This book is about the nature of architecture, its relation to society, and the ways in which it is practiced, researched, and taught.

The work of Spanish architect Julio Salcedo is shown in this book as a series of built and speculative projects. Salcedo's houses, early achievements that stunned both academic and professional circles with their freshness and precocious sophistication, are presented with previously unpublished competition proposals for large-scale buildings. .

Essays at the intersection of philosophy and architecture explore how we understand and inhabit space. To be outside allows one a fresh perspective on the inside. In these essays, philosopher Elizabeth Grosz explores the ways in which two disciplines that are fundamentally outside each another—architecture and philosophy—can meet in a third space to interact free of their internal constraints. "Outside" also refers to those whose voices are not usually heard in architectural discourse but who inhabit its space—the destitute, the homeless, the sick, and the dying, as well as women and minorities. Grosz asks how we can understand space differently in order to structure and inhabit our living arrangements accordingly. Two themes run throughout the book: temporal flow and sexual specificity. Grosz argues that time, change, and emergence, traditionally viewed as outside the concerns of space, must become more integral to the processes of design and construction. She also argues against architecture's historical indifference to sexual specificity, asking what the existence of (at least) two sexes has to do with how we understand and experience space. Drawing on the work of such philosophers as Henri Bergson, Roger Caillois, Gilles Deleuze, Jacques Derrida, Luce Irigaray, and Jacques Lacan, Grosz raises abstract but nonformalistic questions about space, inhabitation, and building. All of the essays propose philosophical experiments to render space and building more mobile and dynamic.

New York City-based Dean/Wolf Architects have been praised for their uncanny ability to turn architectural constraints into powerful generators of form. Since founding their firm in 1991, architects Kathryn Dean and Charles Wolf have completed residential and institutional projects at a variety of scales. Their projects are distinguished by a thought-provoking manipulation of light and space. The firm's award-winning loft interiors are small-scale wonders precisely crafted from sensuous materials such as concrete, steel, wood, and glass. The Dean/Wolf firm activates these highly resonant materials with deliberately focused light in order to dissolve boundaries of interior and exterior space. For Dean/Wolf, this requires not only a consideration of physical space, but also a psychological engagement between the clients minds and the space they inhabit. Versed in architectural thought and theory, the firm finds aesthetic applications for their investigations into the nature of spatial perception. The architecture that emergesa mixture of unexpected exterior views and areas for quiet reflectioncelebrates both the outgoing and introspective sides of the inhabitants. The firm's 2007 AIA Honor Award-winning Operable Boundary Townhouse Garden in Brooklyn is one such example. Inside and outside are integrated vis--vis a giant, pivoting, steel-framed glass wall and a continuous thirty-foot-long table piercing the wall. With company, the glass wall can be pushed aside allowing the back garden to become an extension of the interior living room. The work of Dean/Wolf Architects is bursting with similar exquisite details and Dean/Wolf Architects showcases twenty-four projects in detail with photographs, drawings, and renderings as well as an introduction by architect Robert McCarter.

As the digital economy changes the rules of the game for enterprises, the role of software and IT architects is also transforming. Rather than focus on technical decisions alone, architects and senior technologists need to combine organizational and technical knowledge to effect change in their company’s structure and processes. To accomplish that, they need to connect the IT engine room to the penthouse, where the business strategy is defined. In this guide, author Gregor Hohpe shares real-world advice and hard-learned lessons from actual IT transformations. His anecdotes help architects, senior developers, and other IT professionals prepare for a more complex but rewarding role in the enterprise. This book is ideal for: Software architects and senior developers looking to shape the company’s technology direction or assist in an organizational transformation Enterprise architects and senior technologists searching for practical advice on how to navigate technical and organizational topics CTOs and senior technical architects who are devising an IT strategy that impacts the way the organization works IT managers who want to learn what’s worked and what hasn’t in large-scale transformation

For architect and educator Leon van Schaik, the way we understand our world is not an abstract consideration, but deeply rooted in physical experience. Our family houses and places of work, the gardens we have played and rested in, the landscapes we have travelled through and those we have come to call home - all of these inflect what van Schaik describes as our spatial intelligence. For better or worse, this understanding informs our interpretation of the world, and any attempts we might make to reshape it.In Doing, Seeing; Seeing, Doing, van Schaik unearths the lineage of landscape and garden ideas that have influenced his thinking over many decades spent practicing and teaching architecture. Partly auto-biographical, partly essayistic, the book unfolds as a series of journeys with friends and colleagues through their shared histories in architecture, landscape and gardening.From Persian paradise gardens to the mosaic burning that maintained pre-colonial Australia's 'parkland' landscape, the nested arches of Edwin Lutyens to Renaissance axiality, Doing, Seeing; Seeing, Doing explores how every line drawn in our world brings a system along with it. It also demonstrates why an awareness of our own spatial histories is crucial if we are to avoid visiting those systems onto others, unexamined.

Sixteen specially commissioned essays from an international team of experts explore key issues, the latest work and future directions in the field of aesthetics.

A comprehensive and up-to-date survey of 20th century architecture, this volume presents a global perspective on the significant works, architects, ideas, and directions of the past 100 years. 316 illustrations, 148 in color.

Virtual Aesthetics in Architecture: Designing in Mixed Realities presents a curated selection of projects and texts contributed by leading international architects and designers who are using virtual reality technologies in their design process. It triggers discussion and debate on exploring the aesthetic potential and establishing its language as an expressive medium in architectural design. Although virtual reality is not new and the technology has evolved rapidly, the aesthetic potential of the medium is still emerging and there is a great deal more to explore. The book provides a comprehensive overview of the current use of virtual reality technologies in the architectural design process. Contributions are presented in six parts, fully illustrated with over 150 images. Recent projects presented are distributed in five themes: introduction to mixed realities; space and form; context and ambiguity; materiality and movement; body and social. Each theme includes richly illustrated essays by leading academics and practitioners, including those from Zaha Hadid Architects and MVRDV, detailing their design process using data-driven methodologies. Virtual Aesthetics in Architecture expands the use of technology per se and focuses on how architecture can benefit from its aesthetic potential during the design process. A must-read for practitioners, academics, and students interested in cutting-edge digital design.