Howard Barker's alter-ego Eduardo Houth first materialised as the photographer of publicity images for Barker's theatre company The Wrestling School, one of many fictional identities assumed by the playwright to screen a range of his activities, including set and costume design. Writing of himself in the third person and in the historic tense, Barker/Houth achieves a fluency and an uncommon measure of objectivity, though objectivity is scarcely the sole intention. The result is a unique exercise in self-description, partisan but without the shrill self-justification so common in a mere autobiography. Barker/Houth's A Style and its Origins is very much a literary creation; it is also a totally original document and a rich history of the dramatist and his aesthetic.

The hat is one of our most beloved pieces of clothing, appearing in virtually every society. Through the centuries, hats have represented the most important structures of culture: governance (the crown), religion (the turban), tradition (the bonnet), and much more. Yet hats have also always allowed for the very personal expression of style and feeling. In this exquisitely illustrated celebration of the hat, Drake Stutesman uncovers the influence on our lives of this versatile headgear. Beginning in the Ice Age, the story of the hat is traced through its links with the origins of abstract thinking, through the complex evolution of the professions of millinery and hatting starting in the Middle Ages, through the rise of the superstar milliner in the twentieth century, and, finally, through the work of the ingenious hat makers of today who continue to dazzle us with their creations. For all those interested in the history of fashion and the history of culture--and couture--Hat offers new perspectives on this stylish, practical, and important accessory.

Originally published: London: Laurence King Pub., 2006.

#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • “An instant American classic and almost certainly the keynote nonfiction book of the American century thus far.”—Dwight Garner, The New York Times The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions—now with a new Afterword by the author. #1 NONFICTION BOOK OF THE YEAR: Time ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, The New York Times, Los Angeles Times, The Boston Globe, O: The Oprah Magazine, NPR, Bloomberg, The Christian Science Monitor, New York Post, The New York Public Library, Fortune, Smithsonian Magazine, Marie Claire, Slate, Library Journal, Kirkus Reviews Winner of the Carl Sandberg Literary Award • Winner of the Los Angeles Times Book Prize • National Book Award Longlist • National Book Critics Circle Award Finalist • Dayton Literary Peace Prize Finalist • PEN/John Kenneth Galbraith Award for Nonfiction Finalist • PEN/Jean Stein Book Award Longlist • Kirkus Prize Finalist “As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.” In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched, and beautifully written narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their outcasting of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity. Original and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.

The enduring influence of the architect Gottfried Semper (1803-1879) derives primarily from his monumental theoretical foray Der Stil in der technischen und tektonischen Künsten (1860-62), here translated into English for the first time. A richly illustrated survey of the technical arts (textiles, ceramics, carpentry, masonry), Semper's analysis of the preconditions of style forever changed the interpretative context for aesthetics, architecture, and art history. Style, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. Thus, in an ambitious attempt to turn nineteenth-century artistic discussion away from historicism, aestheticism, and materialism, Semper developed in Der Stil a complex picture of stylistic change based on scrutiny of specific objects and a remarkable grasp of cultural variety. Harry Francis Mallgrave's introductory essay offers an account of Semper's life and work, a survey of Der Stil, and a fresh consideration of Semper's landmark study and its lasting significance.

As Taijiquan has become increasingly popular, many people have inquired into its origins and development. Answers can be found in the Chen Style, the original method from Chen Village, Henan Province in the People's Republic of China. This book guides the reader through the historical development of the system, its philosophical roots, and through the intricacies of the various training methods of this unique form of Chiinese boxing. Legendary exploits of the Chen family are included to inspire today's practitioners.