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An exciting and unusual book first published in 1632, Rare Adventures and Painful Peregrinations has been a much-ignored masterpiece of global literature, though it is one of the world's great travel tales.Beginning his travels in the Orkney and Shetland Islands of Scotland, Lithgow soon went off to explore the Netherlands, Germany, Bohemia, France, and Italy. He then traveled throughout Greece, Egypt, and Malta before having a spin through Western Europe again and finally returning to Great Britain. Most notably, Lithgow survived torture by the Inquisition in Spain and later traveled throughout his native Scotland.AUTHOR BIO: One of the earliest world explorers and great men of literature, William Lithgow (1582-1645) completed his major work, The Total Discourse of the Rare Adventures and Painful Peregrinations of Long Nineteen Years Travayles in 1632. It was reprinted in 1906.

The Onion has quickly become the world's most popular humor publication, misinforming half a million readers a week with one-of-a-kind social satire both in print (on newsstands nationwide) and online from its remote office in Madison, Wisconsin. Witness the march of history as Editor-in-Chief Scott Dikkers and The Onion's award-winning writing staff present the twentieth century like you've never seen it before.

The author of this concise history of a campaign in the Scottish intervntion in the English Civil War was a Scottish traveller and gentleman, William Lithgow, who was an eye-witness of the actions he describes. The centrepiece of the book is Lithgow's history of the long-drawn out siege of Newcastle-upon-Tyne, a Royalist stronghold which eventually capitulated to its Scots besiegeers in October 1644. The book also contains Lithgow's description of the 'Never to bee forgotten' battle of Marston Moor, the great turning point of the war in which an Anglo-Scottish army defeated the Royalists near York and effectively captured the North for Parliament. A rare eye-witness account, this book is a must for all Civil War enthusiasts as well as anyone interested in Scottish military history.

"This book originated in a conference, Music, Cultural History and the Wesleys, hosted by CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and held at the University of Bristol in July 2007"--Pref.

Music from the late eighteenth and early nineteenth century is a central part of the singer's repertoire today, but until now no book has addressed the principles which governed song performance at the time this music was written. Robert Toft describes these principles in detail and places them in a broad cultural perspective. He shows that singing in the period was closely allied with speaking, drawing on many of the same performance techniques, including emphasis, accent, tone of voice, pauses, and gestures. He also shows how modern singers can use this historical background to move and delight modern audiences.

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.