Sora's life was full of magic—until she discovered it was all a lie. Heir to Mt. Fuji's spirit kingdom, Sora yearns to finally take on the sacred kami duties. But just as she confronts her parents to make a plea, a ghostly army invades the mountain. Barely escaping with her life, Sora follows her mother's last instructions to a heart-wrenching discovery: she is a human changeling, raised as a decoy while her parents' true daughter remained safe but unaware in modern-day Tokyo. Her powers were only borrowed, never her own. Now, with the world's natural cycles falling into chaos and the ghosts plotting an even more deadly assault, it falls on her to train the unprepared kami princess. As Sora struggles with her emerging human weaknesses and the draw of an unanticipated ally with secrets of his own, she vows to keep fighting for her loved ones and the world they once protected. But for one mortal girl to make a difference in this desperate war between the spirits, she may have to give up the only home she's ever known. With its breathtaking action, heart-wrenching conflict, and unexpected romance, this vivid standalone contemporary fantasy will delight fans of Julie Kagawa and Laini Taylor. Dive into the captivating world of the kami today!

When the heir to a spirit kingdom discovers she is a human changeling raised as a decoy, she must adapt to her sudden loss of power and fight against horrific odds to save her home.

"In these irreverent pages, a shapeshifter gets a crash course in gender and sexuality by inhabiting both sides of the binary and arriving precisely somewhere in the middle." —O, The Oprah Magazine “HOT” (Maggie Nelson) • “TIGHT” (Eileen Myles) • “DEEP” (Michelle Tea) It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Paul transforms his body and his gender at will as he crossed the country––a journey and adventure through the deep queer archives of struggle and pleasure. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his/her way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.

In the late 1870s, this gifted writer of hilarious, bad verse had a national following. Mark Twain even wrote that he always carried with him a copy of Julia's first book of poems, The Sentimental Song Book (1876). "I find in them the same grace and melody that attracted me when they were first published twenty years ago, and have held me in happy bonds ever since," he explained. Twain attributed the "deep charm" of Julia's poems to her innocent habit of making "an intentionally humorous episode pathetic and an intentionally pathetic one funny." Twain immortalized Julia's style in the writings of Emmeline Grangerford, a character in The Adventures of Huckleberry Finn. She also influenced the writing--in fact, the career--of the doggerel poet Ogden Nash, who reportedly said that her example convinced him to try to become "a great bad poet" rather than "a bad good poet." The late Walter Blair, a highly respected professor of American literature at the University of Chicago, put it like this in his introduction to the last published collection of Julia's poems in 1928: If these songs [as Julia called her poems] were only a little closer to the conventional modes of meter, rhyme, thought, and expression they would not impress us at all. Touched, however, by the magic wand of genius, the novel works of this great poet cause readers to slump down in their chairs, hold their agitated and aching sides, wipe tears from brimming eyes, and fill the air with the sound of distinctly raucous laughter. Mortal Refrains is the first complete, published collection of Julia Moore's work--poetry, short stories, songs (including sheet music), and newspaper interviews--compiled from the earliest published versions found in various public libraries, rare book collections, museums, and archives.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

CHAOS CONTROLS HIS FUTURE. ONE MORTAL WOMAN COULD BE HIS SALVATION. THE COUNTDOWN TO ANNIHILATION WILL BEGIN WITH DANTE'S CHOICE.... THE FATE OF THREE WORLDS... The dark pieces of vampire rock star Dante Baptiste's past are violently emerging, and it is only a matter of time before the Fallen discover he is the creawdwr they have sought for thousands of years. The destruction he left behind in Oregon threatens to reveal his identity as Fallen Maker and True Blood, exposing the young nightkind to shadowy predators -- mortal and supernatural -- who will do whatever it takes to win his favor...or destroy him. RESTS IN DANTE'S HANDS. When beautiful FBI special agent Heather Wallace went AWOL on assignment, she chose irresistible Dante over the shady government forces that now stalk them both. Heather has her own secrets of the past to uncover, but she is also the only one who can hold her nightkind lover together when his dangerous quest for the truth threatens to send him over the edge. And as she and Dante fi ght for their survival, she realizes they must work together to protect their future -- before his mysterious destiny tears them apart....

Arguing with the Muse of music and justice is complicated, falling in love with her even more so.

It's the summer of 1960 in Atkinson, Vermont. Maria Fermoyle is a strong but vulnerable divorced woman whose loneliness and ambition for her children make her easy prey for dangerous con man Omar Duvall. Marie's children are Alice, seventeen—involved with a young priest; Norm, sixteen—hotheaded and idealistic; and Benny, twelve—isolated and misunderstood, and so desperate for his mother's happiness that he hides the deadly truth he knows about Duvall. We also meet Sam Fermoyle, the children's alcoholic father; Sam's brother-in-law, who makes anonymous "love" calls from the bathroom of his failing appliance store; and the Klubock family, who—in contrast to the Fermoyles—live an orderly life in the house next door. Songs in Ordinary Time is a masterful epic of the everyday, illuminating the kaleidoscope of lives that tell the compelling story of this unforgettably family.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

Legend has it that a magical spring lies dormant in the heart of the Khuzar desert. Said to be a gift from the gods, the spring holds the cure to all mortal woes. As mercenaries from everywhere try in vain to find the mystical spring, 17-yearold Desert Rose is on the run after her chieftain father is overthrown and captured by rebel clans. Now out for revenge, she sets out alone to the Oasis Capital to assassinate the person instigating the rebellion: the corrupt Emperor Zhao, who will stop at nothing to possess the elixir of life from the spring. To infiltrate the Imperial Guard, Desert Rose must pass a series of trials to test her wit, mettle, and her loyalty. But the real test lies in navigating the cut throat court politics with no ally but a rogue prince and a latent magic stirring in her - magic that can bring a kingdom to its knees or destroy her from within.