The ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons.

Compiled exclusively by invitation, only leading international typographers are represented in this eagerly awaited follow-up to the first volume.Critically acclaimed by leaders in the design field as one of the most useful books ever on typography, the selectiveness and scope of volume one are even broader in volume two. Illustrated examples of the finest in type design range over a wide spectrum, from historical to contemporary, classical to experimental, and formal to whimsical.

Graphic designers will enrich their understanding of American type design and type designers with this unique and extensive reference. The fascinating history of type in America is chronicled through the typefaces and biographies of sixty-two of the most influential type designers, including Linn Boyd Benton, Morris Fuller Benton, and Darius Wells, and through the description and history of nine American type foundries. Complete with samples of 334 different typefaces, and 700 black-and-white illustrations, this eye-popping reference reveals the expansive contribution America has made to the world of type design.

New in paperback! If youÆre searching for a font that goes beyond ho-hum, this book is for you. TodayÆs computers provide a selection of fonts that serve reasonably well for workaday letters and publications, but have become utterly boring from overuse. If you want your project to attract the readerÆs attention, you need an original font. Indie Fonts provides a showcase collection of over 1600 diverse fonts from 19 18 of todayÆs hottest digital type foundries and features the best work of these designers. Indie Fonts will help readers find some of the highest quality fonts available today. The type styles range from the best of Matthew CarterÆs classic designs to the latest irreverence of ingoFonts. Designers searching for unique typefaces will find what they are looking for, whether historical revivals or futuristic techno faces.

Choosing the right font can be one of the hardest parts of your job as a digital designer—there are literally thousands to choose from. One of the largest and most respected collections of high-quality fonts is the Adobe Type Library, now available entirely in the cross-platform OpenType® format, which promises to make font incompatibilities a thing of the past. Any designer who has struggled to find just the right typeface for a project will find this comprehensive reference an indispensable guide to Adobe’s vast selection of over 2,200 typefaces. Organized both alphabetically and by style, the newly revised and updated Adobe Type Library Reference Book, Third Edition provides: Specimen pages displaying every font in Adobe’s enormous collection, including 60 new typefaces Typefaces from internationally renowned foundries and award-winning type designers Design inspiration and expert advice on type selection An expanded section on the OpenType format to help you make the most of its expanded character set and layout capabilities Explanations and illustrations of the distinguishing characteristics of different type styles—from a graceful Garalde Oldstyle to Adobe’s new Opticals—as well as ornaments and symbols A chart showing the Adobe Western 2 character set, including the right keyboard combinations to access different characters Listings for 31 Japanese fonts from Adobe

New in paperback! If youAEre searching for a font that goes beyond ho-hum, this book is for you. TodayAEs computers provide a selection of fonts that serve reasonably well for workaday letters and publications, but have become utterly boring from overuse. If you want your project to attract the readerAEs attention, you need an original font. Indie Fontsprovides a showcase collection of over 1600 diverse fonts from 19 18 of todayAEs hottest digital type foundries and features the best work of these designers. Indie Fonts will help readers find some of the highest quality fonts available today. The type styles range from the best of Matthew CarterAEs classic designs to the latest irreverence of ingoFonts. Designers searching for unique typefaces will find what they are looking for, whether historical revivals or futuristic techno faces.

The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.