Many times if God's precious sheep would have a revelation of the truth of going just a stone's throw further as Jesus did in the garden of Gethsemane, they would have a greater understanding of what's happening to them, and therefore not only survive but overcome in their dealings, trials, adversity, etc. The Lord is constantly calling us upward and onward. All that we go through in this life is for that purpose. The sad thing is few people realize that the difference in being an overcomer or a defeated, frustrated disciple, most of the time, is just a simple stone's throw. If we would just hang in there and press on a little further, fight just a little harder, persevere a little longer, we would have our breakthrough, and we would have grown spiritually, being changed into that same image (II Corinthians 3:18), becoming more and more like Jesus! It seems we are given choices every day as to whether to press on just a little further or to take the path of least resistance and stop. Every day, deep is calling unto deep (Psalms 42:7). Jesus seems to keep saying, "Follow me." May the Lord help us to see and to have a holy desire to not be satisfied with the status quo or to rest on our laurels with what we've already attained. But may us see the place afar off as Abraham did and go yonder towards it (Genesis 22:4). It is the place of sonship that our glorious God is calling and leading us to. Going there could be just hanging in there a little while longer, not quitting or giving up or giving in to our flesh or to sin and the devil. We have to choose to go after all that God wants for us. And it's just a stone's throw further; we can do it if we allow His great grace to work through us. This book was written to help us see what the Scriptures declare, so we can make a godly choice. May our precious Lord Jesus and the great Holy Spirit, along with the grace and mercy of our heavenly Father, encourage us to go just a stone's throw further today as we press towards the mark for the prize of the high calling of God in Christ Jesus (Philippians 3:14).

Like everyone, Meg has made choices over the course of her life. For the most part, she's proud of her decisions, but that doesn't mean she's not without regrets, not haunted by questions of what might have been.

"The McCourt family gained fame and notoriety through the books of brothers Frank and Malachy, and in the two popular documentaries that followed. In A Long Stone's Throw, the youngest brother, Alphie, adds his gifted voice to this literary chorus with a vivid, emotional memoir that begins in Limerick, Ireland. Like his brothers, Alphie details his escape from a miserable childhood in Limerick to the U.S., where the Irish curse, aimless jobs, women, the Army and business ventures lead him to steady ground in, of all places, New York City."--BOOK JACKET.

The book chronicles Steve Stone's 25-win 1980 season playing for the Baltimore Orioles.

What did Danes and Swedes in the Middle Ages imagine and write about Jews and Judaism? This book draws on over 100 medieval Danish and Swedish manuscripts and incunabula as well as runic inscriptions and religious art (c. 1200-1515) to answer this question. There were no resident Jews in Scandinavia before the modern period, yet as this book shows ideas and fantasies about them appear to have been widespread and an integral part of life and culture in the medieval North. Volume 1 investigates the possibility of encounters between Scandinavians and Jews, the terminology used to write about Jews, Judaism, and Hebrew, and how Christian writers imagined the Jewish body. The (mis)use of Jews in different texts, especially miracle tales, exempla, sermons, and Passion treaties, is examined to show how writers employed the figure of the Jew to address doubts concerning doctrine and heresy, fears of violence and mass death, and questions of emotions and sexuality. Volume 2 contains diplomatic editions of 54 texts in Old Danish and Swedish together with translations into English that make these sources available to an international audience for the first time and demonstrate how the image of the Jew was created in medieval Scandinavia.

A remote island is haunted by wedding crashers from beyond the grave. Dan Poblocki is back with a new spooky ghost story perfect for fans of Mary Downing Hahn and John Bellairs.There is an island, far off the coast of Maine, where the ghosts of the past are restless.Josie Sandoval and Eli Barker are strangers when they board the ferry to Stone's Throw, traveling to the isolated island for a wedding. Then an immense storm blows in, and the wedding party is left stranded with no way to contact the mainland... and no idea that they have been targeted for revenge by the undead. The only clues to the danger they're in are a scrap of an old Nazi uniform -- and an unfamiliar voice, crying out for help in German... Josie and Eli soon realize there's much more to worry about than guest lists and flowers. It's up to them to uncover the chilling history of Stone's Throw Island and put its ghosts to rest -- or this dream wedding will become an absolute nightmare.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

This engaging romantic tale tinged with a message of love and hope will take one's breath away, leaving the reader with a sense of wonder at God's amazing provision.

Translated from the German from Groote's edition of 1860 and edited with notes and an introduction This is a new print-on-demand hardback edition of the volume first published in 1946.

This is the first full translation of Marino Sanudo Torsello's Secreta fidelium Crucis to be made into English. The work itself is a piece of crusading propaganda following the fall of Acre in 1291, written between 1300 and 1321, but it includes much of historical relevance along with interesting observations on the early history of Jerusalem and the Crusader Kingdom. The translation is based upon the text edited by Jacques Bongars in 1611. There is an introduction that contextualises the book, its author, his sources and his audience. The notes provide essential information to clarify internal textual references and allusions, as well as the role of Biblical references in Sanudo's grand design. The index is designed to make this detailed text usable and accessible. In this, his major work, Sanudo advocated the conquest of Egypt as the means to regain Jerusalem for the Latins and worked through his points with considerable detail alongside references to 13th-century Mediterranean history, especially involving Louis IX of France and Charles of Anjou, king of Naples. Books I and II give considerable detailed discussion of the concept, plan and costs of his proposed crusade. Book III provides an outline history of the crusades and the crusader states. It is derived from a wide-reading of other sources especially of William of Tyre, and, for events after 1184 on the Eracles, the letters of James of Vitry, and Sanudo's own experiences in the east. Throughout, the work contains a staggering amount of cartographical, ethnographical, geographical, and nautical information, as well as numerous unique insights into historical events and personalities of the late 13th century, not only in Outremer but in Western Europe.