Although Thomas E. Watson championed the rising Populist movement at the turn of the 19th century--an interracial alliance of agricultural interests fighting the forces of industrial capitalism--his eventual frustration with politics transformed him from liberalism to racial bigotry, from popular spokesman to mob leader. Pulitzer Prize winning scholar C. Vann Woodward clearly and objectively traces the history of this enigmatic Populist leader.

The events surrounding the 1913 murder of the young Atlanta factory worker Mary Phagan and the subsequent lynching of Leo Frank, the transplanted northern Jew who was her employer and accused killer, were so wide ranging and tumultuous that they prompted both the founding of B’nai B’rith’s Anti-Defamation League and the revival of the Ku Klux Klan. The Leo Frank Case was the first comprehensive account of not only Phagan’s murder and Frank’s trial and lynching but also the sensational newspaper coverage, popular hysteria, and legal demagoguery that surrounded these events. Forty years after the book first appeared, and more than ninety years after the deaths of Phagan and Frank, it remains a gripping account of injustice. In his preface to the revised edition, Leonard Dinnerstein discusses the ongoing cultural impact of the Frank affair.

Thomas Edward "Tom" Watson€(1856--1922) was an€politician, newspaper editor, and writer from Georgia.€In the 1890s Watson championed poor farmers as a leader of the€Populist Party, €while attacking business, bankers, railroads, Democratic President Cleveland, and the Democratic Party.€He was a leader on the left in the 1890s, calling on poor whites (and poor blacks) to unite against the elites.€ As his own personal wealth grew, however, €Watson denounced socialism, which had drawn many converts from the ashes of Populism. He became a vigorous anti-Jewish€and anti-Catholic€crusader, and advocated reorganizing the Ku Klux Klan.€However after 1900 he shifted to Nativist attacks on blacks, Jews and Catholics. Two years prior to his death, he was elected to the U.S. Senate. In 1913 Watson played a prominent role through his newspaper in inflaming public opinion in the case of Leo Frank, a Jewish American€factory manager who was accused of the murder of€a 13-year-old female factory worker.€On August 16, 1915, Frank was abducted from his prison cell by a group of prominent men and lynched, an act which Watson had both called for and later celebrated on the pages of€The Jeffersonian. In his magazine, Watson claims to reveal all the facts of the case, but his biased point of view is evident from the title of the piece. The Frank case and lynching were infamous; many plays and movies have been made about it. Frank, whose guilt was based on circumstantial evidence, had already served 2 years of a life sentence when he was lynched.

As controversial and explosive as it is elegant and learned, this examination of Thomas Jefferson, as man and icon, through the critical lens of the French Revolution, offers a provocative analysis of the supreme symbol of American history and political culture and challenges the traditional perceptions of both Jeffersonian history and the Jeffersonian legacy. 15 illustrations.

“Mamet’s intellectual rigor is evident on every page. There is not a wasted word” in this novel based on the wrongful murder conviction of a Jewish man (Time Out). In 1913, a young woman was found murdered in the National Pencil Factory in Atlanta. The investigation focused on the Jewish manager of the factory, Leo Frank, who was subsequently forced to stand trial for the crime he didn’t commit and railroaded to a life sentence in prison. Shortly after being incarcerated, he was abducted from his cell and lynched in front of a gleeful mob. In vividly re-imagining these horrifying events, Pulitzer Prize–winning author David Mamet inhabits the consciousness of the condemned man to create a novel whose every word seethes with anger over prejudice and injustice. The Old Religion is infused with the dynamic force and the remarkable ear that have made David Mamet one of the most acclaimed voices of our time. It stands beside To Kill a Mockingbird as a powerful exploration of justice, racism, and the “rush to judgment.” “Mamet’s philosophical intensity, concision, and unpredictable narrative strategies are at their full power.” —The Washington Post “In this historical novel, playwright, filmmaker, and novelist Mamet presents disturbing cameos of Jewish uncertainty in a Christian world.” —Library Journal “The horror of the story is beautifully countered by the unusual grace of Mamet’s prose.” —The Irish Times