This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

First published in 1876, when many considered Japanese art a mere curiosity, A Glimpse at the Art of Japan presents Jarves remarkable examination of the problems of Japanese aesthetics, offering a penetrating analysis of the historical, religious, and social influences on the development of art in Japan. Supporting the thesis that art gives true expression to the aspirations of a nation, Jarves discusses such issues as: the influence of Shintoism and Buddhism on Japanese art; Buddhism as the "nursery of art"; the Japanese aesthetic ideal and the Grecian form; the literature and poetry of Japan; Japanese decorative and ornamental art; and the Japanese conception of Nature—all in addition to a continuing discussion of the distinguishing characteristics of Japanese aesthetics.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from A Glimpse at the Art of Japan This small volume is what its title says, - a brief look, for the reader, at the art in question. As regards the writer, however, it is the gist of ideas and facts of several years' study and experience, becoming more intense with time and reflection. His purpose is not to give, even if competent, a dry nomenclature of dates, names, varieties, and localities of manufacturers, lists of trade-marks, artists and artisans, and like data, interesting and useful in themselves, especially to collectors. To do this, besides a knowledge of Chinese and the two written languages of Japan, one must make a special study of the numberless ciphers and inscriptions, which are found on many of the better objects, to distinguish their makers or places of fabrication. A general critic has not time for this investigation; it is not necessary, either, for the author's aim, which is psychological and aesthetic, rather than realistic and statistical. He wishes to detect beauty and truth under all guises, believing that the character more than the mechanism of any art confers the highest pleasure, and is the most profitable to know. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Reprint of the original, first published in 1876.

This four-volumes reference work offers a critical overview of the history and culture of Japanese art. Drawing up English-language texts from art history, history and anthropology, the volumes explore the diverse and changing material and visual cultures of Japan from the pre-modern period to the present day. 0 0Over 80 essays from Asia, North America and Europe are assembled in this set and they address four major themes ? material cultures (ceramics, textiles, sculpture), visual cultures (painting, calligraphy, decorated screens), printed matter (wood-block prints, books) and the context for Japan?s art history (networks of patronage, sites of artistic production and consumption). Each volume is separately introduced and the selected materials are presented chronologically within the four major themes. 0.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.