After the Revolutionary War, American sailors lost the protection of Britain's Royal Navy and were easy prey for the pirates of the North African coast, who captured ships and cargo, enslaved crew, and demanded ransom from the U.S. Motivated by these events, Royall Tyler, the first American-born playwright, poet, and novelist, wrote "The Algerine Captive." Originally published anonymously in 1797, it tells the tale of fictitious Boston native Dr. Updike Underhill, his capture by Barbary pirates, and their efforts to convert him to their Muslim faith. Written in an entertaining and satiric style that predated Mark Twain, Tyler's novel reveals his patriotic pride and anti-slavery beliefs. His comments on the religious and cultural divide between Western and Islamic beliefs of the day still resonate today.

A predecessor of both the nativist humor of Mark Twain and the exotic adventure stories of Washington Irving, Herman Melville, and Richard Dana, Royall Tyler’s The Algerine Captive is an entertaining romp through eighteenth-century society, a satiric look at a variety of American types, from the backwoods schoolmaster to the southern gentleman, and a serious exposé of the horrors of the slave trade. “In stylistic purity and the clarity with which Tyler investigates and dramatizes American manners,” the critic Jack B. Moore has noted, The Algerine Captive “stands alone in our earliest fiction.” It is also one of the first attempts by an American novelist to depict the Islamic world, and lays bare a culture clash and diplomatic quagmire not unlike the one that obtains between the United States and Muslim nations today.

Gale Researcher Guide for: Slavery and Islam in The Algerine Captive is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

An analysis of the historical roots of today's conflicts between the US and the Muslim world.

This book applies critical concepts developed within postcolonial theory to American texts written between the national emergence of the United States and the Civil War.

Writing and Postcolonialism in the Early Republic is the first book-length analysis of early American literature through the lens of postcolonial theory. Although the United States represented a colonizing presence that displaced indigenous peoples and exported imperial culture, American colonists also found themselves exiled, often exploited and abused by the distant metropolitan center. In this innovative book, Edward Watts demonstrates how American post-Revolutionary literature exhibits characteristics of a post-colonial society.

Quixotic Fictions of the USA 1792-1815 explores the conflicted and conflicting interpretations of Don Quixote available to and deployed by disenchanted writers of America's new republic. It argues that the legacy of Don Quixote provided an ambiguous cultural icon and ironic narrative stance that enabled authors to critique with impunity the ideological fictions shoring up their fractured republic. Close readings of works such as Modern Chivalry, Female Quixotism, and The Algerine Captive reveal that the fiction from this period repeatedly engaged with Cervantes's narrative in order to test competing interpretations of republicanism, to interrogate the new republic's multivalent crises of authority, and to question both the possibility and the desirability of an isolationist USA and an autonomous 'American' literature. Sarah Wood's study is the first book-length publication to examine the role of Don Quixote in early American literature. Exploring the extent to which the literary culture of North America was shaped by a diverse range of influences, it addresses an issue of growing concern to scholars of American history and literature. Quixotic Fictions reaffirms the global reach of Cervantes's influence and explores the complex, contradictory ways in which Don Quixote helped shape American fiction at a formative moment in its development.

Studying the rhetoric of antislavery genres, Gould exposes the relation between antislavery writings and commercial capitalism. By distinguishing between good commerce—the importing of commodities that refined manners—and bad commerce, like the slave trade, the literature offered a critique and outline of acceptable forms of commercial capitalism.

Revolution and the Word offers a unique perspective on the origins of American fiction, looking not only at the early novels themselves but at the people who produced them, sold them, and read them. It shows how, in the aftermath of the American Revolution, the novel found a special place among the least privileged citizens of the new republic. As Cathy N. Davidson explains, early American novels--most of them now long forgotten--were a primary means by which those who bought and read them, especially women and the lower classes, moved into the higher levels of literacy required by a democracy. This very fact, Davidson shows, also made these people less amenable to the control of the gentry who, naturally enough, derided fiction as a potentially subversive genre. Combining rigorous historical methods with the newest insights of literacy theory, Davidson brilliantly reconstructs the complex interplay of politics, ideology, economics, and other social forces that governed the way novels were written, published, distributed, and understood. Davidson also shows, in almost tactile detail, how many Americans lived during the Constitutional era. She depicts the life of the traveling book peddler, the harsh lot of the printer, the shortcomings of early American schools, the ambiguous politics of novelists like Brackenridge and Tyler, and the lost lives of ordinary women like Tabitha Tenney and Patty Rogers. Drawing on a vast body of material--the novels themselves as well as reviews, inscriptions in cherished books, letters and diaries, and many other records--Davidson presents the genesis of American literature in its fullest possible context.

The American past of transcendentalism, utilitarianism, utopianism, and spiritual freedom here has its necessary counter or complement in this corporal history of early America providing "the historical importance of sentience and materiality in early American societies.. ." While the materialism of early Americans may be less than revelatory in an age of slavery, tribal genocide, and the more or less extreme proscription of women's activity, the approach is nonetheless useful to detail the interactions between, and conceptions about, bodies classified as white, black, red, male and female. Contributors, primarily professors of history, American studies, English, and religious studies, utilize the founding body (of) theories of Foucault, Mary Douglas, Elaine Scarry, Judith Butler, and Helene Cixous to examine American materialism from 1600-1830, primarily east of the Mississippi. c. Book News Inc.