Like everyone, Meg has made choices over the course of her life. For the most part, she's proud of her decisions, but that doesn't mean she's not without regrets, not haunted by questions of what might have been.

"The McCourt family gained fame and notoriety through the books of brothers Frank and Malachy, and in the two popular documentaries that followed. In A Long Stone's Throw, the youngest brother, Alphie, adds his gifted voice to this literary chorus with a vivid, emotional memoir that begins in Limerick, Ireland. Like his brothers, Alphie details his escape from a miserable childhood in Limerick to the U.S., where the Irish curse, aimless jobs, women, the Army and business ventures lead him to steady ground in, of all places, New York City."--BOOK JACKET.

A remote island is haunted by wedding crashers from beyond the grave. Dan Poblocki is back with a new spooky ghost story perfect for fans of Mary Downing Hahn and John Bellairs.There is an island, far off the coast of Maine, where the ghosts of the past are restless.Josie Sandoval and Eli Barker are strangers when they board the ferry to Stone's Throw, traveling to the isolated island for a wedding. Then an immense storm blows in, and the wedding party is left stranded with no way to contact the mainland... and no idea that they have been targeted for revenge by the undead. The only clues to the danger they're in are a scrap of an old Nazi uniform -- and an unfamiliar voice, crying out for help in German... Josie and Eli soon realize there's much more to worry about than guest lists and flowers. It's up to them to uncover the chilling history of Stone's Throw Island and put its ghosts to rest -- or this dream wedding will become an absolute nightmare.

A collectible, four-color illustrated A–Z treasury of gangster rappers, the hip-hop high-life, and notorious pop culture history, told through a series of graphic doodles on 3” x 3” sticky notes. Four years ago, a Post-it® note changed Marlon Sassy’s life. Using office supplies “borrowed” from his admin job, Sassy began creating colorful sketches of rappers in highlighter, Sharpie, and pen. He made his debut posting his rendition of Snoop on Tumblr under the pseudonym “Gangster Doodles.” Next was Bart Simpson and Biggie, then Yams and Yeezy. Soon, he had amassed a cult following of fans who clamored for his next artistic interpretation. Gangster Doodles brings together more than 400 of his most popular illustrations with thirty never-before-seen pieces. An impressive and comprehensive A–Z compendium, it features everyone from Black Jesus to Beyoncé, Kendrick Lamar to LeBron James, Jean-Michel Basquiat to Young Thug, and Kermit the Frog to Action Bronson. This is the ultimate gift for rap fanatics and pop culture addicts alike.

Ghostnotes: Music of the Unplayed is an extended photo essay with more than two hundred images that represent a mid-career retrospective of B+’s photography of hip-hop music and its influences. Taking its name from the unplayed sounds that exist between beats in a rhythm, the book creates a visual music, putting photos next to each other to evoke unseen images and create new histories. Like a DJ seamlessly overlapping and entangling disparate musics, Cross brings together LA Black Arts poetry and Jamaican dub, Brazilian samba and Ethiopian jazz, Cuban timba and Colombian cumbia. He links vendors of rare vinyl with iconic studio wizards, ranging from J Dilla and Brian Wilson to Leon Ware and George Clinton, David Axelrod to Shuggie Otis, Bill Withers to Ras Kass, Biggie Smalls to Timmy Thomas, DJ Shadow to Eugene McDaniels, and DJ Quik to Madlib. In this unique photographic mix tape, an extraordinary web of associations becomes apparent, revealing connections among people, cultures, and their creations.

Literary Nonfiction. Art. Essays. LGBT Studies. This multi- layered text describes the social, political and personal context that framed the emergence of one of the most critically acclaimed artists of the late-20th century, Felix Gonzalez- Torres. STONE'S THROW attests to the importance of relationships forged throughout the most challenging years of the North American AIDS crisis, as Deitcher recounts his friendships with Gonzalez-Torres, with the activist curator Bill Olander, and the milieu to which they belonged. The title, STONE'S THROW, refers to the resonating effects on the author of a single sentence by Carl Andre: "My sculptures are masses and their subject is matter." Gonzalez-Torres brought that sentence to the author's attention soon after Deitcher accepted the artist's invitation to write the introductory essay for the catalogue that accompanied Gonzalez-Torres's 1992 project for Magasin 3 Konsthall (Stockholm). Now, twenty years after Gonzalez-Torres's death, Deitcher revisits many of his most celebrated works. STONE'S THROW strikes a balance between personal remembrance and cultural analysis, and is richly illustrated with previously unpublished ephemera and full color reproductions of poignant works by, among others, Nayland Blake, Tony Feher, Jim Hodges, and Roni Horn. In its combination of critical re-evaluation and personal testimony, STONE'S THROW marks a further development in Deitcher's commitment to writing intimate art histories. "David Deitcher is a master at the critical memoir. STONE'S THROW is a sumptuously written elegy not only for Felix Gonzalez-Torres and Bill Olander, but also for all those artists we lost to AIDS." Marvin J. Taylor, director, Fales Library and Special Collections"

A new collection of poetry and free form verse by C.R. Asher. Heavy !

Many times if God's precious sheep would have a revelation of the truth of going just a stone's throw further as Jesus did in the garden of Gethsemane, they would have a greater understanding of what's happening to them, and therefore not only survive but overcome in their dealings, trials, adversity, etc. The Lord is constantly calling us upward and onward. All that we go through in this life is for that purpose. The sad thing is few people realize that the difference in being an overcomer or a defeated, frustrated disciple, most of the time, is just a simple stone's throw. If we would just hang in there and press on a little further, fight just a little harder, persevere a little longer, we would have our breakthrough, and we would have grown spiritually, being changed into that same image (II Corinthians 3:18), becoming more and more like Jesus! It seems we are given choices every day as to whether to press on just a little further or to take the path of least resistance and stop. Every day, deep is calling unto deep (Psalms 42:7). Jesus seems to keep saying, "Follow me." May the Lord help us to see and to have a holy desire to not be satisfied with the status quo or to rest on our laurels with what we've already attained. But may us see the place afar off as Abraham did and go yonder towards it (Genesis 22:4). It is the place of sonship that our glorious God is calling and leading us to. Going there could be just hanging in there a little while longer, not quitting or giving up or giving in to our flesh or to sin and the devil. We have to choose to go after all that God wants for us. And it's just a stone's throw further; we can do it if we allow His great grace to work through us. This book was written to help us see what the Scriptures declare, so we can make a godly choice. May our precious Lord Jesus and the great Holy Spirit, along with the grace and mercy of our heavenly Father, encourage us to go just a stone's throw further today as we press towards the mark for the prize of the high calling of God in Christ Jesus (Philippians 3:14).