After photographing metropolises such as Tokyo, Sao Paolo, Cairo, Paris and Mexico City, Aglaia Konrad manipulates these images by mirroring, enlarging, collaging and copying them. In her two- and three-dimensional installations she not only plays with the phenomena and the representation of the city but also toys with questions concerning ambiguity, identity, and perception. An ambitious and substantial tome, Elasticity offers insight into the characteristics and images of the metropolis. In Konrad's highly individual image manipulations, a fascinating topography of urban fabrics, facades, infrastructure, architectural forms, and surfaces is revealed. This 248-page visual essay presents her personal photographic archive "installed" in book form in a unique sequence and rhythm. Elasticity also offers a reflection on Konrad's work through essays by critic and curator Daniel Kurjakovic, artist Eran Schaerf, and Antonio Guzman, director of art space L'Aquarium in Valenciennes. Published in conjunction with L'Aquarium, Valcenciennes and Argos, Brussels.

This book complements the more textually-based Bauhaus scholarship with a practice-oriented and creative interpretive method, which makes it possible to consider Bauhaus-related works in an unconventional light. Edit Toth argues that focusing on the functionalist approach of the Bauhaus has hindered scholars from properly understanding its design work. With a global scope and under-studied topics, the book advances current scholarly discussions concerning the relationship between image technologies and the body by calling attention to the materiality of image production and strategies of re-channeling image culture into material processes and physical body space, the space of dimensionality and everyday activity.

Structured and typeset like an encyclopedia, Aglaia Konrad from A to K draws out and explores the plastic and aesthetic possibilities of the reference book format. It indulges in a certain fascination for lists and their cumulative force while seizing upon the fact that alphabetic organization is extremely orderly, but also, upon reflection, entirely random. The book explores this in-between space and thwarts the self-evident integration of component parts in the reference work. Aglaia Konrad from A to K features a sizeable selection of color and black-and-white photographs, which appear here for the first time. Reflected in the images, and in the list that serves as their space of representation, is the artist's longstanding engagement with architecture, urbanism, cityscapes, and the shifting dimensions and shapes of our public and private environments.

Photographs display attitudes, agency and vision in the way cities are documented and imagined. Cities and Photography explores the relationship between people and the city, visualized in photographs. It provides a visually focused examination of the city and urbanism for a range of different disciplines: across the social sciences and humanities, photography and fine art. This text offers different perspectives from which to view social, political and cultural ideas about the city and urbanism, through both verbal discussion and photographic representation. It provides introductions to theoretical conceptions of the city that are useful to photographers addressing urban issues, as well as discussing themes that have preoccupied photographers and informed cultural issues central to a discussion of city. This text interprets the city as a spatial network that we inhabit on different conceptual, psychological and physical levels, and gives emphasis to how people operate within, relate to, and activate the city via construction, habitation and disruption. Cities and Photography aims to demonstrate the potential of photography as a contributor to commentary and analytical frameworks: what does photography as a medium provide for a vision of ‘city’ and what can photographs tell us about cities, histories, attitudes and ideas? This introductory text is richly illustrated with case studies and over 50 photographs, summarizing complex theory and analysis with application to specific examples. Emphasis is given to international, contemporary photographic projects to provide provide focus for the discussion of theoretical conceptions of the city through the analysis of photographic interpretation and commentary. This text will be of great appeal to those interested in Photography, Urban Studies and Human Geography.

Published alongside an exhibition at DeSingel international arts centre, Antwerp, these photographs examine urban border zones - the periphery, urban infrastructure, construction sites, and anonymous buildings. The photographs of numerous metropolises around the world testify that modernism is a global system.

Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.

The exhibition catalogue is published alongside the annual show. Established in 1949, this annual show has been dedicated to profiling the work of emerging artists at the start of their professional careers. The selectors for Bloomberg New Contemporaries 2017 are Caroline Achaintre, Elizabeth Price and George Shaw. 00Catalogue is fully illustrated and includes Artists' Biographies and individual texts by each of the artists; Q&A with Selectors of Bloomberg New Contemporaries 2017; Newly commissioned text around Education & the Visual Arts by Dr. Henry Ward; Forewords by Bloomberg Philantropies, New Contemporaries Director and New Contemporaries Chair. 00Exhibition: BALTIC Centre for Contemporary Art, Gateshead & BALTIC 39, Newcastle-upon-Tyne, UK (29.09.-26.11.2017) / Block 336, London, UK (27.01. - 03.03.2018).

Nothing about Dutch graphic design duo Mevis & van Deursen conforms to type. Praised for their innovative but clear presentation, they have designed everything from artist's books for Gabriel Orozco and Rineke Dijkstra to an official government stamp commemorating the marriage of Dutch Crown Prince Willem-Alexander, based on the number two, since the wedding date was 02-02-02. This book represents a range of work from the past 15 years, mostly books but also posters and smaller pieces. However, the artists have chosen not simply to present the work again but to make it new through collage and reinterpretative interplay, thus "recycling" their innovative design.