Can a white man thrive living as an African in a village in Africa? Philo’s adventure takes him to the fictional African country of Holima, where he is adopted by an African tribe. Should Philo follow Western wisdom, and cause problems through generous giving? Or can he convince Western people that a vulnerable approach is the best way to reach Africa? Jim Harries’ new novel of Christian fiction is broadly based on his true-life experiences, and shows how God performs his powerful acts through human weakness.

The contrast could not be greater. Paul said, “Let no one boast in men” (1 Cor 3:21), because it is only “God who causes the growth” (1 Cor 3:7). But today’s ministry is often platform-centered and program-bound. Jesus sent out the disciples “like sheep among wolves,” but today this “weak” approach is replaced with powerful techniques emphasizing attraction. The result is that ministry/mission thought and praxis are subverted in a way that makes the ordinary individual believer wonder if and how they are to be involved in God’s wonderful work. For Jesus, ministry was close and personal. He ate with friends, helped the hurting, and spoke the truth in love to any who would listen. Jesus embodied proclamation and ministry by depending on people (local resources), by being approachable and comprehensible (local tongues), and by spiritual gifts (the power of God). As weak and vulnerable as Jesus finds us, so does he desire to use us. Explore in this book the thought and practice of ministry and mission from the God-ordained and God-honoring perspective of vulnerable weakness.

This book explores Christ’s identity and his works in the Gospel of John in the light of the New Exodus eschatological Passover. It especially examines the relationship between the Passover and the firstborn who was substituted by the paschal lamb. The idea of the firstborn (especially his death) is reflected in some of the major Christological titles. These include: Only Son, Beloved Son, Davidic Messianic King, Deutero-Isaianic suffering Servant of the Lord and Son of Man. It is also found in major themes reflected in the narratives of John 1-4. Above all, John’s Gospel introduces the Logos as the Only Son of God and Son of Man. This probably alludes to the idea of the firstborn and the Son of Man figure who fulfils the calling of the Deutero-Isaianic suffering Servant of the Lord. He achieves the restoration of Israel from exile and the salvation of the gentiles as the sons of God. Hence, the Paschal-New Exodus motif is an important prism for interpreting the Gospel of John and Johannine Christology.

Mel’s Crush on Philo had her drag others with her into an adventure of discovery about Christian mission in contemporary Africa. Set in the fictional African country of Holima, a tumultuous sequence of events sees Mel and her friends learn of the need for Christian mission to Africa to be long term and vulnerable. From unsuspecting lovers to deep-rooted resistance, this book blends all aspects of a good novel with real African experiences. ‘It would be a great read for people doing short-term mission,’ says Dave, Philo’s great friend.

A "compelling, high-octane novel of racial, tribal and ideological conflict that will almost certainly draw criticism from the politically correct brigade," Scatterlings of Africa is a fast paced thriller, set in Rhodesia's war against terror. Rhodesia became Zimbabwe in 1980. It's December 1972 and Lieutenant Ron Cartwright is obsessed with defending his country against insurgents in a vicious civil war. Comrade 'Gumbarishumba' Gadziwa is equally determined to win the fight for Zimbabwe to be restored to his people. While abduction, intimidation, torture and worse are going on in the war zone, the cities, towns and many farms remain safe, idyllic havens where Ron's wife Angela and their young children live in relative comfort. But the stress of their separate lives is taking its toll, and the arrival of Angie's cousin Mark, who she hasn't seen since she was a child, adds fuel to an already tense situation. The tentacles of war spread, plots cross, and life will never be the same again.

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships. Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

FINALIST FOR THE 2019 NATIONAL BOOK AWARD LONGLISTED FOR THE 2020 ANDREW CARNEGIE MEDAL FOR EXCELLENCE A NEW YORK TIMES BESTSELLER Named a best book of 2019 by The New York Times, TIME, The Washington Post, NPR, Hudson Booksellers, The New York Public Library, The Dallas Morning News, and Library Journal. "Chapter after chapter, it's like one shattered myth after another." - NPR "An informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for soul-searching about the meanings of American history and the stories we tell ourselves about this nation's past.." - New York Times Book Review, front page A sweeping history—and counter-narrative—of Native American life from the Wounded Knee massacre to the present. The received idea of Native American history—as promulgated by books like Dee Brown's mega-bestselling 1970 Bury My Heart at Wounded Knee—has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry, the sense was, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear—and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence—the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention. In The Heartbeat of Wounded Knee, Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the US military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the essential, intimate story of a resilient people in a transformative era.

“One of the most enjoyable marriages of the fantasy and mystery genres on the shelves,”(Cinescape) the Dresden Files have become synonymous with action-packed urban fantasy and nonstop fun. Fool Moon continues the adventures of Jim Butcher’s most famous—and infamous—reluctant hero… You’d think there’d be a little more action for the only professional wizard listed in the Chicago phone book. But lately, Harry Dresden hasn’t been able to dredge up any kind of work: magical, mundane, or menial. Just when it looks like he can’t afford his next meal, a murder comes along that requires his particular brand of supernatural expertise. There’s a brutally mutilated corpse, and monstrous animal markings at the scene. Not to mention that the killing took place on the night of a full moon. Harry knows exactly where this case is headed. Take three guesses—and the first two don’t count...

Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world What exactly is Blackness and what does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? Who’s Black, who’s not, and who cares? In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later? One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.