The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.

The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.

Newly rewritten chapter on the future of antlers. Collecting, scoring, and carving antlers. A complete and multi-faceted guide for Whitetail, mule deer, elk, and moose antlers.

Burton Blumert was an entrepreneur who knew not only all that there is to know about precious metals but also about politics and economics. He offers his wide-ranging insights in this funny, charming, and also learned collection of essays from many years of writing. David Gordon finds that this book is full of insight: "Burt’s writings on politics are by no means confined to praise or condemnation of particular people. He grasps the essence of issues that most others fail to see at all." Blumert was among the closest friends of Murray and Joey Rothbard, having helped him during in his professional life many times. You will find here fascinating stories of their life together. There are also movie reviews, fiction and non-fiction reviews, commentary on media talking heads, observations on various mass insanities, and a contrarian take on virtually all conventional wisdom. This is an enjoyable book that helps you see the world through the eyes of an observer thoroughly steeped in the Rothbardian world view. "As a writer, as you will see from this book, he is a talented satirist who can teach the truths of liberty and life while making you laugh out loud. Most of all, he has shown how the Mises-Rothbard dream of drawing together commerce and ideas can be achieved." Llewellyn H. Rockwell, Jr.

The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.

Unlock the design potential of traditional quilt blocks by using simple principles of color and value placement. You'll be amazed at the incredible number of designs you can find hidden within a single block. Includes: -- 110 variations on 10 block designs, step-by-step quilt planning, and easy-to-use charts-- Plans for four basic quilt designs -- repeat block, alternate block, strippy, and medallion-- Advice on playing with values to dramatically change the look of your blocks-- A magic formula for determining fabric amounts without complicated math

Every artist needs a little pep talk now and then. An inspiring tool and beautiful art book in one, Creative Pep Talk offers illustrated words of wisdom from 50 of today's leading creative professionals. With full-color, typographic prints and explanatory statements from a host of creative luminaries—including Aaron James Draplin, Oliver Jeffers, Lisa Congdon, Mike Perry, and many others—this volume encourages artists to stay excited, experiment boldly, and conquer fear. "Create curiosity," "Learn to say no," and "If you can't be good, be different" are just a few of the motivational maxims in this visually rich collection that's perfect for students, designers, artists, and creatives at any stage in their careers.

The authors painstakingly unearthed examples of this once-ubiquitous if short-lived design culture, and present a treasure trove of visual material, most never before seen by today's designers.

Best-selling author David Shields, and multi-talented writer, actor and director James Franco team up to transform a conversation into a highly original study of celebrity. Flip-Side is a work of dialogue that explores the relationship between performance and persona, on the one hand, and underlying pain and trauma, on the other. The text is complimented by dozens of selfies of James and Lana.

The sharp wit of a free-thinking Mormon folk hero In The J. Golden Kimball Stories, beloved and iconoclastic Mormon humorist J. Golden Kimball (1853-1938) speaks on death, marriage, love, hell, God, and everything in between. Compiled by Eric A. Eliason from previously unpublished archival resources, this collection of stories, anecdotes, and jokes captures the irreverent comedy and independent thinking that made Kimball so beloved both in and out of his Mormon community. Arranged thematically and framed by short contextual introductions, each chapter presents a colorful portrait of Kimball on topics including tricks, cussing, ministering, chastising, and repentance. A comprehensive introductory essay places Kimball in the context of Mormon history and folklore scholarship.