"There is science and there is religion and never the twain shall meet." Is that to be the fate of these two disciplines? Having one foot in the religious world and the other in the scientific can be as precarious as attempting to remain astride two logs in a river. In this sequel to A User's Guide to Our Present World: What Everyone Should Know about Religion and Science, complexions of what religion and science look like today are investigated. It discuses topics from Jesus and family values, evangelists who arrive at your door, discrimination and racism, and the dark side for religion, to delicate balances impacting us and the world, climate change, the pandemic, and how ancient structures like Stonehenge and the pyramids could have been built for science. The study then turns to theological implications of scientific theories, including relativity and quantum. Sure to ruffle the feathers of some from both sides, the examination focuses on how scientific paradigms fail to cohere with traditional theological doctrines and presents the potentially uncomfortable view that scientific revolutions might warrant a corresponding revolution for theology itself.

A User's Guide to Copyright is intended as a guide and a reference work on all aspects of copyright, including ownership, transmission, and licensing. This book also deals with the more straightforward copyright problems that arise and explores copyright law as it applies to certain organizations, businesses, and people for whom copyright plays an important part in their daily life, from publishers and printers to libraries, schools, music industry, film industry, television and radio stations, computer software and firmware, and character merchandising. This book is comprised of 29 chapters divided into two sections and begins with an overview of copyright law, paying particular attention to the basic rules of copyright, statutes and statutory instruments, and Copyright Act 1956. The reader is then introduced to copyright works encompassing literature, drama, music, and the arts as well as sound recordings, cinematograph films, and television and radio broadcasts. The following chapters discuss the concept of originality, breach of confidence, and publication in relation to copyright. Infringement of copyright is also considered, along with exceptions and defenses to copyright actions; the law on industrial designs; and the uses of copyright in fields such as publishing, music, libraries, performing arts, and architecture. This monograph is designed to assist people whose work involves them in day-to-day dealings with copyright.

Why are so many people attracted to narrative fiction? How do authors in this genre reframe experiences, people, and environments anchored to the real world without duplicating "real life"? In which ways does fiction differ from reality? What might fictional narrative and reality have in common—if anything? By analyzing novels such as Arundhati Roy's The God of Small Things, Amitav Ghosh's The Glass Palace, Zadie Smith's White Teeth, and Hari Kunzru's The Impressionist, along with selected Latino comic books and short fiction, this book explores the peculiarities of the production and reception of postcolonial and Latino borderland fiction. Frederick Luis Aldama uses tools from disciplines such as film studies and cognitive science that allow the reader to establish how a fictional narrative is built, how it functions, and how it defines the boundaries of concepts that appear susceptible to limitless interpretations. Aldama emphasizes how postcolonial and Latino borderland narrative fiction authors and artists use narrative devices to create their aesthetic blueprints in ways that loosely guide their readers' imagination and emotion. In A User's Guide to Postcolonial and Latino Borderland Fiction, he argues that the study of ethnic-identified narrative fiction must acknowledge its active engagement with world narrative fictional genres, storytelling modes, and techniques, as well as the way such fictions work to move their audiences.

A collection of novelist's non-fiction writings spanning more than thirty years addresses topics including the arts, science, literature, popular culture, and his own life.

A User's Guide to Copyright, Seventh Edition is long established as one of the key texts in the field. Renowned for its practical, user-friendly and authoritative approach and for its practical application to the main copyright using industries, the book is considered essential reading for legal practitioners, copyright law students and - crucially - for those working in the copyright using industries. Extensively cross-referenced to cases, legislation and leading texts and articles, this book clearly and effectively illustrates and explains the scope and relevance of copyright law in the new digital information era. Legislation and case law includes: WIPO Treaties; Number of EU Directives; Enterprise and regulatory Reform Act 2013; Football Association Premier League case (CJEU (C-403/08)); Infopaq (C-302/10); Public Relations Consultants Association v The Newspaper Licensing Agency (C-360/13); ITV v TVCatchup (C-607/11); Da Vinci Code case – Baigent v Random House; Fisher v Brooker 2009 UKHL 41 – the Whiter Shade of Pale case.

Annotated selections from past issues of MONDO 2000.

This book arose from courses taught by the authors, and is designed for both instructional and reference use during and after a first course in algebraic topology. It is a handbook for users who want to calculate, but whose main interests are in applications using the current literature, rather than in developing the theory. Typical areas of applications are differential geometry and theoretical physics. We start gently, with numerous pictures to illustrate the fundamental ideas and constructions in homotopy theory that are needed in later chapters. We show how to calculate homotopy groups, homology groups and cohomology rings of most of the major theories, exact homotopy sequences of fibrations, some important spectral sequences, and all the obstructions that we can compute from these. Our approach is to mix illustrative examples with those proofs that actually develop transferable calculational aids. We give extensive appendices with notes on background material, extensive tables of data, and a thorough index. Audience: Graduate students and professionals in mathematics and physics.

An all-inclusive guide to New York City features little-known resources and amusements, tips on dealing with the city's problems, and advice on the best services, shopping, and restaurants, all organized into useful categories such as Arts & Diversions, Coping, Services, Restaurants, Spirits, Sports, and Stores. Original.

LAPACK95 is a Fortran 95 interface to the Fortran 77 LAPACK library. It is relevant for anyone who writes in the Fortran 95 language and needs reliable software for basic numerical linear algebra. It improves upon the original user-interface to the LAPACK package, taking advantage of the considerable simplifications that Fortran 95 allows. LAPACK95 Users' Guide provides an introduction to the design of the LAPACK95 package, a detailed description of its contents, reference manuals for the leading comments of the routines, and example programs.