The idea of late medieval arms and armour often conjures up images of lumbering warriors, clad in heavy plate armour, hacking away at with each other with enormous weapons - depictions perpetuated in both bad literature and bad movies. In this introductory guide, replete with fabulous photography and marvellous anecdotes, internationally-renowned edged weapons expert Robert Woosnam-Savage describes the brutal reality of personal protection and attack in the so-called 'age of chivalry'. From Bannockburn to Bosworth, Poitiers to Pavia, this book is an indispensable introduction to an iconic era.

The story of arms in Western Europe from the Renaissance to the Industrial Revolution. A treasury of information based on solid scholarship, anyone seeking a factual and vivid account of the story of arms from the Renaissance period to the Industrial Revolution will welcome this book. The author chooses as his starting-point the invasion of Italy by France in 1494, which sowed the dragon's teeth of all the successive European wars; the French invasion was to accelerate the trend towards new armaments and new methods of warfare. The authordescribes the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. He shows how armour attained its full Renaissance splendour and then suffered itssorry and inevitable decline, culminating in the Industrial Revolution, with its far-reaching effects on military armaments. Above all, he follows the long history of the sword, queen of weapons, to the late eighteenth century, when it finally ceased to form a part of a gentleman's every-day wear. Lavishly illustrated. EWART OAKESHOTT was one of the world's leading authorities on the arms and armour of medieval Europe. His other works on the subject include Records of the Medieval Sword and The Sword in the Age of Chivalry.

The primary focus of this book is on the arms and armour of Europe, but also included are neighbouring cultures where these had a direct influence on developments and changes within Europe, from late Roman cavalry armour, Byzantium and the East, to the influence of the Golden Horde.

The Middle Ages are commonly divided into three periods--early, high or central, and late. Each period was marked by its own crises and wars, and the weapons and fighters reflected the technological and other advancements being made. This book is a richly illustrated history of warfare in Western Europe during those years. Part One, the early Middle Ages, covers the late Romans, the Germanic invaders and Byzantines, the Franks, the Vikings and Hungarians, and the Anglo-Saxons and Normans in England. Part Two, the high or central Middle Ages, considers the feudal system, knights and chivalry, knights at war, infantrymen, land warfare, siege and naval warfare, crusades in Palestine, templars and hospitalers, the Reconquista in Spain, and the Teutonic knights. Part Three, the late Middle Ages, discusses the evolution of new types of armor and weapons, the Hundred Years' War, mercenaries, and firearms.

DIVRichly detailed images of authentic shields, swords, crossbows, helmets, and ornate suits of body armor for knights and their steeds. Descriptive notes. 100 black-and-white illustrations. /div

More than two hundred illustrations trace the development of medieval arms from their crude beginnings to the beautiful ceremonial armor of the Renaissance

Jousting is the most iconic form of mounted combat. For more than five hundred years, the sport itself, and the chivalric culture that surrounded it, took on almost mythical qualities. Here, Tobias Capwell explains the glitz and glamour of a sport that attracted enormous popular audiences throughout the Middle Ages and the Renaissance. Though he deals almost exclusively with weapons and warriors, Capwell tells a story not of war and destruction, but of pageantry and valor. This is the story of the armor of peace.

As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.

Chronicles the evolution of weapons and armor from the fall of the Roman Empire to the beginnings of the Reformation, covering the early medieval, Carolingian, Crusade, and late medieval periods. Includes illustrations.