Much as Nietzsche has gained in popularity during the last century, his poetry still has not received the scholarly attention it deserves. On closer scrutiny, his aposiopetic style, along with the labyrinthine and self-referential nature of his writings, subtly hint toward the recurring and parallel presence of poetry in his writings. This fact cannot be ignored, and his poetry should therefore be included in any reading of Nietzsche. This study investigates Nietzsche's poetic output while simultaneously regarding him as a poet-philosopher. This reading allows juxtaposing all Nietzschean key concepts while avoiding the temptation to simplify Nietzsche by centering his thought on any particular one. The author ends by highlighting a hitherto neglected term that allows a simultaneous reading of Nietzschean keywords while also including the essential notions of movement, flux, and play.

Sony Labou Tansi's surreal portrait of a despised and incompetent regime is a biting, burlesque fable, incisive in its description of postcolonial life. History has been silenced in this modern African state: only the voices of the dead cry out for justice. It is a cry answered by Estina Bronzario, the Woman of Bronze, determined to act against the political and moral corruption of male-dominated society. Murders escalate, crowds ebb and flow, and the years roll by. But all the while, the police never come... 'Central Africa's greatest writer.' New York Times 'No greater genius than Sony Lab'ou Tansi.' Independent 'Sublimely surreal allegory... Tansi [is] one of Africa's important voices.' Publishers Weekly

In these three predecessors of existentialism, all of whom were profoundly influenced by Stendhal, the author finds evidence of that spiritual isolation which leads ultimately to personal solitude and philosophical nihilism. To these negative modes of being he opposes the alternatives embodied by St. Augustine and Proust-- the passion for God and the passion for creation.

Netflix’s series adaptation of One Hundred Years of Solitude premieres December 11, 2024! One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.

The first book to bring together Nietzsche's poetry in English, this complete work examines thirty major poems and points out allusions and references to 220 juvenilia, songs, epigrams, dithyrambs, and verse fragments found throughout Nietzsche's writing. The first book to bring together this work in English, The Poetry of Friedrich Nietzsche examines thirty major poems and points out allusions and references to 220 juvenilia, songs, epigrams, dithyrambs, and verse fragments found throughout Nietzsche's writing. Arranged according to the various stages of Nietzsche's life and philosophical development, these poems not only bear testimony to the many changes in his environment and thinking, but form a rich background to his prose writings.

The poet and author’s “beautiful . . . wise and warm” journal of time spent in her New Hampshire home alone with her garden, her books, the seasons, and herself (Eugenia Thornton, Cleveland Plain Dealer). “Loneliness is the poverty of self; solitude is richness of self.” —May Sarton May Sarton’s parrot chatters away as Sarton looks out the window at the rain and contemplates returning to her “real” life—not friends, not even love, but writing. In her bravest and most revealing memoir, Sarton casts her keenly observant eye on both the interior and exterior worlds. She shares insights about everyday life in the quiet New Hampshire village of Nelson, the desire for friends, and need for solitude—both an exhilarating and terrifying state. She likens writing to “cracking open the inner world again,” which sometimes plunges her into depression. She confesses her fears, her disappointments, her unresolved angers. Sarton’s garden is her great, abiding joy, sustaining her through seasons of psychic and emotional pain. Journal of a Solitude is a moving and profound meditation on creativity, oneness with nature, and the courage it takes to be alone. Both uplifting and cathartic, it sweeps us along on Sarton’s pilgrimage inward. This ebook features an extended biography of May Sarton.

‘Introducing Karen Solie, I would adapt what Joseph Brodsky said some thirty years ago of the great Les Murray [. . .] – she is the one by whom the language lives’. – Michael Hofmann, LRB The Canadian Karen Solie is rapidly establishing a reputation as one of the most important poets at work today. Her fifth book of poetry, The Caiplie Caves, is a profound and timely consideration of the nature of crisis: at its heart is the figure of St Ethernan, a seventh-century Irish missionary to Scotland who retreated to the caves of the Fife coast in order to decide whether to establish a priory on May Island or pursue a life of solitude. His decision would have been informed by realities of war, misinformation and power; Solie imagines this crisis also complicated by grief, confusion – and a faith placed under extreme duress. Woven through Ethernan’s story are poems that orbit the caves’ geographical location, and range through the recurring violences of history and myth, of personal and public record. In poems of the utmost lyric subtlety and argumentative strength, Solie addresses how we might distinguish self-delusion from belief, belief from knowledge – and how, in the frailty of our responses, we can find the courage to move forward.

"Solitude was seminal in challenging the established belief that "interpersonal relationships of an intimate kind are the chief, if not the only, source of human happiness." Indeed, most self-help literature still places relationships at the center of human existence. Lucid and lyrical, Storr's book cites numerous examples of brilliant scholars and artists -- from Beethoven and Kant to Anne Sexton and Beatrix Potter -- to demonstrate that solitude ranks alongside relationships in its impact on an individual's well-being and productivity, as well as on society's progress and health. But solitary activity is essential not only for geniuses, says Storr ; the average person, too, is enriched by spending time alone."--Back cover.

Thoughtful and eloquent, as timely (or timeless) now as when it was originally published in 1956, Thoughts in Solitude addresses the pleasure of a solitary life, as well as the necessity for quiet reflection in an age when so little is private. Thomas Merton writes: "When society is made up of men who know no interior solitude it can no longer be held together by love: and consequently it is held together by a violent and abusive authority. But when men are violently deprived of the solitude and freedom which are their due, the society in which they live becomes putrid, it festers with servility, resentment and hate." Thoughts in Solitude stands alongside The Seven Storey Mountain as one of Merton's most uring and popular works. Thomas Merton, a Trappist monk, is perhaps the foremost spiritual thinker of the twentiethcentury. His diaries, social commentary, and spiritual writings continue to be widely read after his untimely death in 1968.