A chronicle of the design, history, and restoration of Frank Lloyd Wright's artist studio perched high on a cliff above the Snake River.

Nature's Edge brings together leading environmental thinkers from the natural sciences, geography, political science, religion, and philosophy to explore the complex facets of boundary formation and negotiation at the heart of our environmental problems. The contributors provide a fresh look at how our lives depend on the lines drawn and ask how those lines must be reinscribed, blurred, or even erased to prepare for a sustainable future. Resolving environmental problems calls for the negotiation of multiple, intersecting boundaries—natural, social, political, geographical, and ethical. From the differentiation of species to the formation of communities and moral values, environmental theorists are constantly confronted with a palimpsest of thresholds and mappings: Can nature and culture be divided? Are natural divisions discovered or created? How do political borders and moral economies shape community-building and social transformation?

This work goes beyond immediate concerns about the Anthropocene, an epoch where humans are akin to a geological force reshaping nature. It traces specific stories of how when and where societies have reshaped ecosystems with varying outcomes. Resilience as much as collapse, a remaking of nature as much as an unmaking of its fabric get due attention. The collection goes beyond Europe and North America, to the Indian Ocean, Africa, South East and West Asia, examining a mosaic of experiences. The global possible rests on our ability to know the parts as well as the larger picture in a longtime perspective.

In an epoch when environmental issues make the headlines, this is a work that goes beyond the everyday. Ecologies as diverse as the Himalayas and the Indian Ocean coast, the Negev desert and the former military bases of Vietnam, or the Namib desert and the east African savannah all have in common a long-time human presence and the many ways people have modified nature. With research covering countries from Asia, Africa, and Australia, the authors come together to ask how and why human impacts on nature have grown in scale and pace from a long pre-history. The chapters in this volume illumine specific patterns and responses across time, going beyond an overt centring of the European experience. The tapestry of life and the human reshaping of environments evoke both concern and hope, making it vital to understand when, why, and how we came to this particular turn in the road. Eschewing easy labels and questioning eurocentrism in today’s climate vocabulary, this is a volume that will stimulate rethinking among scholars and citizens alike.

Japan at Nature’s Edge is a timely collection of essays that explores the relationship between Japan’s history, culture, and physical environment. It greatly expands the focus of previous work on Japanese modernization by examining Japan’s role in global environmental transformation and how Japanese ideas have shaped bodies and landscapes over the centuries. The immediacy of Earth’s environmental crisis, a predicament highlighted by Japan’s March 2011 disaster, brings a sense of urgency to the study of Japan and its global connections. The work is an environmental history in the broadest sense of the term because it contains writing by environmental anthropologists, a legendary Japanese economist, and scholars of Japanese literature and culture. The editors have brought together an unparalleled assemblage of some of the finest scholars in the field who, rather than treat it in isolation or as a unique cultural community, seek to connect Japan to global environmental currents such as whaling, world fisheries, mountaineering and science, mining and industrial pollution, and relations with nonhuman animals. The contributors assert the importance of the environment in understanding Japan’s history and propose a new balance between nature and culture, one weighted much more heavily on the side of natural legacies. This approach does not discount culture. Instead, it suggests that the Japanese experience of nature, like that of all human beings, is a complex and intimate negotiation between the physical and cultural worlds. Contributors: Daniel P. Aldrich, Jakobina Arch, Andrew Bernstein, Philip C. Brown, Timothy S. George, Jeffrey E. Hanes, David L. Howell, Federico Marcon, Christine L. Marran, Ian Jared Miller, Micah Muscolino, Ken’ichi Miyamoto, Sara B. Pritchard, Julia Adeney Thomas, Karen Thornber, William M. Tsutsui, Brett L. Walker, Takehiro Watanabe.

Japan at Nature’s Edge is a timely collection of essays that explores the relationship between Japan’s history, culture, and physical environment. It greatly expands the focus of previous work on Japanese modernization by examining Japan’s role in global environmental transformation and how Japanese ideas have shaped bodies and landscapes over the centuries. The immediacy of Earth’s environmental crisis, a predicament highlighted by Japan’s March 2011 disaster, brings a sense of urgency to the study of Japan and its global connections. The work is an environmental history in the broadest sense of the term because it contains writing by environmental anthropologists, a legendary Japanese economist, and scholars of Japanese literature and culture. The editors have brought together an unparalleled assemblage of some of the finest scholars in the field who, rather than treat it in isolation or as a unique cultural community, seek to connect Japan to global environmental currents such as whaling, world fisheries, mountaineering and science, mining and industrial pollution, and relations with nonhuman animals. The contributors assert the importance of the environment in understanding Japan’s history and propose a new balance between nature and culture, one weighted much more heavily on the side of natural legacies. This approach does not discount culture. Instead, it suggests that the Japanese experience of nature, like that of all human beings, is a complex and intimate negotiation between the physical and cultural worlds. Contributors: Daniel P. Aldrich, Jakobina Arch, Andrew Bernstein, Philip C. Brown, Timothy S. George, Jeffrey E. Hanes, David L. Howell, Federico Marcon, Christine L. Marran, Ian Jared Miller, Micah Muscolino, Ken’ichi Miyamoto, Sara B. Pritchard, Julia Adeney Thomas, Karen Thornber, William M. Tsutsui, Brett L. Walker, Takehiro Watanabe.

Since the 1950s, the housing developments in the West that historian Lincoln Bramwell calls “wilderburbs” have offered residents both the pleasures of living in nature and the creature comforts of the suburbs. Remote from cities but still within commuting distance, nestled next to lakes and rivers or in forests and deserts, and often featuring spectacular views of public lands, wilderburbs celebrate the natural beauty of the American West and pose a vital threat to it. Wilderburbs tells the story of how roads and houses and water development have transformed the rural landscape in the West. Bramwell introduces readers to developers, homeowners, and government regulators, all of whom have faced unexpected environmental problems in designing and building wilderburb communities, including unpredictable water supplies, threats from wildfires, and encounters with wildlife. By looking at wilderburbs in the West, especially those in Utah, Colorado, and New Mexico, Bramwell uncovers the profound environmental consequences of Americans’ desire to live in the wilderness.

Rosalie Edge (1877-1962) was the first American woman to achieve national renown as a conservationist. Dyana Z. Furmansky draws on Edge’s personal papers and on interviews with family members and associates to portray an implacable, indomitable personality whose activism earned her the names “Joan of Arc” and “hellcat.” A progressive New York socialite and veteran suffragist, Edge did not join the conservation movement until her early fifties. Nonetheless, her legacy of achievements--called "widespread and monumental" by the New Yorker--forms a crucial link between the eras defined by John Muir and Rachel Carson. An early voice against the indiscriminate use of toxins and pesticides, Edge reported evidence about the dangers of DDT fourteen years before Carson's Silent Spring was published. Today, Edge is most widely remembered for establishing Hawk Mountain Sanctuary, the world's first refuge for birds of prey. Founded in 1934 and located in eastern Pennsylvania, Hawk Mountain was cited in Silent Spring as an "especially significant" source of data. In 1930, Edge formed the militant Emergency Conservation Committee, which not only railed against the complacency of the Bureau of Biological Survey, Audubon Society, U.S. Forest Service, and other stewardship organizations but also exposed the complicity of some in the squandering of our natural heritage. Edge played key roles in the establishment of Olympic and Kings Canyon National Parks and the expansion of Yosemite and Sequoia National Parks. Filled with new insights into a tumultuous period in American conservation, this is the life story of an unforgettable individual whose work influenced the first generation of environmentalists, including the founders of the Wilderness Society, Nature Conservancy, and Environmental Defense Fund.

In The Place with No Edge, Adam Mandelman follows three centuries of human efforts to inhabit and control the lower Mississippi River delta, the vast watery flatlands spreading across much of southern Louisiana. He finds that people’s use of technology to tame unruly nature in the region has produced interdependence with—rather than independence from—the environment. Created over millennia by deposits of silt and sand, the Mississippi River delta is one of the most dynamic landscapes in North America. From the eighteenth-century establishment of the first French fort below New Orleans to the creation of Louisiana’s Coastal Master Plan in the 2000s, people have attempted to harness and master this landscape through technology. Mandelman examines six specific interventions employed in the delta over time: levees, rice flumes, pullboats, geophysical surveys, dredgers, and petroleum cracking. He demonstrates that even as people seemed to gain control over the environment, they grew more deeply intertwined with—and vulnerable to—it. The greatest folly, Mandelman argues, is to believe that technology affords mastery. Environmental catastrophes of coastal land loss and petrochemical pollution may appear to be disconnected, but both emerged from the same fantasy of harnessing nature to technology. Similarly, the levee system’s failures and the subsequent deluge after Hurricane Katrina owe as much to centuries of human entanglement with the delta as to global warming’s rising seas and strengthening storms. The Place with No Edge advocates for a deeper understanding of humans’ relationship with nature. It provides compelling evidence that altering the environment—whether to make it habitable, profitable, or navigable —inevitably brings a response, sometimes with unanticipated consequences. Mandelman encourages a mindfulness of the ways that our inventions engage with nature and a willingness to intervene in responsible, respectful ways.

The author of Darwin's Black Box draws on new findings in genetics to pose an argument for intelligent design that refutes Darwinian beliefs about evolution while offering alternative analyses of such factors as disease, random mutations, and the human struggle for survival. Reprint. 40,000 first printing.