The Empire of Dageis' quest for magic has left a trail of shattered homes and lost kingdoms. In the cold wake of grief, those left behind must learn to pick up the pieces. A character-driven epic fantasy following the footsteps of Robin Hobb. Book Geeks' Uncompromised Top Books of 2017 The Weatherwax Report Top 10 Indie Tome and Tankard's Best of 2017 Nominated for Best Self-Published/Independent Novel of 2017 for r/fantasy's Stabby Awards Nominated for Best Novel of 2017 for r/fantasy's Stabby Awards After his friend is killed during a botched mission, the mercenary Kefier is chased down by former associates for the crime. Already once branded a murderer, fate seems to continue to frown on him when he comes face-to-face with his friend's sister: Sume, a young woman reeling from her own string of bad luck. As one flees from the past and the other runs to it, they find themselves embroiled in a plot to restore a magical beast to life using children as sustenance. In the meantime, the young, arrogant merchant Ylir takes a special interest in Kefier while he battles with a powerful mage, one whose name has been long forgotten in legend. At the crux of their conflict is that same, terrible creature with one eye, cast from the womb of a witch, with powers so immense whoever possesses it holds the key to bring the continent to its knees. Come and discover K.S. Villoso's debut fantasy series, which has been called "ambitious," "remarkably solid," and "expertly set up."

A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician's widow stands quietly by at her husband's funeral, watching his colleagues bury an empty casket. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can't trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good. In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe's regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the "big houses" while their unofficial second wives wait in the "small houses," hoping for a promotion. Despite their circumstances, the characters in An Elegy for Easterly are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.

A moving poetic account of grief and record of post-traumatic stress after the loss of a parent.

Fantasy-roman.

Perhaps no cycle of poems in any European language has made so profound and lasting an impact on an English-speaking readership as Rilke's Duino Elegies. These luminous new translations by Martyn Crucefix, facing the original German texts, make it marvellously clear how the poem is committed to the real world observed with acute and visionary intensity. Completed in 1922, the same year as the publication of Eliot's The Waste Land, the Elegies constitute a magnificent godless poem in their rejection of the transcendent and their passionate celebration of the here and now. Troubled by our insecure place in this world and our fractured relationship with death, the Elegies are nevertheless populated by a throng of vivid and affecting figures: acrobats, lovers, angels, mothers, fathers, statues, salesmen, actors and children. This bilingual edition offers twenty-first century readers a new opportunity to experience the power of Rilke's enduring masterpiece. Book jacket.

First published between 1932 and 1940, this is a three-volume study of the historical development of literature. It explores the oral and written literatures of regions from Iceland and the British Isles, to Russia, the Balkans, Africa, India and the Pacific, placing them in their historical context and examining similarities between them. The authors discuss both ancient and recent texts, illustrating the connections within each group and considering the question of whether all literary growth is influenced by common factors. Praised on publication as ' ... a work that is not, probably could not be, superseded' (International Journal of Comparative Sociology), the book remains a benchmark for those studying comparative literature or the history of literary criticism. Volume 1 analyses a range of medieval British and Icelandic poetry and sagas, drawing analogies with the literature of early Greece and focusing particularly on the concept of heroic literature.

Byron’s and Shelley’s experimentation with the possibilities and pitfalls of poetic heroism unites their work. The Poet-Hero in the Work of Byron and Shelley traces the evolution of the poet-hero in the work of both poets, revealing that the struggle to find words adequate to the poet’s imaginative vision and historical circumstance is their central poetic achievement. Madeleine Callaghan explores the different types of poetic heroism that evolve in Byron’s and Shelley’s poetry and drama. Both poets experiment with, challenge and embrace a variety of poetic forms and genres, and this book discusses such generic exploration in the light of their developing versions of the poet-hero. The heroism of the poet, as an idea, an ideal and an illusion, undergoes many different incarnations and definitions as both poets shape distinctive and changing conceptions of the hero throughout their careers.