Modern technology has brought some new twists and turns to horror. Found footage, cell phone-based viruses, literal ghosts in the machines but maybe it's time for a throwback. It's time for some new tales of slumber party horrors, VCR monsters, and problems that can't be solved with a smart phone. We want tales of unstoppable monsters, sewer-dwelling creatures, looming threats of cold-war chaos. Give us fear under the neon lights of an arcade, people fighting for their lives against the backdrop of a hot city night and a cheesy sax solo. Take us back to a time when latchkey kids had to fend for themselves and the only thing left to stop an unspeakable horror was a plucky band of high school kids. Make it bloody. Make it gnarly. Make it 80s! Featuring over 20 Bram Stoker Award winning and Best Selling Authors such as Joe R. Lansdale, Kasey Lansdale, Weston Ochse, Lisa Morton, Grady Hendrix, Tim Waggoner, Christina Sng, Stephanie M. Wytovich, Jess Landry, Vince Liaguno, F. Paul Wilson, John Skipp, Linda D Addison and many more. "Reading Attack from the '80s brings on a nostalgia tinged with blood. It's like being impaled on a time machine and dragged through sickly houses haunted by serial killers, spooky fairgrounds where kids vanish, woodlands stalked by unnameable beasts ... and it is wonderful. I'm in my teens again, and the horrors are more terrifying than ever." -Tim Lebbon, author of Eden "Attack from the '80s sends us rollicking back into the pop culture madness of that genre, and does it with creeps, fun, and great storytelling from today's top horror writers!" -Jonathan Maberry, NY Times bestselling author of Ink and Rot & Ruin "Deliriously, deliciously gruesome, Attack from the '80s is a treat for horror fans looking for the hard stuff. An all-star lineup of writers inspired by that gnarliest of decades. Rad!" -David Wellington, Marvel Zombies, Monster Island Table of Contents Introduction by Mick Garris Top Guns of the Frontier by Weston Ochse Snapshot by Joe R. Lansdale and Kasey Lansdale The Devil in the Details by Ben Monroe Return of the Reanimated Nightmare by Linda Addison Taking the Night Train by Thomas F. Monteleone Catastrophe Queens by Jess Landry Your Picture Here by John Skipp Permanent Damage by Lee Murray Slashbacks by Tim Waggoner Munchies by Lucy A. Snyder Ten Miles of Bad Road by Stephen Graham Jones Epoch, Rewound by Vince A. Liaguno Demonic Denizens by Cullen Bunn The White Room by Rena Mason Ghetto Blaster by Jeff Strand Haddonfield, New Jersey 1980 by Cindy O'Quinn When He Was Fab by F. Paul Wilson Welcome to Hell by Christina Sng Perspective: Journal of a 1980s Mad Man by Mort Castle Mother Knows Best by Stephanie M. Wytovich Stranger Danger by Grady Hendrix The Garden of Dr. Moreau by Lisa Morton

From Vogue contributor and Guardian columnist Hadley Freeman, a personalized guide to eighties movies that describes why they changed movie-making forever—featuring exclusive interviews with the producers, directors, writers and stars of the best cult classics. For Hadley Freeman, movies of the 1980s have simply got it all. Comedy in Three Men and a Baby, Hannah and Her Sisters, Ghostbusters, and Back to the Future; all a teenager needs to know in Pretty in Pink, Ferris Bueller’s Day Off, Say Anything, The Breakfast Club, and Mystic Pizza; the ultimate in action from Top Gun, Die Hard, Beverly Hills Cop, and Indiana Jones and the Temple of Doom; love and sex in 9 1/2 Weeks, Splash, About Last Night, The Big Chill, and Bull Durham; and family fun in The Little Mermaid, ET, Big, Parenthood, and Lean On Me. In Life Moves Pretty Fast, Hadley puts her obsessive movie geekery to good use, detailing the decade’s key players, genres, and tropes. She looks back on a cinematic world in which bankers are invariably evil, where children are always wiser than adults, where science is embraced with an intense enthusiasm, and the future viewed with giddy excitement. And, she considers how the changes between movies then and movies today say so much about society’s changing expectations of women, young people, and art—and explains why Pretty in Pink should be put on school syllabuses immediately. From how John Hughes discovered Molly Ringwald, to how the friendship between Dan Aykroyd and John Belushi influenced the evolution of comedy, and how Eddie Murphy made America believe that race can be transcended, this is a “highly personal, witty love letter to eighties movies, but also an intellectually vigorous, well-researched take on the changing times of the film industry” (The Guardian).

An inspiring, unique account of 1980s fashion and culture, as seen on the deeply influential, subversive pages of BLITZ, the pioneering '80s style magazine.

For fans of vintage YA, a humorous and in-depth history of beloved teen literature from the 1980s and 1990s, full of trivia and pop culture fun. Those pink covers. That flimsy paper. The nonstop series installments that hooked readers throughout their entire adolescence. These were not the serious-issue novels of the 1970s, nor the blockbuster YA trilogies that arrived in the 2000s. Nestled in between were the girl-centric teen books of the ’80s and ’90s—short, cheap, and utterly adored. In Paperback Crush, author Gabrielle Moss explores the history of this genre with affection and humor, highlighting the best-known series along with their many diverse knockoffs. From friendship clubs and school newspapers to pesky siblings and glamorous beauty queens, these stories feature girl protagonists in all their glory. Journey back to your younger days, a time of girl power nourished by sustained silent reading. Let Paperback Crush lead you on a visual tour of nostalgia-inducing book covers from the library stacks of the past.

The author describes how her rejection of the materialism of her generation and her low-budget search for creative fulfillment led her to a duplex in Seattle, a beach hut in Mexico, and a Left Bank convent, but never freed her from her obligations as an American.

In this engaging new book, Bradford Martin illuminates a different 1980s than many remember—one whose history has been buried under the celebratory narrative of conservative ascendancy. Ronald Reagan looms large in most accounts of the period, encouraging Americans to renounce the activist and liberal politics of the 1960s and ‘70s and embrace the resurgent conservative wave. But a closer look reveals that a sizable swath of Americans strongly disapproved of Reagan's policies throughout his presidency. With a weakened Democratic Party scurrying for the political center, many expressed their dissatisfaction outside electoral politics. Unlike the civil rights and Vietnam era protesters, activists of the 1980s often found themselves on the defensive, struggling to preserve the hard-won victories of the previous era. Their successes, then, were not in ushering in a new era of progressive reforms but in effecting change in areas from professional life to popular culture, while beating back an even more forceful political shift to the right. Martin paints an indelible portrait of these and other influential, but often overlooked, movements: from on-the-ground efforts to constrain the administration's aggressive Latin American policy and stave off a possible Nicaraguan war, to mock shanties constructed on college campuses to shed light on corporate America's role in supporting the apartheid regime in South Africa. The result is a clearer, richer perspective on a turbulent decade in American life.

“Told with icy precision of eye and ear and a wink of wicked humor . . . First-rate haunted-house creepiness” from the bestselling author of Summer of ’42 (Kirkus Reviews). Austin Fletcher, a disturbed young Vietnam War vet, is willed a small house deep in the woods of northern Maine. He comes to own it by the generosity of a brother-in-arms—a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. The rugged landscape of Maine is an intoxicating blend of claustrophobic interiors and endless frozen wastelands. Little by little, the mysterious force in the house asserts itself until Austin isn’t exactly sure what is in his mind and what is real. And just when our hero’s had enough and is ready to quit the place, a blizzard arrives and the real haunting begins. “An unsettling experience . . . Confounding, touching and well-written.” —The New York Times Book Review

Stories of cyberattacks dominate the headlines. Whether it is theft of massive amounts of personally identifiable information or the latest intrusion of foreign governments in U.S. government and industrial sites, cyberattacks are now important. For professionals and the public, knowing how the attacks are launched and succeed is vital to ensuring cyber security. The book provides a concise summary in a historical context of the major global cyber security attacks since 1980. Each attack covered contains an overview of the incident in layman terms, followed by a technical details section, and culminating in a lessons learned and recommendations section.

Now sufferers can attack panic--before it attacks them. This seven-step, drug-free program--written jointly by a physician and a recovered sufferer--explains what goes on in the body when panic disorder strikes, and how it can be controlled. With behavioral techniques, fitness and nutrition plans, and inspiring, encouraging true stories, this book brings new hope to people with panic disorder, agoraphobia, and other anxiety-related conditions.

With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David and even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television's commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques.