“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.

Records publications acquired from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, by the U.S. Library of Congress Offices in New Delhi, India, and Karachi, Pakistan.

In this ebook, Judy Freya Sibayan reflects on 39 years of her work as an artist, curator, writer, editor of Ctrl+P and teacher. Inspired by Hélène Cixous, the figure of HerMe(s) is invoked for a new kind of artistic autobiography, hyperlinked to the internet and a practice, evident in major works like Scapular Gallery and Museum of Mental Objects, which developed from her development of a distinctive form of institutional critique.

This book is a compilation of art work by 28 artists against the variety of forms that have developed since the 1990s.

Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the “iconophobia” of social sciences.

Contributions by Nilanjana Bhattacharjya, Benjamin Burkhart, Ivy Chevers, Martha I. Chew Sánchez, Athena Elafros, William García-Medina, Sara Goek, David Henderson, Eyvind Kang, Junko Oba, Juan David Rubio Restrepo, and Gareth Dylan Smith In Scattered Musics, editors Martha I. Chew Sánchez and David Henderson, along with a range of authors from a variety of scholarly backgrounds, consider the musics that diaspora and migrant populations are inspired to create, how musics and musicians travel, and how they change in transit. The authors cover a lot of ground: cumbia in Mexico, música sertaneja in Japan, hip-hop in Canada, Irish music in the US and the UK, reggae and dancehall in Germany, and more. Diasporic groups transform the musical expressions of their home countries as well as those in their host communities. The studies collected here show how these transformations are ways of grappling with ever-changing patterns of movement. Different diasporas hold their homelands in different regards. Some communities try to re-create home away from home in musical performances, while others use music to critique and redefine their senses of home. Through music, people seek to reconstruct and refine collective memory and a collective sense of place. The essays in this volume—by sociologists, historians, ethnomusicologists, and others—explore these questions in ways that are theoretically sophisticated yet readable, making evident the complexities of musical and social phenomena in diaspora and migrant populations. As the opening paragraph of the introduction to the volume observes, “What remains when people have been scattered apart is a strong urge to gather together, to collect.” At few times in our lives has that ever been more apparent than right now.

Blank Voices is a platform where you can get stories to share beyond any biases, stories of unsung heroes, stories without a voice, stories that inspire and transform. In the age of information, if stories are losing their meaning in generalization, in statistics, in summaries, and in the status quo, Blank Voices wishes to offer a safe place where speakers feel heard and understood. We welcome the participation of diverse people with diverse and dynamic perspectives through diverse media; be it poetry, paintings, sketches, installation art, live art, audio-visual, photography, and whatnot! The Butterfly Effect is planned to be an annual anthology of liberal arts, initiating from September 2022 as its baby step. The title refers to the tiniest significance of a motion that can turn out to be the mightiest force to create a cosmic revolution like the Big Bang! To share the voices from multiple disciplines of liberal arts, the book and the website (blankvoices.com) are designed with certain aesthetics. Therefore, this anthology is divided into four chapters: Verses, Voices, Visions, and Visuals. The first chapter, ‘Verses’, is the art of poetry where poets take the floor to provide readers a vibrant and vivid poesie ride! The second chapter, ‘Voices’, includes any sort of proses like short stories, interviews, letters, reflections, memoirs, anecdotes, travelogues, and so on. The third section, ‘Visions’, covers experimental media of artwork, painting, installation, crafting, and so on. The final chapter, ‘Visuals’, exhibits the audiovisual documented stories (in the website) and photo-stories (in this book) of life and love, of toils and joy! The idea of such an anthology publication came up during the first phase of the Covid 19 pandemic in 2020. Farzana Ahmed Julie, Co-Founder and Advisory Editor of Blank Voices, pitched the concept of its birth. Since then, the process has been on the sail, and here comes its first flight! Also, I’m grateful to the Center for the Study of Languages and Cultures (CSLC), University of Notre Dame, USA, and its inspiring team, my mentors, and colleagues where I literally experienced the beauty of cultural diversity that I attempted to reflect in designing the book. To give feedback on what kind of ‘voices’ to be shared or to be a contributor in the next anthology, I, Ahmed Tahsin Shams, Editor of this September 2022, welcome our readers and well-wishers to be connected throughout the journey: [email protected], [email protected]

The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.