"The doctrine of the Atonement is the distinctive doctrine of Christianity. Over the course of many centuries of reflection, highly diverse interpretations of the doctrine have been proposed. In the context of this history of interpretation, Eleonore Stump considers the doctrine afresh with philosophical care. Whatever exactly the Atonement is, it is supposed to include a solution to the problems of the human condition, especially its guilt and shame. Stump canvasses the major interpretations of the doctrine that attempt to explain this solution and argues that all of them have serious shortcomings. In their place, she argues for an interpretation that is both novel and yet traditional and that has significant advantages over other interpretations, including Anselm's well-known account of the doctrine. In the process, she also discusses love, union, guilt, shame, forgiveness, retribution, punishment, shared attention, mind-reading, empathy, and various other issues in moral psychology and ethics."--

Filmed on location in the U.K., the story of Atonement spans several decades. In 1935, 13-year-old fledgling writer Briony Tallis (Saoirse Ronan) and her family live a life of wealth and privilege in their enormous mansion. On the warmest day of the year, the country estate takes on an unsettling hothouse atmosphere, stoking Briony's vivid imagination. Robbie Turner (James McAvoy), the educated son of the family's housekeeper, carries a torch for Briony's headstrong older sister Cecilia (Keira Knightley). Cecilia, he hopes, has comparable feelings; all it will take is one spark for this relationship to combust. When it does, Briony—who has a crush on Robbie— is compelled to interfere, going so far as accusing Robbie of a crime he did not commit. Cecilia and Robbie declare their love for each other, but he is arrested—and with Briony bearing false witness, the course of three lives is changed forever. Briony continues to seek forgiveness for her childhood misdeed. Through a terrible and courageous act of imagination, she finds the path to her uncertain atonement, and to an understanding of the power of enduring love. In addition to the complete script, this Newmarket Shooting Script® book includes an exclusive introduction by screenwriter ChristopherHampton, a color photo section, and the complete cast and crew credits.

The extent of Christ’s atoning work on the cross is one of the most divisive issues in evangelical Christianity. In The Extent of the Atonement: A Historical and Critical Review, David L. Allen makes a biblical, historical, theological, and practical case for a universal atonement. Through a comprehensive historical survey, Allen contends that universal atonement has always been the majority view of Christians, and that even among Calvinist theologians there is a considerable range of views. Marshalling evidence from Scripture and history, and critiquing arguments for a limited atonement, Allen affirms that an unlimited atonement is the best understanding of Christ’s saving work. He concludes by showing that an unlimited atonement provides the best foundation for evangelism, missions, and preaching.

James K. Beilby and Paul R. Eddy edit a collection of essays on four views of atonement: the healing view, the Christus victor view, the kaleidoscopic view and the penal substitutionary view. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.

Set in late 1980s Europe at the time of the fall of the Berlin Wall, Black Dogs is the intimate story of the crumbling of Bernard and June Tremaine’s marriage, as witnessed by their son-in-law, Jeremy, who seeks to comprehend how their deep love could be defeated by ideological differences that seem irreconcilable. In writing June’s memoirs, Jeremy is led back to a moment, that was, for June, as devastating and irreversible in its consequences as the changes sweeping Europe in Jeremy’s own time. Ian McEwan weaves the sinister reality of civilization’s darkest moods—its black dogs—with the tensions that both create love and destroy it.

The author thoughtfully proves the infinite scope of the "great and last sacrifice," describing its power and breadth and explaining how Christ's atonement redeems all mankind. This edition is filled with stunning, full-color illustrations by James C. Christensen, Simon Dewey, Greg Olsen, Walter Rane, and many other artists.

Christians agree that they are saved through the death and resurrection of Christ. But how is the atonement achieved in these events? This book offers an introduction to the doctrine of the atonement focused on the unity and diversity of the work of Christ. Johnson reorients current patterns of thought concerning Christ's work by giving the reader a unifying vision of the immensely rich and diverse doctrine of the atonement, offering a sampling of its treasures, and cultivating the desire to further understand and apply these riches to everyday life. Where introductions to the atonement typically favor one aspect of the work of Christ, or work with a set number of themes, aspects or theories, this book takes the opposite approach, developing the foundation for the multi-faceted nature of Christ's work within the being of God himself. It offers a grand unifying vision of Christ's manifold work. Specific elaborations of different theories of the atonement, biblical themes, and the work of different theologians find their place within this larger rubric.

Gustaf Aulen's classic work, 'Christus Victor', has long been a standard text on the atonement. Aulen applies history of ideas' methodology to historical theology in tracing the development of three views of the atonement. Aulen asserts that in traditional histories of the doctrine of the atonement only two views have usually been presented, the objective/Anselmian and the subjective/Aberlardian views. According to Aulen, however, there is another type of atonement doctrine in which Christ overcomes the hostile powers that hold humanity in subjection, at the same time that God in Christ reconciles the world to Himself. This view he calls the "classic" idea of the atonement. Because of its predominance in the New Testament, in patristic writings, and in the theology of Luther, Aulen holds that the classic type may be called the distinctively Christian idea of the atonement.

In this substantial study Darrin W. Snyder Belousek offers a comprehensive and critical examination of penal substitution, the most widely accepted evangelical Protestant theory of atonement, and presents a biblically grounded, theologically orthodox alternative. Attending to all of the relevant biblical texts and engaging with the full spectrum of scholarship, Belousek systematically develops a biblical theory of atonement that centers on restorative -- rather than retributive -- justice. He also shows how Christian thinking on atonement correlates with major global concerns such as economic justice, capital punishment, "the war on terror," and ethnic and religious conflicts. Thorough and clearly structured, this book demonstrates how a return to biblical cruciformity can radically transform Christian mission, social justice, and peacemaking.

Over the centuries the church developed a number of metaphors, such as penal substitution or the ransom theory, to speak about Christ's death on the cross and the theological concept of the atonement. Yet too often, says Scot McKnight, Christians have held to the supremacy of one metaphor over against the others, to their detriment. He argues instead that to plumb the rich theological depths of the atonement, we must consider all the metaphors of atonement and ask whether they each serve a larger purpose. A Community Called Atonement is a constructive theology that not only values the church's atonement metaphors but also asserts that the atonement fundamentally shapes the life of the Christian and of the church. That is, Christ identifies with humans to call us into a community that reflects God's love (the church)--but that community then has the responsibility to offer God's love to others through missional practices of justice and fellowship, living out its life together as the story of God's reconciliation. Scot McKnight thus offers an accessible, thought-provoking theology of atonement that engages the concerns of those in the emerging church conversation and will be of interest to all those in the church and academy who are listening in.