Reprint of the original, first published in 1876.

Featuring the stunning work of Kiyotaka Haimura! This collection of illustrations, rough sketches, and more is sure to please any diehard lovers of the beautiful artwork decorating the covers and pages of Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side: Sword Oratoria! Included are a long format interview between Kiyotaka Haimura and the author Fujino Omori, an exclusive short story, and illuminating scribbled commentary by Kiyotaka throughout!

Gain insight into both modern and Japanese styles with this stunning Japanese interior design book. The Japanese traditional house defines Japanese style. The Japanese, however, being a practical and resourceful people, do not so limit themselves. They know that there are times when the spirit breaks the bounds of quiet simplicity. In more than 300 beautiful photographs of the homes of both Westerners and Japanese, this book presents the art of living with Japanese style, offering exciting new ideas and inspiration for all. Exquisite homes in the Tokyo area, focusing on original and attractive use of Japanese antiques and folk crafts, are showcased. Also included is the latest information on antique markets and hints for where to see the art of living--in galleries, textile and craft shops, and restaurants.

One of the twentieth century's leading abstract expressionists, Sam Francis (1923-94) was one of the few visual artists who traversed the globe multiple times during the 1950s and 1960s, becoming one of the first postwar American painters to develop a truly international reputation. Francis's engagement with the world and his fascination and involvement with different cultures, in particular that of Japan, is explored in this compelling volume, published in conjunction with the exhibition Sam Francis and Japan: Emptiness Overflowing at the Los Angeles County Museum of Art. Richard Speer, a co-curator of the exhibition, offers astute insights into the visual, technical, and philosophical affinities between traditional Asian art and Francis's work as a modern abstract painter. He delves into the relationship of Francis's aesthetics to much older Japanese artistic traditions, in particular the concept of ma, a symbolically rich in-between zone that is paralleled in the lyrical deployment of negative space in Francis's paintings. In addition, Speer looks at Francis's friendships with many of the Gutai and Monoha artists and highlights their shared conceptual theories involving notions of time, space, and a limitless continuum. A contemplative and discerning overview of the artist in Japan, the book draws on archival research and individual interviews with Francis's Japanese colleagues, as well as family and friends. It suggests the transformative power of art as a cultural bridge while expanding our insight into the artist's visual language and his devotion to the image. Francis's own aphoristic essay "One Ocean One Cup," first published in Japan in 1977, revealing the artist's reactions to living and working in the transcendental Japanese environment, rounds out the book. Exhibition: The Los Angeles County Museum of Art, United-States (04.10.2020 - 24.01.2021).

Developed out of the aesthetic philosophy of cha-no-yu (the tea ceremony) in fifteenth-century Japan, wabi sabi is an aesthetic that finds beauty in things imperfect, impermanent, and incomplete. Taken from the Japanese words wabi, which translates to less is more, and sabi, which means attentive melancholy, wabi sabi refers to an awareness of the transient nature of earthly things and a corresponding pleasure in the things that bear the mark of this impermanence. As much a state of mind--an awareness of the things around us and an acceptance of our surroundings--as it is a design style, wabi sabi begs us to appreciate the simple beauty in life--a chipped vase, a quiet rainy day, the impermanence of all things. Presenting itself as an alternative to today's fast-paced, mass-produced, neon-lighted world, wabi sabi reminds us to slow down and take comfort in the simple, natural beauty around us. In addition to presenting the philosophy of wabi-sabi, this book includes how-to design advice--so that a transformation of body, mind, and home can emerge. Chapters include: History: The Development of Wabi Sabi Culture: Wabi Sabi and the Japanese Character Art: Defining Aesthetics Design: Creating Expressions with Wabi Sabi Materials Spirit: The Universal Spirit of Wabi Sabi

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Arts Of Japan is a Kodansha International publication.