Built on sugar, slaves, and piracy, Jamaica's Port Royal was the jewel in England's quest for Empire until a devastating earthquake sank the city beneath the sea A haven for pirates and the center of the New World's frenzied trade in slaves and sugar, Port Royal, Jamaica, was a notorious cutthroat settlement where enormous fortunes were gained for the fledgling English empire. But on June 7, 1692, it all came to a catastrophic end. Drawing on research carried out in Europe, the Caribbean, and the United States, Apocalypse 1692: Empire, Slavery, and the Great Port Royal Earthquake by Ben Hughes opens in a post-Glorious Revolution London where two Jamaica-bound voyages are due to depart. A seventy-strong fleet will escort the Earl of Inchiquin, the newly appointed governor, to his residence at Port Royal, while the Hannah, a slaver belonging to the Royal African Company, will sail south to pick up human cargo in West Africa before setting out across the Atlantic on the infamous Middle Passage. Utilizing little-known first-hand accounts and other primary sources, Apocalypse 1692 intertwines several related themes: the slave rebellion that led to the establishment of the first permanent free black communities in the New World; the raids launched between English Jamaica and Spanish Santo Domingo; and the bloody repulse of a full-blown French invasion of the island in an attempt to drive the English from the Caribbean. The book also features the most comprehensive account yet written of the massive earthquake and tsunami which struck Jamaica in 1692, resulting in the deaths of thousands, and sank a third of the city beneath the sea. From the misery of everyday life in the sugar plantations, to the ostentation and double-dealings of the plantocracy; from the adventures of former-pirates-turned-treasure-hunters to the debauchery of Port Royal, Apocalypse 1692 exposes the lives of the individuals who made late seventeenth-century Jamaica the most financially successful, brutal, and scandalously corrupt of all of England's nascent American colonies.

One of The New Yorker’s Best Books of the Year Named one of the Most Memorable Music Books of the Year by No Depression: The Journal of Roots Music “Compelling.… [R]eveals [an instrument] intimately rooted in the African diaspora and capable of expressing flights of sorrow and joy.” —David Yezzi, Wall Street Journal An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo’s key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo’s beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten.

The Witchcraft Sourcebook, now in its second edition, is a fascinating collection of documents that illustrates the development of ideas about witchcraft from ancient times to the eighteenth century. Many of the sources come from the period between 1400 and 1750, when more than 100,000 people - most of them women - were prosecuted for witchcraft in Europe and colonial America. During these years the prominent stereotype of the witch as an evil magician and servant of Satan emerged. Catholics and Protestants alike feared that the Devil and his human confederates were destroying Christian society. Including trial records, demonological treatises and sermons, literary texts, narratives of demonic possession, and artistic depiction of witches, the documents reveal how contemporaries from various periods have perceived alleged witches and their activities. Brian P. Levack shows how notions of witchcraft have changed over time and considers the connection between gender and witchcraft and the nature of the witch's perceived power. This second edition includes an extended section on the witch trials in England, Scotland and New England, fully revised and updated introductions to the sources to include the latest scholarship and a short bibliography at the end of each introduction to guide students in their further reading. The Sourcebook provides students of the history of witchcraft with a broad range of sources, many of which have been translated into English for the first time, with commentary and background by one of the leading scholars in the field.

Religion. For thousands of years this thing has dictated which people should live and which people should die, what shape our buildings should have or what colors our garments should contain, what food people should eat or what words people should speak. If religion is the opium of the masses, then beliefs about the end of the world are like overdoses. People touched by such beliefs no longer rely on a hidden, personal and intimate god, contemplated upon from the safe distance of the beating human heart. They live with the promise of divine intervention at a grand scale on the current coordinates of space and time. This can be an exceptional motivator and a game changer in terms of civil obedience, both at an individual and collective level. In the name of an immediate and palpable deity people can commit shocking cruelties. However, such belief can also account for some of the most exceptional social developments in human history.

The Pulitzer Prize-winning author of Cleopatra, the #1 national bestseller, unpacks the mystery of the Salem Witch Trials. It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's daughter began to scream and convulse. It ended less than a year later, but not before 19 men and women had been hanged and an elderly man crushed to death. The panic spread quickly, involving the most educated men and prominent politicians in the colony. Neighbors accused neighbors, parents and children each other. Aside from suffrage, the Salem Witch Trials represent the only moment when women played the central role in American history. In curious ways, the trials would shape the future republic. As psychologically thrilling as it is historically seminal, THE WITCHES is Stacy Schiff's account of this fantastical story-the first great American mystery unveiled fully for the first time by one of our most acclaimed historians.

This is the first study of the reception of the apocryphal Second Book of Esdras (4 Ezra) from the fifteenth to the eighteenth century. Professor Hamilton discusses the concepts of biblical apocrypha and canonicity in connection with the increasingly critical attitude to religious authority which developed with the humanists and intensified with the Reformation. The Book owed its initial success to Hebraists such as Pico della Mirandola and Bibliander. It was used to account for the origins of Jewish Kabbalah and to prophesy political and religious events: the fall of the Ottoman empire, or the destruction of the papacy. Anabaptists, dissident Protestants of various persuasions, Rosicrucians and Paracelsians consulted it not only as a work of prophecy but, it is argued, as an emblem of dissent, rejected by the official Churches. At the same time more sober scholars, both Protestants and Catholics, scrutinized 2 Esdras with greater objectivity, endeavouring to date it correctly and establish its authorship. This study also investigates the interaction between their views and those of the Book's enthusiastic supporters.

The Catholic Church and the Bible: From the Council of Trent to the Jansenist Controversy studies the impact of Jansenism and anti–Jansenism on vernacular Bible reading and Bible production in the Low Countries in the sixteent and seventeenth centuries.

The First Comprehensive Investigation into the First Uprising Against Slavery in North America At 2 a.m. on April 7, 1712, a fire broke out in New York City's North Ward. Unbeknown to the residents who roused themselves to combat the flames, the blaze had been started with murderous intent. A group of at least twenty-four enslaved West African men and women, mostly Akan from modern-day Ghana, had long plotted this moment. Armed with guns, daggers, swords, axes, and clubs, they fell upon their enslavers. In the next few frantic moments, eight Europeans were killed and seven were wounded. The perpetrators were rounded up, jailed, and put on public trial. Twenty enslaved men and one woman were executed or transported for carrying out the plot. As the first event of its kind to take place in the North American colonies, this revolt was the progenitor of those that followed--it inspired, the Stono Rebellion of 1739, the New York Conspiracy of 1741, and Nat Turner's 1831 insurrection. When I Die, I Shall Return to My Own Land: The 1712 New York City Slave Revolt is the first comprehensive investigation into this major event in the history of slavery in North America. Consulting court records, correspondence, and the minutes of the various colonial councils, as well as a wide range of sources related to eighteenth-century slavery, historian Ben Hughes vividly recreates early colonial New York, the lives of its enslaved inhabitants, the factionalism among the city's Dutch and English elites, and their precarious hold on Manhattan Island in the face of French and Native American threats. Hughes traces the origins of the New York rebels, details how they came to be enslaved, and recreates the shadowy dealings that took place between African polities, European and American slavers, and New York merchants. The forerunners of a movement which continues to this day, the deeds of these original African American rebels have now been all but forgotten. Here, Hughes attempts to redress this imbalance by recovering their story.