This engaging book on Chinese religion and culture by Judith Berling has been welcomed by longtime scholars of the same as a vital and fresh perspective. 'A Pilgrim in Chinese Culture' is a story of faith meeting faith that will enrich wisdom-seekers as well as provide a tool to introduce students to cross-cultural and interfaith issues. Berling tells how she became immersed in the issues of religious diversity, of her experiences living with religious neighbors, and of discovering how different from her own Midwestern Protestant milieu is the world of Chinese religion and culture. In China, one can be Buddhist, Confucianist, Taoist, and animist at a single moment. Exploring how this inclusivity can be achieved infuses 'A Pilgrim in Chinese Culture'. The multiplicity of deities, the notion of Truth as having many embodiments, even patterns of hospitality - Berling examines how these key aspects of Chinese culture shape and inform religion in China. Through the tales it tells, 'A Pilgrim in Chinese Culture' offers readers insights that no textbook can match, bringing home what religious diversity means in surprising and illuminating ways.

Illuminating one thousand years of history, The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq. Spanish galleons delivered porcelain to Peru and Mexico while aristocrats in Europe ordered tableware from Canton. The book tells the fascinating story of how porcelain became a vehicle for the transmission and assimilation of artistic symbols, themes, and designs across vast distances—from Japan and Java to Egypt and England. It not only illustrates how porcelain influenced local artistic traditions but also shows how it became deeply intertwined with religion, economics, politics, and social identity. Bringing together many strands of history in an engaging narrative studded with fascinating vignettes, this is a history of cross-cultural exchange focused on an exceptional commodity that illuminates the emergence of what is arguably the first genuinely global culture.

India and China are two of the most important civilizations of the ancient world. Looking at the relations between these empires before the 6th century A.D., Xinru Liu conclusively establishes the transmission of Buddhism from India to China, and describes the various items of commercial trade.

Until now, China has been scarcely represented in the burgeoning comparative literature on pilgrimage. This volume remedies that omission, discussing the interaction between pilgrims and sacred sites from the tenth century to the present. From the perspectives of literature, art, history, religion, politics, and anthropology, the essays focus on China's most famous pilgrimage mountains as well as lesser known sites.

This work subjects James Legge's Confucian translations to a postcolonial perspective, with a view of uncovering the subtle workings of colonialist ideology in the seemingly innocent act of translation. The author uses the example of Legge's two versions of the 'Zhonguong' to illustrate two distinctive stages of his sinological scholarship.

The life and legacy of Xuanzang: a Buddhist seeker, philosopher, and intrepid traveler who became the world's most famous pilgrim. In the fall of 629, Xuanzang (600–662), a twenty-nine-year-old Buddhist monk, left the capital of China to begin an epic pilgrimage across the country, through the deserts of Central Asia, and into India. His goal was to locate and study authentic Buddhist doctrine and practice, then bring the true teachings back to his homeland. Over the course of nearly seventeen years, he walked thousands of miles and visited hundreds of Buddhist monasteries and monuments. He studied with the leading teachers of his day and compiled a written account of his travels that remains a priceless record of premodern Indian history, religion, and culture. When Xuanzang finally returned to China in 645, he brought with him a treasure trove of new texts, relics, and icons. This transmission of Indian Buddhist teachings to China, made possible by Xuanzang’s unparalleled vision and erudition, was a landmark moment in the history of East Asian Buddhism. As with many great pre-modern religious figures, the legends surrounding Xuanzang’s life have taken on lives of their own. His story has been retold, reshaped, and repurposed by generations of monastics and laypeople. In this comprehensive and engaging account, Benjamin Brose charts a course between the earliest, most reliable accounts of Xuanzang’s biography and the fantastic legends that later developed, such as those in the classic Chinese novel Journey to the West. Xuanzang remains one of the most consequential monks in the rich history of Buddhism in East Asia. This book is an indispensable introduction to his extraordinary life and enduring legacies.

By providing a unique perspective on China's changing relationship with religion, this groundbreaking book explores the role the Chinese state continues to play in religious revival today. Throughout China, spaces for religious expression and practice have been rebuilt, revived, and contrived for display by local officials hoping to cash in on tourist revenue. Faiths on Display argues, however, that the results of the state's instrumental approach toward religion are far from predictable. The volume explores the ways revived religious practices and commercial tourism development intersect in China, offering surprising insights into the contested nature of state governance in a rapidly transforming society.

The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!

The saga of the seventh-century Chinese monk Xuanzang, who completed an epic sixteen-year journey to discover the heart of Buddhism at its source in India, is a splendid story of human struggle and triumph. One of China's great heroes, Xuanzang is introduced here for the first time to Western readers in this richly illustrated book.

This book takes a new look at the impacts of Christianity in the late-nineteenth-century China. Using American Baptist and English Presbyterian examples in Guangdong province, it examines the scale of Chinese conversions, the creation of Christian villages, and the power relations between Christians and non-Christians, and between different Christian denominations. This book is based on a very comprehensive foundation of data. By supplementing the Protestant missionary and Chinese archival materials with fieldwork data that were collected in several Christian villages, this study not only highlights the inner dynamics of Chinese Christianity but also explores a variety of crisis management strategies employed by missionaries, Christian converts, foreign diplomats and Chinese officials in local politics.