HANNIBAL THE CONQUEROR is the greatest military strategist to ever come out of Africa! And come out of Africa he did...with sword swinging! Hannibal is the only general ever to INVADE the mighty ROMAN EMPIRE and come away smiling! Now see how and why: • The 99 "TRUTHS" that make up HANNIBAL's BLACK ART OF WAR have been compared to the classic writings of history's other great WARRIORS & STRATEGISTS: SUN TZU (The Art of War), Japan's Samurai swordmaster Miyamoto Musashi (A Book of Five Rings), and MACHIAVELLI (The Prince). • Down through the ages Hannibal's victories have helped inspire the conquest and cunning of other African heroes and conquerors from KING ANTAR; QUEEN CLEOPATRA of Egypt; PRINCE JUGURTHA, slave revolt leader NAT TURNER, and African Emperors SHAKA ZULU and HAILE SALLASIE! • Still today, HANNIBAL'S 99 TRUTHS continue to inspire the wit and wisdom and winning strategies of MODERN-DAY MOVERS & SHAKERS, ENTREPRENEURS, SPORTS STARS & ENTERTAINERS: from Malcolm X and Muhammad Ali, to modern-day generals like Colin Powell. •Here in his "99 TRUTHS" are revealed Hannibal's thoughts and strategies on: How to MAKE YOURSELF STRONGER & SMARTER ***** How to GATHER & USE INTELLIGENCE ***** The Truth about ENEMIES & AMBITION ***** The truth about PEACE...and How to Make WAR! ***** The Truth about HONOR and When and How to take REVENGE! ***** The Truth about the Nature of People ***** The Truth about Nature of The Gods ***** The importance of FAMILY & FRIENDS (Why it's important to have a good "POSSE"!) ***** Finding LOVE...and not letting DEATH find YOU!

"Celebrating an important aspect of cultural history, this book showcases the institutional and private efforts to collect, document, and preserve African American art in Houston during the 20th and 21st centuries"--Provided by publisher.

Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.

A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants—many of whom fought to secure their freedom. During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits— cartes de visite, ambrotypes, and tintypes—in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Grant Hill and experts celebrate and examine the creative expression of African American art and artists.

Analyzes American painting depicting various aspects of World War II, including battle, prisoners, the homefront, recreation, and victory.

"In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans--an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions--Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent."--

Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.