Atua Wera, described as 'one of the major poems in New Zealand literature' and Smithyman's masterpiece, is a sequence of nearly 300 poems about the nineteenth-century Nga Puhi tohunga and prophet Papahurihia. It draws on a huge range of historical and oral sources, Maori and Pakeha, and it is dense with names and voices and vivid with places and happenings. Papahurihia, or Te Atua Wera, the fiery god, was a charismatic figure and Smithyman includes rumors, reports, dreams, myths and opinions about him, none of which is conclusive: he remains mysterious, powerful, elusive. But finally this rich and complex poem is, as the poet says, 'about more than Papahurihia', a New Zealand epic for the late twentieth century.

Stories Without End is a testament to nearly 40 years of groundbreaking historical research by one of New Zealand’s leading scholars. Sitting alongside her major works – including the 2010 Book of the Year, Encircled Lands – these essays explore sidepaths and previously unexamined histories. They notably delve into the lives of powerful early Māori figures, including the prophets Rua Kenana and Te Kooti, their wives and their descendants, and the leaders of the Urewera. Binney brings figures out of the shadows, explores place and revives memory, ensuring that the histories that matter do indeed become stories without end.

The seminal work on the interaction of New Zealand's indigenous population with the Old Testament message brought by missionaries in the 19th century

In Old New Zealand (1863), F.E. Maning recalls living alongside Maori in "the good old times before Governors were invented, and law, and justice, and all that." His account of the early contact period is widely acknowledged to be a masterpiece of some sort, but the extent to which it is fiction, autobiography, ethnography, history, or satire remains a matter for debate. This is the first scholarly edition of Maning's writings. It includes a revealing selection of Maning's unpublished letters, and Alex Calder contributes an introduction and notes that illuminate the works' historical, ethnographic, and literary contexts, showing how settler colonialism is an incomplete and contested process, the problems of which are enacted in Maning's writings, and repeated in the history of their reception.

An account focusing on the encounters between the Maori and Pakeha—or European settlers—and the process of mutual discovery from 1642 to around 1840, this New Zealand history book argues that both groups inhabited a middle ground in which neither could dictate the political, economic, or cultural rules of engagement. By looking at economic, religious, political, and sexual encounters, it offers a strikingly different picture to traditional accounts of imperial Pakeha power over a static, resistant Maori society. With fresh insights, this book examines why mostly beneficial interactions between these two cultures began to merge and the reasons for their subsequent demise after 1840.

New Zealand is a book by Reginald Horsley. It delves into the history and traditions of New Zealand, including its Maori roots and heritage, colonial struggles and modern settlement.

Tangata Whenua: An Illustrated History charts the sweep of Māori history from ancient origins through to the twenty-first century. Through narrative and images, it offers a striking overview of the past, grounded in specific localities and histories. The story begins with the migration of ancestral peoples out of South China, some 5,000 years ago. Moving through the Pacific, these early voyagers arrived in Aotearoa early in the second millennium AD, establishing themselves as tangata whenua in the place that would become New Zealand. By the nineteenth century, another wave of settlers brought new technology, ideas and trading opportunities – and a struggle for control of the land. Survival and resilience shape the history as it extends into the twentieth century, through two world wars, the growth of an urban culture, rising protest, and Treaty settlements. Today, at the beginning of the twenty-first century, Māori are drawing on both international connections and their ancestral place in Aotearoa. Fifteen stunning chapters bring together scholarship in history, archaeology, traditional narratives and oral sources. A parallel commentary is offered through more than 500 images, ranging from the elegant shapes of ancient taonga and artefacts to impressions of Māori in the sketchbooks and paintings of early European observers, through the shifting focus of the photographer’s lens to the response of contemporary Māori artists to all that has gone before. The many threads of history are entwined in this compelling narrative of the people and the land, the story of a rich past that illuminates the present and will inform the future.