This sequence of poems takes the reader back to the early 20th century to Northern Germany where a group of artists founded a colony in Worpswede. Fascinated by the number of self-portraits, Sujata Bhatt imagines the painters' inner and outer worlds.

Netflix’s series adaptation of One Hundred Years of Solitude premieres December 11, 2024! One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.

The poet and author’s “beautiful . . . wise and warm” journal of time spent in her New Hampshire home alone with her garden, her books, the seasons, and herself (Eugenia Thornton, Cleveland Plain Dealer). “Loneliness is the poverty of self; solitude is richness of self.” —May Sarton May Sarton’s parrot chatters away as Sarton looks out the window at the rain and contemplates returning to her “real” life—not friends, not even love, but writing. In her bravest and most revealing memoir, Sarton casts her keenly observant eye on both the interior and exterior worlds. She shares insights about everyday life in the quiet New Hampshire village of Nelson, the desire for friends, and need for solitude—both an exhilarating and terrifying state. She likens writing to “cracking open the inner world again,” which sometimes plunges her into depression. She confesses her fears, her disappointments, her unresolved angers. Sarton’s garden is her great, abiding joy, sustaining her through seasons of psychic and emotional pain. Journal of a Solitude is a moving and profound meditation on creativity, oneness with nature, and the courage it takes to be alone. Both uplifting and cathartic, it sweeps us along on Sarton’s pilgrimage inward. This ebook features an extended biography of May Sarton.

In this impactful book, Rafael Serradura invites readers to explore the effect of disruptive creativity in everyday life, addressing how it can bring colour, life, and innovation to the grey of monochromy and solitude. More than just a simple collection of thoughts and works, this piece is a call to action — a journey that transcends momentary inspiration and extends into the continuous practice of personal and professional transformation. Through profound reflections and creative practices, Serradura presents ways to break barriers, overcome inertia, and introduce innovation into every aspect of life. By using practical examples, this book proposes a new way of perceiving challenges, applying disruption in an intentional and strategic manner in personal, familial, and professional life. Disruptive Creativity Brings Colour to the Grey of Solitude has been carefully designed for readers to actively engage in their own journey. With dedicated spaces for reflections and notes, this book is also an interactive tool — even in digital format — allowing you to record ideas, insights, and new creations. This work is not merely an inspiring read, but a useful resource, a practical instrument that challenges you to apply the concepts of disruptive creativity to transform your reality and positively impact the ecosystems around you. Prepare yourself for an engaging read, filled with discoveries, that practically shares how Serradura has redefined solitude through the creative and disruptive gift that we all carry in our DNA, enabling us to experience the breaking and overflowing of disruptive creativity.

As interest in aesthetic experience evolved in the eighteenth century, discussions of the sublime located two opposed accounts of its place and use. Ferguson traces these two positions - the Burkean empiricist account and the Kantian formalist one - to argue that they had significance of aesthetics, including recent deconstructive and New Historicist criticism.

This book presents a thematic analysis of various aspects of solitude, silence and loneliness, from the ancient world to the present day, explored thematically with consideration to the links between aloneness to other social and political issues. The themes include exile (expulsion from a community), ecstasy (getting 'out of oneself') and enstasy (being comfortable within oneself), to the Romantic idea of the artist as solitary. There is work on aloneness in and through nature, especially the importance of natural settings for positive experiences of solitude. A central theme is alienation and its emotions, with the idea of loneliness and the rejected self being a more modern experience. The book explores modernism and postmodernism as presenting new forms of solitude in the twentieth century, and how, more recently, there have been attempts to 'recover' the self, through therapeutic uses of the arts. All of these types and experiences of aloneness are described through the lenses of artistic, literary and musical forms of expression, as aloneness is not only explored and articulated through these art forms, but is in many ways created through these art forms.

This selection of poetry is intended to be an introduction to the collection of my poems and makes no attempt to be comprehensive. Notes From My Solitude is unintentional and drawn from my monastery moments, reflecting on the daily occurrence that touches me. I did not write for my work to be read out loud but I hope that you will enjoy reading it. Thank you!!

Much as Nietzsche has gained in popularity during the last century, his poetry still has not received the scholarly attention it deserves. On closer scrutiny, his aposiopetic style, along with the labyrinthine and self-referential nature of his writings, subtly hint toward the recurring and parallel presence of poetry in his writings. This fact cannot be ignored, and his poetry should therefore be included in any reading of Nietzsche. This study investigates Nietzsche's poetic output while simultaneously regarding him as a poet-philosopher. This reading allows juxtaposing all Nietzschean key concepts while avoiding the temptation to simplify Nietzsche by centering his thought on any particular one. The author ends by highlighting a hitherto neglected term that allows a simultaneous reading of Nietzschean keywords while also including the essential notions of movement, flux, and play.