house because they have no energy to clean their houses? What right do you have to judge this? Who gives you the right to hold such black and white opinions? Why shouldn't sick people have the same rights as everybody else? The diary progresses and one is not answered, the questions are all left in the air but assuming it can be answered it is up to the public to understand that existing is not living that we all need to have things. Durmush is very dark but she realises her limitations she can't be in two places at the same time and she holds the view neither can anyone else.

Birds Without Wings traces the fortunes of one small community in southwest Turkey (Anatolia) in the early part of the last century—a quirky community in which Christian and Muslim lives and traditions have co-existed peacefully over the centuries and where friendship, even love, has transcended religious differences. But with the disintegration of the Ottoman Empire and the onset of the Great War, the sweep of history has a cataclysmic effect on this peaceful place: The great love of Philothei, a Christian girl of legendary beauty, and Ibrahim, a Muslim shepherd who courts her from near infancy, culminates in tragedy and madness; Two inseparable childhood friends who grow up playing in the hills above the town suddenly find themselves on opposite sides of the bloody struggle; and Rustem Bey, a wealthy landlord, who has an enchanting mistress who is not what she seems. Far away from these small lives, a man of destiny who will come to be known as Mustafa Kemal Atatürk is emerging to create a country from the ruins of an empire. Victory at Gallipoli fails to save the Ottomans from ultimate defeat and, as a new conflict arises, Muslims and Christians struggle to survive, let alone understand, their part in the great tragedy that will reshape the whole region forever.

Ottoman Turkey's coastal provinces in the early nineteenth century were economic powerhouses, teeming with innovation, wealth and energy a legacy of the Ottoman s outward-looking and trade-orientated diplomacy. By the middle of the century, the wide-ranging and radical process of modernisation known collectively as the Tanzimat was underway, in part a symptom of a slow decline in Ottoman financial strength. By the 1920s, the coastal cities were ghost towns. The Ottoman Crisis in Western Anatolia seeks to unpick how and why this happened. A detailed, rich and authoritative regional study, this book offers a unique and original insight into the effects of forced migration, displacement, economic re-organisation and the competing political ideologies focused on modernisation all of which are central to the study of the late Ottoman Empire.

Set in seventeenth-century Istanbul, The Carpet Merchant of Konstantiniyya, Vol I is a beautifully drawn meditation on love, home, faith and loss. It tells the story of Zeynel, an ordinary man surrounded by the extraordinary – his life, his death, and the aftermath of his transformation into a vampire. Born into an esteemed family of scholars, the young Zeynel meets Ayşe, an Anatolian girl from a tiny village, who harbours big dreams. Where he is insecure and pressured to live up to the expectations of other people, she is sure of herself and knows exactly how to achieve what she wants. Perhaps there is more to their meeting than just chance. Twenty-five years later, Ayşe is a successful businesswoman, and Zeynel her contented husband. But on a trip one evening, he plays Good Samaritan to a mysterious traveller, who turns out to be his undoing... Forced into unfortunate circumstances he must learn to reconcile himself with his curse and make sacrifices to protect the people he loves, even if that means letting go of the things he holds most dear.

An invaluable source of information on the personalities and organizations of the literary world.

Right to the City Novels in Turkish Literature from the 1960s to the Present analyses the representation of rural migration to Istanbul in literature, placing Henri Lefebvre’s concept of the right to the city at the centre of the argument. Using a framework of critical urban theory, the book examines Orhan Kemal’s Gurbet Kuşları [The Homesick Birds] (1962); Muzaffer İzgü’s Halo Dayı ve İki Öküz [Uncle Halo and Two Oxen] (1973); Latife Tekin’s Berci Kristin Çöp Masalları [Berji Kristin: Tales From the Garbage Hills] (1984); Metin Kaçan’s Ağır Roman [Heavy Roman(i)] (1990); Ayhan Geçgin’s Kenarda [On the Periphery] (2003); Hatice Meryem’s İnsan Kısım Kısım, Yer Damar Damar [It Takes All Kinds] (2008); and Orhan Pamuk’s Kafamda Bir Tuhaflık [A Strangeness in My Mind] (2014) in the historical context as regards rural migration to Istanbul, urbanization of migrants, and anti-migrant nostalgia. Situating these works as a counterpoint to nostalgic novels and categorising them as right to the city novels, the book aims to offer a conceptual framework that can be implemented on internal as well as international migration in other global(ising) cities; and on cultural products other than literature, such as film.

Orthodox Christians, as well as other non-Muslims of the Ottoman Empire, have long been treated as insular and homogenous entities, distinctly different and separate from the rest of the Ottoman world. Despite this view prevailing in mainstream historiography, some scholars have suggested recently that non-Muslim life was not as monolithic and rigid as is often supposed. In an endeavour to understand the ties among Christians within the administrative, social and economic structures of the imperial and Orthodox Christian worlds, Ayşe Ozil engages in a rarely undertaken comparative analysis of Ottoman, Greek and European archival sources. Using the hitherto under-explored region of Hüdavendigar in the heartland of the empire as a case study, she questions commonplace assumptions about the meaning of ethno-religious community within a Middle Eastern imperial framework. Offering a more nuanced investigation of Ottoman Christians by connecting Ottoman and Greek history, which are often treated in isolation from one another, this work sheds new light on communal existence.

How is science fiction from the Arab and Muslim world different than mainstream science fiction from the West? What distinctive and original contributions can it make? Why is it so often neglected in critical considerations of the genre? While other books have explored these questions, all have been from foreign academic voices. Instead, this book examines the nature, genesis, and history of Arabic and Muslim science fiction, as well as the challenges faced by its authors, in the authors' own words. These authors share their stories and struggles with censors, recalcitrant publishers, critics, the book market, and the literary establishment. Their uphill efforts, with critical contributions from academics, translators, and literary activists, will enlighten the sci-fi enthusiast and fill a gap in the history of science fiction. Topics covered range from culture shock to conflicts between tradition and modernity, proactive roles for female heroines, blind imitation of storytelling techniques, and language games.

Alev Scott's odyssey began when she looked beyond Turkey's borders for contemporary traces of the Ottoman Empire. Their 800-year rule ended a century ago - and yet, travelling through twelve countries from Kosovo to Greece to Palestine, she uncovers a legacy that's vital and relevant; where medieval ethnic diversity meets 21st century nationalism, and displaced people seek new identities. It's a story of surprises. An acolyte of Erdogan in Christian-majority Serbia confirms the wide-reaching appeal of his authoritarian leadership. A Druze warlord explains the secretive religious faction in the heart of the Middle East. The palimpsest-like streets of Jerusalem's Old Town hint at the Ottoman co-existence of Muslims and Jews. And in Turkish Cyprus Alev Scott rediscovers a childhood home. In every community, history is present as a dynamic force. Faced by questions of exile, diaspora and collective memory, Alev Scott searches for answers from the cafes of Beirut to the refugee camps of Lesbos. She uncovers in Erdogan's nouveau-Ottoman Turkey a version of the nostalgic utopias sold to disillusioned voters in Europe and the U.S. And yet - as she relates with compassion, insight and humour - diversity is the enduring, endangered heart of this fascinating region.