DescriptionA diary in the life of me. About the AuthorDurmush writes in London with constant demons on her heels she is recovering from stress related exhaustion and the diary reflects this time in her life. Property is explored is it valid to have property when you are suffering from mental illness? Should people who are vulnerable have anything but what they are given? Why should they be given property by their families why should mad people own things? Madness is an illness and ill people need property more than anyone else. Would you throw a pensioner to the work house because they have no energy to clean their houses? What right do you have to judge this? Who gives you the right to hold such black and white opinions? Why shouldn't sick people have the same rights as everybody else? The diary progresses and one is not answered, the questions are all left in the air but assuming it can be answered it is up to the public to understand that existing is not living that we all need to have things. Durmush is very dark but she realises her limitations she can't be in two places at the same time and she holds the view neither can anyone else.

Even if Lynn Marchette hadn't been looking for love, the devastatingly handsome Greg Alter would be hard to resist. And she doesn't. She abandons herself to the passion that Greg stirs in her. And tries to ignore the little doubts, the fleeting chill, the subtle fear that he arouses...Are his overtures aggressive? Are his gifts double-edged? Are his sexy whispers threatening? "But he talked like that from the start," insists Lynn's best friend. "You enjoyed it. You told me." Lynn begins to feel suffocated. And disturbed. She's got to stand up for herself. She breaks it off.... But Greg won't take no for an answer. "The man wants to see you again, so he keeps calling," reasons Lynn's brother. She almost believes him. Until a life-threatening letter from Greg--written in her own hand--shatters the remnants of her self-possession. Now everyone even the police, begins to doubt her. And Lynn must face the soul-shaking truth: "nobody believes me..."

Molly Giles's engaging collection of stories was the winner not only of the Flannery O'Connor Award for Short Fiction but also of the 1985 San Francisco Bay Area Book Reviewers Association (BABRA) Award for Fiction and the 1986 Boston Globe Fiction Award. Many of the stories in Rough Translations have been anthologized and adapted for radio performance. A master of the complexities of language, Molly Giles writes of the missed connections in life and of the rough translations that we employ when we try to convey, through words and gestures, what we are thinking and what we want from our loved ones.

Fully revised and updated—the national bestselling communication skills guide that will help you achieve personal and professional success one conversation at a time. The master teacher of positive change through powerful communication, Susan Scott wants you to succeed. To do that, she explains, you must transform everyday conversations at work and at home with effective ways to get your message across—and get what you want. In this guide, which includes a workbook and The Seven Principles of Fierce Conversations, Scott teaches you how to: • Overcome barriers to meaningful communication • Expand and enrich relationships with colleagues, friends, and family • Increase clarity and improve understanding • Handle strong emotions—on both sides of the table • Connect with colleagues, customers and family at a deep level Includes a Foreword by Ken Blanchard, the bestselling co-author of The One Minute Manager

From acclaimed short story writer Molly Giles, author of the Pulitzer Prize-nominated collection Rough Translations, comes this splendid debut novel about one woman's spirited search for identity and meaning following her family's disintegration. Set amid the woodsy affluence of Northern California, Iron Shoes incisively chronicles the coming-of-middle-age story of Kay Sorensen, who has lived her entire life in the shadow of her glamorous parents. When Kay hits forty, she is suddenly smacked with the realization that she is not the woman she wants to be -- and certainly not the woman her family wants her to be. Her emotionally detached father will never forgive her for dropping out of Juilliard at eighteen; her dramatic, showstopping mother will never comprehend how she turned out so ordinary; and her fastidious, self-controlled second husband will never accept her weakness for red meat, cigarettes, and alcohol. Worst of all, Kay cannot forgive herself for giving up on her dreams and settling -- for a husband she doesn't love, for an amateurish church orchestra, for a dead-end job at a library bound to lose its funding. Unable to shake the feeling that she's somehow stuck, Kay lives vicariously through her free-spirited friend Zabeth and pins her hopes for the future on Charles Lichtman, a beguiling stranger with whom she feels destined to have an affair. But when her mother's illness -- seemingly feigned for as long as Kay can remember -- finally takes her life, Kay feels her ennui and stasis painfully give way to an unnerving helplessness. Losing a lifelong crutch, she is suddenly set adrift -- weightless, without a compass, and without hope. With her crystalline prose and seamless mixing of tender tragedy and laugh-out-loud humor, Molly Giles delivers a deeply moving exploration of a middle-aged woman who has never asked herself -- nor answered -- an honest question in her life. At once heartrending, hilarious, and wise, Iron Shoes is a mesmerizing debut novel.

As a trained neuroscientist, the author explains the behavior and related emotions stemming from conflict in relation to neurobiology. The exercises provided throughout the book coupled with numerous personal stories (including her own) all help point out these patterns of our beliefs. Through neuroscience, we can see why conflict and change are so hard. It's our wiring! With this knowledge, you can overcome struggle and get on with your exceptional life.

"Lively, fast-flowing.... the voiciest translation of the novel thus far. [Katz] writes at the fever pitch of speech, unleashing the speed and the chaos of the original." —Jennifer Wilson, The New Yorker A monumental new translation—the first in more than twenty years—of Russia’s greatest family drama, rendered with all the passion, humor, and soul of the original. Dostoevsky’s final, greatest novel, The Brothers Karamazov, paints a complex and richly detailed portrait of a family tormented by its extraordinarily cruel patriarch, Fyodor Pavlovich, whose callous decisions slowly decimate the lives of his sons—the eponymous brothers Karamazov—and lead to his violent murder. In the aftermath of the killing, the brothers contend with dilemmas of honor, faith, and reason as the community closes in on the murderer in their midst. Acclaimed translator Michael R. Katz renders this masterpiece’s nuanced and evocative storytelling in a vibrant, signature prose style that captures all the power of Dostoevsky’s original—the clever humor, the rich emotion, the passion and the turmoil—and that will captivate and unsettle a new generation of readers.

You can waste a lot of time looking. . . . Or you can pay me to find it for you. Brodie Farrell is a busy woman, what with running her one-woman firm Looking for Something? and raising her daughter. So on her night off, all she wants is to spend a relaxing evening teaching her friend Daniel Hood to drive. But the evening takes a disturbing turn when Daniel hits a young woman who seems to appear out of nowhere. The girl, Alison Barker, is mostly uninjured, but before she runs off she accuses Daniel of trying to kill her. The other man in Brodie's life, Detective Superintendent Jack Deacon, isn't much help; he's too busy investigating a dangerous new drug called Scram. But when Alison Barker turns up at the hospital, not as a result of the car accident but because of the lethal amount of Scram in her system, Jack is forced to get involved. Alison claims that the death of her father, a local purebred horse dealer, was murder---and that unless someone helps her, she'll be next. Brodie once again finds herself torn between the two men in her life---Daniel believes Alison's story, Jack doesn't. It's up to Brodie to infiltrate Alison's world of show jumping and discover the truth herself, before it's too late.

These highly personal essays from a range of academic settings explore the palpable moments of discomfort, disempowerment, and/or enlightenment that emerge when we discard the fiction that the teacher has no body. Visible and/or invisible, the body can transform both the teacher's experience and classroom dynamics. When students think the teacher's body is clearly marked by ethnicity, race, disability, size, gender, sexuality, illness, age, pregnancy, class, linguistic and geographic origins, or some combination of these, both the mode and the content of education can change. Other, less visible aspects of a teacher's body, such as depression or a history of sexual assault, can have an equally powerful impact on how we teach and learn. The collection anatomizes these moments of embodied pedagogy as unexpected teaching opportunities and examines their apparent impact on teacher-student educational dynamics of power, authority, desire, friendship, open-mindedness, and resistance.

Secrets, jealousy, and paranoia collide when a seemingly perfect new family moves into a neighborhood with ties to the CIA in this gripping thriller from the New York Times bestselling author of Need to Know. “Karen Cleveland ingeniously melds domestic intrigue with the lightning pace of a spy thriller, showing us the devastating personal costs of intelligence work.”—Tess Gerritsen, New York Times bestselling author of Listen to Me ONE OF THE BEST BOOKS OF THE YEAR: PopSugar Idyllic neighborhood, perfect family, meaningful career. CIA analyst Beth Bradford has it all— Until she doesn’t. Now, facing an empty nest and a broken marriage, Beth is moving from the cul-de-sac she’s long called home, and the CIA is removing her from the case that’s long been hers: tracking an elusive Iranian intelligence agent known as The Neighbor. Madeline Sterling moves into Beth’s old house. She has what Beth once had: an adoring husband, three beautiful young children, and the close-knit group of neighbors on the block. Now she has it all. And Beth—who can’t stop watching the woman stepping in to her old life—thinks the new neighbor has something else too: ties to Iranian intelligence. Is Beth just jealous? Paranoid? Or is something more at play? After all, most of the families on the cul-de-sac have some tie to the CIA. They’re all keeping secrets. And they all know more about their neighbors than they should. It would be the perfect place to insert a spy—unless one was there all along.