Being a muse in the twenty-first century is a lot harder than it was in Ancient Greece. Life was simple when Calliope Ardalides, firstborn of the nine Muses, only had to concentrate on music and justice. But now she’s arbitrating between arguing gods, answering complaints from cantankerous humans irked by how their prayers are being answered, and keeping her eight sisters in line. When it’s time for her annual break from Afterlife, Inc, she goes to the one place she can count on to keep her sane: the Temple of the Muses in the quiet countryside of Scotland. But Jordan James shows up with her contractors, builders, and noisy equipment. Her adventure park will take up most of the idyllic region, turning the serenity Calliope treasures into a haven for adrenaline junkies. Jordan is resistant to Calliope’s powers of persuasion, but Calliope's beauty remains a potent force. Stubbornly, Jordan vows to take on even the most beautiful immortal to make her dream come true, especially if it means spending more time with her.

He’s got a history of bad decisions—is he finally about to make the right one? Jesse Hargreaves can’t outrun his notorious bad boy reputation. Betrayed by a woman he trusted, he retreats to his hometown, Wirralong, to serve as his brother’s best man and rebuild his life. But change isn’t easy, and it’s even harder when Jesse has to fight his fierce attraction to the maid of honour—a woman well aware of the darkness in his past. Beautician Serenity Strachan’s flippant one-liners and vibrant hair colours are armour to protect her fragile heart. She’s always crushed on Jesse, but she’s determined to keep him and his sordid past at an arm’s length. That’s easier said than done when Jesse asks Serenity to help renovate an old property. And when they're trapped underground in a tunnel cave-in, their emotional barriers fall faster than the tunnel walls. When rescue arrives, they question their new emotional intimacy. Can Serenity trust this new Jesse with her heart? And can Jesse trust that Serenity will ignore the lure of a fortune to keep his secrets safe?

In less than a year, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. That lack of direction lead him on a 5

Ava has a loving family, a beautiful house, and a solid faith. Suddenly, her ideal life will be completely broken . . . in the best of ways. Ava’s life is full of great things. Her daughter is getting married to just the right guy, her husband’s company has kept them financially successful for years, her son is thriving as a high-school football player, and the ministry she started is keeping her busy as she reaches out to those with “broken hearts.” Then it all falls apart. Ava’s safe world becomes unanchored, and she is forced to face the childhood she’s run away from her entire life. Just as she’s trying to sift through the pieces, the doorbell rings and Ava is confronted with the surprise of her life. Ava must set out on a journey that takes her back home. Along the way, she encounters God in new and unexpected ways. She sees she's been hiding her brokenness behind good deeds and the comforts of a safe life. Learning what it means to lose it all is just the start of Ava’s journey—as is the new song God is writing on her heart.

Part of the American Literatures Initiative Series Beyond the Nation charts an expansive history of Filipino literature in the U.S., forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. Beyond the Nation considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. Ponce elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities.

After the death of their mother, thirteen-year-old Serenity Evans and her younger brother go to live with their grandparents, who try to keep them safe from bad influences and help them come to terms with what has happened to their family. Includes recipe for red velvet cake.

Naslagwerk van de liedkunst en de literatuur hierover.

Author Kim Norman (Crocodaddy) and illustrator Liza Woodruff have whipped up a rollicking, jolly, snow-filled adventure! In the land of the midnight sun, all the animals are having fun speeding down the hill on Caribous sled. But as they go faster and faster, Seal, Hare, Walrus, and the others all fall off…until just Caribous left, only and lonely. Now, a reindeer likes flying-but never alone, so…one through ten, all leap on again! An ideal picture book for reading-and singing along with-over and over.

A major study of the major and minor fiction, poetry, and children's books of SF and fantasy writer Ursula K. Le Guin. As Le Guin herself writes, "It is written in English, not academese, and will be of interest to a wide spectrum of students, scholars, and interested readers."

Anthony Taylor's poems and songs offer a range of topics and emotions as varied as life itself - from the warm-hearted humour of The Hugging Song and the playful but touching romanticism of I'd Like To Be The Morning Sun to the despairing voices of Russian Roulette and Commuter's Lament; from the tenderness of Dream Of Me Tonight to the indictments of war in First Moustache and Gorillas Hearing Gunfire; from celebrations of natural beauty in Winter Sun Over Aberystwyth and Samothrace to the grief of The Daffodils Outside My Mother's Window and Skeleton House; from the joyful assurance of Sailboats In The Sky to the ominous note sounded in Dead Hedgehog; from the contentment of Canals to the sad solitariness of Alone Eighty and Missing. In between, the verse takes in such diverse subjects as music, summers and sand, commuting, snow, rugby, busking, faith, cruelty to animals and world conflict and peace. Through all there shines a love of and concern for life and living things.