Greatly to be welcomed. This meticulously researched and richly documented account provides fresh insights into theological controversy and social prejudice and should be read by all serious students of the Victorian Church.Greatly to be welcomed. Richard Sharp The Rev. Dr John Hunt (1827-1907) was not a typical clergyman in the Victorian Church of England. He was Scottish, of lowly birth, and lacking both social connections and private means. He was also a witty and fluent intellectual, whose publications stood alongside the most eminent of his peers during a period when theology was being redefined in the light of Darwin’s Origin of Species and other radical scientific advances. Hunt attracted notoriety and conflict as well as admiration and respect: he was the subject of articles in Punch and in the wider press concerning his clandestine dissection of a foetus in the crypt of a City church, while his Essay on Pantheism was proscribed by the Roman Catholic Church. He had many skirmishes with incumbents, both evangelical and catholic, and was dismissed from several of his curacies. This book analyses his career in London and St Ives (Cambs.) through the lens of his autobiographical narrative, Clergymen Made Scarce (1867). David Yeandle has examined a little-known copy of the text that includes manuscript annotations by Eliza Hunt, the wife of the author, which offer unique insight into the many anonymous and pseudonymous references in the text. A Victorian Curate: A Study of the Life and Career of the Rev. Dr John Hunt is an absorbing personal account of the corruption and turmoil in the Church of England at this time. It will appeal to anyone interested in this history, the relationship between science and religion in the nineteenth century, or the role of the curate in Victorian England.

*** "This gorgeous book marries inspirational ideas with real interiors, to help you curate a home that reflects your personal story and style." Kate Watson-Smyth of Mad About The House "Helpfully divided into eight key elements that bring a space to life, this beautifully photographed book by Australian interior designer Gardener and journalist Heath, makes the perfect accompaniment to a house refresh." Elle Decoration "A paradise for the curious, Lynda and Ali present an interior perspective so cosy that you already feel you live there. Textural spaces cleansed in monochromatic hues - with ideas that invite your imagination to consider home and collections in a new light." Martyn Thompson - Designer, Photographer, Creative Director 'The images are stylish, elegant and inspiring - and you don't need big spaces or big bank balances to achieve their irresistible modern rustic ambience.' Sunday Express Doyenne of the unique and decorative, Australian interior stylist and boutique hotelier, Lynda Gardener, is always on the hunt for finds to enhance her homes and decorating projects. Her ability to curate and display these personal treasures has created a trademark style that is loved internationally. Curate, the highly anticipated book by creative duo, Lynda Gardener and journalist and stylist Ali Heath, reveals how to create a home that is truly individual. With their shared love of a monochrome aesthetic and natural imperfections, they explore the eight Elements that bring a space to life: palette, nature, textiles, lighting, a combination of old and new, storage, collections and art. Ten aspirational homes show the style in practice, including a converted warehouse, one-bedroom studio, bijoux apartment, historic cottage, country estate, new-build barn, remote shack, period townhouse and rural retreat. With gloriously evocative photography and plenty of down-to-earth ideas, Curate will encourage the reader to embrace their individual style, dream big and create a timeless interior of their own.

The familiar stories of the good Samaritan, the prodigal son, and Lazarus and the rich man were part of the cultural currency in the nineteenth century, and Victorian authors drew upon the figures and plots of biblical parables for a variety of authoritative, interpretive, and subversive effects. However, scholars of parables in literature have often overlooked the 19th-century novel, assuming that realism bears no relation to the subversive, iconoclastic genre of parable. In this book Susan E. Colòn shows that authors such as Charles Dickens, Margaret Oliphant, and Charlotte Yonge appreciated the power of parables to deliver an ethical charge that was as unexpected as it was disruptive to conventional moral ideas. Against the common assumption that the genres of realism and parable are polar opposites, this study explores how Victorian novels, despite their length, verisimilitude, and multi-plot complexity, can become parables in ways that imitate, interpret, and challenge their biblical sources.

"The Perpetual Curate" is a book written by Mrs. Oliphant, a pen name utilized by Margaret Oliphant, a well-known Scottish author. Frank Wentworth, a younger priest who becomes the everlasting curate in a small English city, is the main man or woman of the story. The book shows Wentworth's struggles and successes as he offers with the difficulties of us of an existence, personal relationships, and social expectancies. With the assist of a clergyman, Mrs. Oliphant expertly spins a story that explores the ethical and moral troubles humans face, relating subject matters of obligation, morality, and how the network's dynamics are changing. Frank Wentworth's journey takes region in Victorian England, giving readers an in depth photograph of the society and religious beliefs of the time. As the perpetual curate, Wentworth meets a huge variety of human beings, all of whom upload to the rich tapestry of human studies inside the book. When Mrs. Oliphant writes, she does so with a sharp wit, a deep expertise of the problems her character’s face, and a pointy commentary of human nature.

In his pithy introduction Roger Wells examines Burwash's history of notoriety and evaluates Egerton's claims to have 'sanitized' the village during his incumbency with a combination of charity, church and education. The book is illustrated with photographs taken in Burwash around the time of the diaries which aptly complement this evocative account of rural village life.

Unlocking the Church is the story of a revolution. The Victorians transformed how churches were understood, experienced, and built. Initially controversial, this revolution was so successful that it has now been forgotten. Yet it still shapes our experience of church buildings and also helps make sense of what we should do with them now.

The first study of lay people and parish clergy in the nineteenth-century Church of England.

Standing in stark contrast to the conservative churchmen of Victorian Britain, the Anglican clergyman Stewart Headlam was a passionately progressive reformer, a champion of the working poor--especially women --a defender of the music hall performers his colleagues attacked as licentious, and, in short, a man of God who remained firmly and controversially engaged with the society in which he lived and worked. This book, the first significant study of Headlam since 1928, paints a rich and complex picture of this larger-than-life man of the cloth, charting the trail he blazed across the social, political, and religious landscape of late nineteenth- and early twentieth-century Britain. Dissatisfied from an early age with his family’s Evangelical faith, Headlam became an Anglican curate, but his political views were increasingly radicalized as he befriended working-class atheists and trade union leaders. John Richard Orens details Headlam’s repeated conflicts with the establishment figures of his faith over his defense of music hall ballet performers’ right to reveal their legs, his role in the early years of the Fabian Society, his anti-puritanism, and his passionate socialism. Headlam was even instrumental in having Oscar Wilde bailed out of prison following the writer’s arrest for “homosexual offenses.” With this intellectual biography, Orens places Headlam’s life, beliefs, and actions in the context of the period, contributing to the ongoing debate about the proper relationship between Christianity, on the one hand, and society, sexuality, and the arts, on the other.

Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?