An adaptation of the Pueblo Indian myth that explains how the spirit of the Lord of the Sun was brought to the world of men.

The wagon train had only two survivors, the young soldier Honus Gant and the beautiful Cresta Lee. And they both knew that the legendary Cheyenne chieftain Spotted Wolf would not rest until he caught them. Gant hated Cresta, but he knew what would happen to Cresta, once the wife of Spotted Wolf, if she were to be caught, and he couldn't allow that to happen.

In this retelling of an Aztec myth, Lord of the Night sends Wind to free the four musicians that the Sun is holding prisoner so they can bring joy to the world.

"A lyrical and magical novel about two teens who fall in love despite their families being caught in a bitter rivalry"--

Winner of the Seamus Heaney First Collection Poetry Prize 2021 Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one that is at once evil, or blighted, and beautiful, not to mention everything in between'. As well as elegy, Chakraborty composes invocations, verse essays, and the strange extended miracle of the title poem, in which ancient and modern history, memory and the lived moment, are held in a directed balance. It celebrates the natural forces of the world and the rapt experience of balance, form and - love. She declares a marked admiration for poems that 'will write into being a world that already in some way exists'. This is what her poems achieve.

An unlikely pair survive a massacre; the bumbling Honus Grant and saucy Cresta Lee, who hate each other. Stranded in dangerous territory, they are forced into partnership.

A pathbreaking study of Yagwoia cosmological concepts. In Imacoqwa's Arrow, Jadran Mimica draws on decades of field research to bring us a rich ethnographic account of myth and meaning in the lifeworlds of the Yagwoia of Papua New Guinea. He focuses especially on the relations of the sun and the moon in Yagwoia understandings of the universe and their own place within it. This is classic terrain in Melanesian ethnography, but Mimica does much more than add to the archive of anthropological accounts of the significance of the sun and the moon for peoples of this part of the world. With extraordinary rigor and reflexivity, he grounds his understanding of Yagwoia concepts in psychoanalytic and phenomenological methods that afford a radically new and revealing translation of these seminal themes in Melanesian mythology and its poetics. This is a major contribution to the hermeneutics of ethnographic translation and theorization.