In the summer of '76 Toby turns seventeen, his parents split up and his relationship with the adult world changes forever. Ocean Road is a quiet, profoundly moving study of a marriage, its failure, and of the evolution of the relationship between parent and child. It is also a beautifully understated portrait of the post-war generation the 'baby-boomers' the social and cultural changes they brought, and their effect on the succeeding generation.

In The Empty Ocean, acclaimed author and artist Richard Ellis tells the story of our continued plunder of life in the sea and weighs the chances for its recovery. Through fascinating portraits of a wide array of creatures, he introduces us to the many forms of sea life that humans have fished, hunted, and collected over the centuries, from charismatic whales and dolphins to the lowly menhaden, from sea turtles to cod, tuna, and coral. Rich in history, anecdote, and surprising fact, Richard Ellis’s descriptions bring to life the natural history of the various species, the threats they face, and the losses they have suffered. Killing has occurred on a truly stunning scale, with extinction all too often the result, leaving a once-teeming ocean greatly depleted. But the author also finds instances of hope and resilience, of species that have begun to make remarkable comebacks when given the opportunity. Written with passion and grace, and illustrated with Richard Ellis’s own drawings, The Empty Ocean brings to a wide audience a compelling view of the damage we have caused to life in the sea and what we can do about it. "

Britain and the Ocean Road uses new firsthand research and unconventional interpretations to take a fresh look at British maritime history in the age of sail. The human stories of eight shipwrecks serve as waypoints on the voyage, as the book explores how and why Britain became a global sea power. Each chapter has people at its heart – sailors, seafaring families, passengers, merchants, pirates, explorers, and many others. The narrative encompasses an extraordinary range of people, ships and events, such as a bloody maritime civil war in the 13th century, a 17th-century American teenager who stepped from one ship to another - and into a life of piracy, a British warship that fought at Trafalgar (on the French side), and the floating hell of a Liverpool slave-ship, sunk in the year before the slave trade was abolished. The book is full of surprising details and scenes, including England’s rudest and crudest streetname, what it was like to be a passenger in a medieval ship (take a guess), how a fragment of the English theatre reached the Far East during Shakespeare’s lifetime, who forgave who after a deadly pirate duel, why there were fancy dress parties in the Arctic, and where you could get the best herring. Britain and the Ocean Road is the first of two works aimed at introducing a general audience to the gripping (and at times horrifying) story of Britain, its people and the sea. The books will also interest historians and archaeologists, as they are based on original scholarship. The second book, Black Oil on the Waters, will take the story from the age of steam to the 21st century.

This 2001 book discusses the changing uses, regulations and representation of the sea from 1450 to now.

From coastal Australia to Santorini and Ireland, a slice of warm, character-driven fiction in the tradition of Maeve Binchy and Monica McInerney Twenty years ago, Ellen O'Shea left her beloved Ireland to make a new life in Australia. Now, living in a small coastal town and struggling to cope with the death of her much-loved Greek husband, Nick, Ellen finds her world turned upside down when an unexpected visitor lands on her doorstep. The arrival of Gerry Clancy, her first love from Ireland, may just be the catalyst that pulls Ellen out of her pit of grief, but it will also trigger a whole new set of complications for her and those she holds dear. Set in Ireland, Greece and small-town coastal Australia, Leaving Ocean Road is a warm-hearted, poignant story about treasuring our memories while celebrating our new beginnings. **INCLUDES an extract from Esther's enchanting new novel The House of Second Chances** 'Leaving Ocean Road is warm, wise and full of humour. Esther Campion is a wonderful new voice in Australian fiction' CATHY KELLY 'An intelligent novel. Esther Campion has woven a poignant story about that journey everyone takes to find their beloved place in the world' Better Reading 'A delightful tale ... a well-written novel with beautiful descriptions from this new Irish author' Starts at Sixty 'Joins the captivating Maeve Binchy in the pantheon of popular Irish novelists' Irish Scene

Backpacker brings the outdoors straight to the reader's doorstep, inspiring and enabling them to go more places and enjoy nature more often. The authority on active adventure, Backpacker is the world's first GPS-enabled magazine, and the only magazine whose editors personally test the hiking trails, camping gear, and survival tips they publish. Backpacker's Editors' Choice Awards, an industry honor recognizing design, feature and product innovation, has become the gold standard against which all other outdoor-industry awards are measured.

Award-winning writer Rich Cohen excavates the real stories behind the legend of infamous criminal enforcers Murder, Inc. and contemplates the question: Where did the tough Jews go? In 1930s Brooklyn, there lived a breed of men who now exist only in legend and in the memories of a few old-timers: Jewish gangsters, fearless thugs with nicknames like Kid Twist Reles and Pittsburgh Phil Strauss. Growing up in Brownsville, they made their way from street fights to underworld power, becoming the execution squad for a national crime syndicate. Murder Inc. did for organized crime what Henry Ford did for the automobile, and Tough Jews is the first in-depth portrait of these men, a thrilling glimpse at the muscle that made possible the success of gangster statesmen such as Bugsy Siegel, Meyer Lansky, and Lucky Luciano. For Rich Cohen, who grew up in suburban Illinois in the 1980s taunted by the stereotype of Jews as book-reading rule followers, the very idea of the Jewish gangster was a relief; for once, a Jew in jail did not have to be a white collar criminal. With a clear eye and a comic sensibility, Cohen looks beyond the blood and ultimately encounters each of these ruthless killers’ matzo-ball heart. Tough Jews shows what can happen when a member of the tribe combines brains, heart, and a dangerous determination never to back down.

When a troubled Sarah Hutchinson returns to Australia from boarding school in England and time spent in Europe, she is sent to live with her eccentric Uncle Ferny on the family property, Ngangahook. With the sound of the ocean surrounding everything they do on the farm, Sarah and her uncle form an inspired bond hosting visiting field naturalists and holding soirees in which Sarah performs on a piano whose sound she has altered with items and objects from the bush and shore. As Sarah’s world is nourished by music and poetry, Ferny’s life is marked by Such is Life, a book he has read and reread, so much so that the volume is falling apart. Its saviour is Jones the Bookbinder of Moolap, who performs a miraculous act. To shock and surprise, Jones interleaves Ferny’s volume with a book he bought from an American sailor, a once obscure tale of whales and the sea. In art as in life nature seems supreme. Ngangahook and its environs are threatened, however, when members of the community ask the Hutchinsons to help ‘make a savage landscape sacred’ by financing the installation of a town bell. The fearless musician and her idealistic uncle refuse to buckle to local pressures, mounting their own defence of ‘the bell of the world’. Gregory Day’s new novel embodies a cultural reckoning in a breathtakingly beautiful and lyrical way. The Bell of the World is both a song to the natural wonders that are not yet gone and a luminous prehistory of contemporary climate change and its connection to colonialism. It is a book immersed in the early to mid-twentieth century but written very much for the hearts of the future. ‘The Bell of the World is regionalist and universal, historical and timeless, beautiful and brutal. It is an urgent call for us not to speak but to listen, so that we might find our place, both here in Australia and on the Earth.’ – Maria Takolander