In 1947, author Beth Warren, entered the convent because she believed God called her to a special life of service for His people. She had a passionate love for nuns who combined their religious lives with outgoing compassion for others. Warren wanted to be just like them. She dreamed that answering her Call to religious life would help make the world a better place. During the sixties, Pope John XXIII asked nuns to look outside their convent walls to see where they were most needed. Warren was drawn to working with disadvantaged people, but she was told she was a teacher, not a social worker. She realized that to serve God’s deprived people and live among them, she would need to leave her religious Community. In Another Nun’s Story, Warren chronicles her joys and difficulties during her religious life from the 1940s to the 1980s. She discusses how being a rebel nun led her to break her vows and left her with unraveled feelings and some guilt. But she came to understand she was saying goodbye to an impossible dream so she could pursue one that was possible for her.

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“Engrossing . . . Imbued with the flavor of English medieval life, Robb’s story melds true events with fiction to create a gripping historical mystery” (Publishers Weekly). When young nun Joanna Calverley dies of a fever in the town of Beverley in the summer of 1365, she is buried quickly for fear of the plague. But a year later, Archbishop Thoresby learns of a woman who has arrived in York claiming to be the resurrected nun, talking of relic-trading and miracles. And death seems to ride in her wake. The archbishop sends Owen Archer to retrace the woman’s journey, an investigation that leads him across the north from Leeds to Beverley to Scarborough. Along the way he encounters Geoffrey Chaucer, a spy for the king of England, who believes there is a connection between the nun’s troubles, renegade mercenaries, and the powerful Percy family. Back in York, however, Owen’s wife, Lucie, pregnant with their first child, has won the confidence of the mysterious nun and realizes that there are secrets hidden in the woman’s seemingly mad ramblings . . . Based on an enigmatic entry in the records of Clementhorpe Nunnery, this authentic, gripping mystery conjures a fourteenth century ripe with forbidden passions and political intrigue. “[Robb] lives up to the standard set by master medievalist Ellis Peters.” —Booklist

A National Book Foundation "5 Under 35" Honoree “An enchanting, sparkling book about the many meanings of sisterhood.” —Kristin Iversen, Refinery29 Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.

Around the year 1200, the Cistercian Engelhard of Langheim dedicated a collection of monastic stories to a community of religious women. Martha G. Newman explores how this largely unedited collection of tales about Cistercian monks illuminates the religiosity of Cistercian nuns. As did other Cistercian storytellers, Engelhard recorded the miracles and visions of the order's illustrious figures, but he wrote from Franconia, in modern Germany, rather than the Cistercian heartland. His extant texts reflect his interactions with non-Cistercian monasteries and with Langheim's patrons rather than celebrating Bernard of Clairvaux. Engelhard was conservative, interested in maintaining traditional Cistercian patterns of thought. Nonetheless, by offering to women a collection of narratives that explore the oral qualities of texts, the nature of sight, and the efficacy of sacraments, Engelhard articulated a distinctive response to the social and intellectual changes of his period. In analyzing Engelhard's stories, Newman uncovers an understudied monastic culture that resisted the growing emphasis on the priestly administration of the sacraments and the hardening of gender distinctions. Engelhard assumed that monks and nuns shared similar interests and concerns, and he addressed his audiences as if they occupied a space neither fully sacerdotal nor completely lay, neither scholastic nor unlearned, and neither solely male nor only female. His exemplary narratives depict the sacramental value of everyday objects and behaviors whose efficacy relied more on individual spiritual formation than on sacerdotal action. By encouraging nuns and monks to imagine connections between heaven and earth, Engelhard taught faith as a learned disposition. Newman's study demonstrates that scholastic questions about signs, sacraments, and sight emerged in a narrative form within late twelfth-century monastic communities.

In the second decade of the twenty-first century, Catholicism appears under siege. Reporters fixate on drama-accusations, investigations, the selection of a new pope. They ignore the inner story, the very reason why the church has survived from the Roman Empire's persecution through Renaissance splendor to the present day. This is the story of a search for truth, peace, and salvation, a story of selfless dedication that continues behind monastic walls even in our time. In Dedicated to God, Abbie Reese opens a window onto the Corpus Christi Monastery of the Poor Clare Colettine Order, a community of cloistered monastic nuns living within a 25,000-square foot enclosure near Rockford, Illinois. It is a world apart from our noisy, digital, hyper-connected world, a world of poverty, simplicity, and prayer. These women have surrendered everything-their names, shoes, even their families. They disappear from the larger world; when one dies, the order marks her grave with a simple stone indicating religious name and death date, nothing more. While they live, they pray five times a day at the Liturgy of the Hours for the victims of catastrophes and personal tragedies around the globe. The author spent six years learning their individual stories and the ancient rules they have chosen to live by. Reese makes that choice understandable, showing how each nun's values led her there, even if families were sometimes befuddled (one great-niece calls the monastery "the Jesus cage"). With an eye for complexity, Reese ranges from the challenges individuals face (she calls one "the claustrophobic nun") to the uncomprehending society that threatens this place with extinction.

For twenty-four years, Mary Zenchoff lived in a convent. She endured conditions that most of us never realized existed. Near-starvation, social deprivation, and impossible work assignments prevailed while Mary worked and prayed, and struggled to understand whether this was the life Jesus and God meant for her.

Impressionistic and dreamy, a nine-year-old girl immediately feels that she might be called by God when a Catholic missionary speaks to her third grade class at a Catholic school. The idea of this calling embeds itself into her, haunting her through elementary and high school, after which she chooses to enter the convent. Her story follows the five years she spent as an Adrian Dominican nun struggling to balance her desire for a secular life with her great fear of turning her back on God's call. Her stories are sad as well as joyous, inspiring as well as unsettling.