Written in the tradition of the medieval bestiaries, Robert Fitzgerald's 'Arcanum Bestiarum' re-imagines the spiritual, magical and atavistic powers of the animal world. Written for the modern reader, the 272-page volume examines the occult virtues of fifty animals, including magical correspondences and tutelary powers. The text is graced with fifty-five original woodcut illustrations by celebrated artist Liv Rainey-Smith, prepared especially for this title in close collaboration with the author. Completing the design elements is an original typeface created for the work by calligrapher Gail Coppock.

Make More Immersive and Engaging Magic Systems in GamesGame Magic: A Designer's Guide to Magic Systems in Theory and Practice explains how to construct magic systems and presents a compendium of arcane lore, encompassing the theory, history, and structure of magic systems in games and human belief. The author combines rigorous scholarly analysis wi

The incantation is one of the most ancient and best-known techniques of verbal magic, utilizing vocal modulation and the complex poetics of the word to conjure spirits or occult power. Other literary forms, such as the epic, koan, psalm and cipher may also participate in the arcana and power accessed by the arts of the occult. Yet fiction, largely considered entertainment or in its higher forms, philosophy seldom transcends its secular associations. Occult Fiction, as an emerging literary form, is a verbal magic realized in both form and function. Not only does it give voice to discarnate entities, it also vivifies them into presence through the flesh of the reader. Having conjured the entic to form, such work generates an embodied state of alienating power within the reader, a possession of sorts which eclipses consciousness and allows sensorial contact with the otherworldly. As the inaugural Occult Fiction Anthology from Three Hands Press, Penumbrae contains twelve tales exemplifying this rubric, some of which have drawn their art from the experiential alembic of occult operations. Among its authors are Kenneth Grant, Don Webb, Richard Gavin, Patricia Cram, Michael Cisco and Sun Yung Shin."

Aleister Crowley's magical philosophy of Thelema had a major transformative effect on the occult arts and sciences, ushering in a new era of esoteric revelation for the twentieth century and beyond. Among Thelema's more enigmatic figures is the Lady Babalon, a manifold goddess embracing the powers of the Divine Harlot, Initiatrix, Creator and Destroyer. 'A Rose Veiled in Black' is a groundbreaking interdisciplinary anthology of twelve essays and rituals of Babalon by scholars, practitioners, and allies of Thelema. Exploring occult themes of sacrifice, magical liberation, prophecy, witchcraft, and abomination, it marks a watershed publication for the discourse on this important and previously neglected aspect of Thelemic Studies. The written works are enhanced by an offering of original and visionary art from contemporary practitioners, each exploring the magical arcana from a ritually embodied perspective.

'The Wicked Shall Decay' is a collection of actual spells and magical rituals from rural Victorian England, concerned with protection from evil, gaining revenge or justice, and control over natural phenomena such as weather.

The Green Mysteries is the product of twenty-five years of experiential research on the spiritual and occult properties of plants. Presenting a vast array of trees and herbs from many spiritual traditions, this exhaustive compendium examines their folklore, magical uses and spiritual essences. While presenting the material through both magical and mythopoetic narrative, the stance of the book is also grounded firmly in supportive disciplines such as botany, chemistry, and anthropology and also includes up to date phylogenetic and pharmacological findings. Interspersed with the encyclopedic plant entries are short narratives addressing such concepts as the Witches' Flying Oinment, intoxicating incense, the herbal dimsension of Alchemy, and the 'Green Saints' such as Al-Khidir, the medieval Wildman, and the forest-dwelling Nymphs who nourished the Greek gods. More than a mere collation of previously existing works on plants, much of the material is drawn directly from the author's private field notes, diaries, and manuals of magical operation, presented in an angaging narrative style. Illustrated with with over 270 original illustrations by Benjamin Vierling, commissioned for the project.

In many esoteric traditions, there exists an iconic or linguistic corollary between the concepts of 'poisoner' and 'sorcerer', suggesting a sinistral magical kinship often interchangeable with witchcraft or maledictive magic. Indeed, the use of plant, animal and mineral toxins is a strand of magic originating in remotest antiquity and reaching the present day. Beyond its mundane function as an agent of corporeal harm, poison has also served as a gateway of religious ecstasy, occult knowledge, and sensorial aberration, as well as the basis of healing cures. Allied with Samael, the serpent of Eden whose Hebrew name in some translations is 'Venom of God', this facet of magic wends through the rites of ancient Sumer and Egypt, penetrating European Necromancy. Alchemy, the arcane the rites of the Witches' Sabbath, and modern-day folk magic survivals. This second edition of Veneficium, newly expanded, examines the intersection of magic and poison, collecting the authors early essays on this magical kinship, and exploring the toxicological dimensions of occult power

Beyond its vulgar function as a means of execution, the Gallows has long served as a source of esoteric power. From the severed appendage of the thief that becomes the Hand of Glory to the fallen seed that spawns the mandrake root, the Hanging Place is awash in the sinistral ambiance of authentic Sorcery. Richard Gavin weaves together threads of folklore, spiritism, and occult philosophy to create a tapestry of grim vitality. The Moribund Portal: Spectral Resonance and the Numen of the Gallows examines the subtle yet potent symbiosis that exists between the incarnate world and the realm of the Dead. This book's exploration of the liminal space between firmament and earth, where Odin perceived the runes and Christ witnessed the celestial kingdom, is designed to illuminate the macabre portal through which one may glimpse the Otherworld.

The discipline of Occult Herbalism encompasses the knowledge and use of the magical, spiritual, and folkloric dimensions of plants. This perennial wisdom animates many global spiritual traditions, especially those which have maintained their integrity of transmission even in the face of industrial development and cultural destruction. Often concealed within the deepest strata of the Western Esoteric Traditions, this green strand of wisdom, though obscured, is a potent legacy of all magic, sorcery, and occult science. In addition to the hard sciences of botany, ethnology, agriculture and ethnopharmacology, a number of pathways can assist the magical herbalist in furthering the depth of understanding and integrity of personal approach. Thirteen Pathways of Occult Herbalism circumscribes the metaparadigm of herbal magical practice, providing useful examples of its manifestation, as well as demonstrating its time-honored routes of inquiry.

Plants of the Devil examines the history and magic of herbs associated with Satan and his minions, delving into the folklore of ancient Europe and the British Isles. Examined in the book are the diabolical concept of the Wild Adversary and the Devil's Garden, Temptation, plants that harm and curse such as Blackberry, Stinging Nettle, Briar Rose, and Thistle, Poisonous Plants, herbs of evil omen, and herbs for protection, or 'Plants to keep the Dark Prince at bay.' The book will be of great interest to students of the occult, witchcraft, and plant folklore.