'A Brit Different' celebrates everything that makes Britain great. From cheese rolling to nettle eating, the most quaint, quirky and downright ridiculous contests are brought to life in this collection of eccentric British events. This guide arms you with all the practical information you will need to watch or participate in these events.

Chick flicks. Brokeback Mountain. Bollywood. Superhero movies. Sophie’s Choice. Ben Affleck and Sandra Bullock. Avant-garde musicals... If this sort of stuff is your cup of tea, then this isn’t the book for you. Blokey film enthusiast Dave Franklin instead concentrates on the politically incorrect delights of Coffy, Magnum Force and Boogie Nights while paying tribute to the likes of Christopher Walken, Paul Schrader, 70’s disaster movies and Brian De Palma. There’s even some tongue-in-cheek appreciation of the God-like Steven Seagal. So settle back, forget about identity politics and the prevailing lefty narrative, and immerse yourself in a book that values celluloid entertainment above all else. Or as Rob Reiner says at the start of the immortal Spinal Tap: “Enough of my yakking. Let’s boogie.”

From Peckinpah and Schwarzenegger to Ulzana’s Raid and Switchblade Sisters, Dave Franklin takes a politically incorrect look at the glories of twentieth century cinema. In this second volume of his Baby Ice Dog Movie Guide, he offers eight Fucked-Up Films, a bit of tit trauma, ten of the best starring debuts, a few macho idiots, a tribute to Michael Douglas’ prime, and a glance at the most over the top performances in movie history. Not to mention eco-horror, the odd catfight and a handful of ridiculous deaths. So grab a beer, settle back and enjoy…

From Afua Hirsch - co-presenter of Samuel L. Jackson's major BBC TV series Enslaved - the Sunday Times bestseller that reveals the uncomfortable truth about race and identity in Britain today. You're British. Your parents are British. Your partner, your children and most of your friends are British. So why do people keep asking where you're from? We are a nation in denial about our imperial past and the racism that plagues our present. Brit(ish) is Afua Hirsch's personal and provocative exploration of how this came to be - and an urgent call for change. 'The book for our divided and dangerous times' David Olusoga

A bare-chested Charlton Heston sitting on a horse staring up at the Statue of Liberty. Naked high school girls frolicking in a locker room a moment before transforming into an unholy chanting mob of plug-it-up nastiness. Scorpio dementedly forcing a busload of kidnapped kids to sing nursery rhymes. And an ever so slightly chubby Kansas farm girl telling us there’s no place like home... Movies, eh? What would we do without ’em? Probably watch more TV shows for a start. Anyhow, this is a book for politically incorrect cinephiles, its collection of reviews, articles and drunken ramblings showcasing my love of mid to late twentieth century movies.

The world sees Britain through the antics of Monty Python’s Flying Circus, the stiff-lipped, painfully class-conscious societies depicted in Gosford Parkand Remains of the Day, and the scathing diatribes of American Idol’s Simon Cowell. The images being projected from the island nation of England are so disparate these days that it’s hard to know what to think of the British. Chris Rojek explores this dilemma, looking at the myths, misconceptions, and stereotypes of the British. Drawing upon a wide range of sources in pop culture, politics, art, and history, Rojek examines how Britons are viewed both at home and abroad. From Austin Powers to King Arthur and Albion, and from Big Brother to international opinion polls, Rojek investigates what it means to be British in a globalized, multicultural world. Brit-Myth deftly avoids extreme nationalism or abstract scholarship, offering a new conception of Britishness that transcends race and emphasizes the integral role of individualism and nonconformity in British identity. Full of thought-provoking insights and engaging anecdotes, Brit-Myth will entertain both Anglophiles and those who want to learn more about the land under the Union Jack.

The chapters in this volume apply the methodology of relevance theory to develop accounts of various pragmatic phenomena which can be associated with the broadly conceived notion of style. Some of them are devoted to central cases of figurative language (metaphor, metonymy, puns, irony) while others deal with issues not readily associated with figurativeness (from multimodal communicative stimuli through strong and weak implicatures to discourse functions of connectives, particles and participles). Other chapters shed light on the use of specific communicative styles, ranging from hate speech to humour and humorous irony. Using the relevance-theoretic toolkit to analyse a spectrum of style-related issues, this volume makes a case for the model of pragmatics founded upon inference and continuity, understood as the non-existence of sharply delineated boundaries between classes of communicative phenomena.

The most comprehensive and user-friendly guide to English usage available, specifically tailored to the needs of students in Higher education Comparative approach, as opposed to a dictionary format, allows the student reader to quickly resolve issues around commonly confused words Includes extensive examples from the most widely used corpora, the British National Corpus and the Corpus of Contemporary American English

The Other Quiet Revolution traces the under-examined cultural transformation woven through key developments in the formation of Canadian nationhood, from the 1946 Citizenship Act and the 1956 Suez crisis to the Royal Commission on Bilingualism and Biculturalism (1963-70) and the adoption of the federal multiculturalism policy in 1971. Jos� Igartua analyzes editorial opinion, political rhetoric, history textbooks, and public opinion polls to show how Canada's self-conception as a British country dissolved as struggles with bilingualism and biculturalism, as well as Quebec's constitutional demands, helped to fashion new representations of national identity in English-speaking Canada based on the civic principle of equality.