From Syrian asylum seekers to super-rich foreign investors, immigration is one of the most controversial issues facing Britain today. Politicians kick the subject from one election to the next with energetic but ineffectual promises to 'crack down', while newspaper editors plaster it across front pages. But few know the truth behind the headlines; indeed, the almost daily changes to our complex immigration laws pile up so quickly that even the officials in charge struggle to keep up. In this clear, concise guide, Thom Brooks, one of the UK's leading experts on British citizenship - and a newly initiated British citizen himself - deftly navigates the perennially thorny path, exploding myths and exposing absurdities along the way. Ranging from how to test for 'Britishness' to how to tackle EU 'free movement', Becoming British explores how UK immigration really works - and sparks a long-overdue debate about how it should work. Combining expert analysis with a blistering critique of the failings of successive governments, this is the definitive guide to one of the most hotly disputed issues in the UK today. Wherever you stand on the immigration debate, Brooks's wryly observed account is the essential road map.

Books and the British Army in the Age of the American Revolution

No Marketing Blurb

Covers more than 1000 rulers and two millennia of history

'[A] comprehensive and important history of black Britain . . . Written with a wonderful clarity of style and with great force and passion.' – Kwasi Kwarteng, Sunday Times In this vital re-examination of a shared history, historian and broadcaster David Olusoga tells the rich and revealing story of the long relationship between the British Isles and the people of Africa and the Caribbean. This edition, fully revised and updated, features a new chapter encompassing the Windrush scandal and the Black Lives Matter protests of 2020, events which put black British history at the centre of urgent national debate. Black and British is vivid confirmation that black history can no longer be kept separate and marginalised. It is woven into the cultural and economic histories of the nation and it belongs to us all. Drawing on new genealogical research, original records, and expert testimony, Black and British reaches back to Roman Britain, the medieval imagination, Elizabethan ‘blackamoors’ and the global slave-trading empire. It shows that the great industrial boom of the nineteenth century was built on American slavery, and that black Britons fought at Trafalgar and in the trenches of both World Wars. Black British history is woven into the cultural and economic histories of the nation. It is not a singular history, but one that belongs to us all. Unflinching, confronting taboos, and revealing hitherto unknown scandals, Olusoga describes how the lives of black and white Britons have been entwined for centuries. Winner of the 2017 PEN Hessell-Tiltman Prize. Winner of the Longman History Today Trustees’ Award. A Waterstones History Book of the Year. Longlisted for the Orwell Prize. Shortlisted for the inaugural Jhalak Prize.

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

The Peninsular War and the Napoleonic Wars across Europe are subjects of such enduring interest that they have prompted extensive research and writing. Yet other campaigns, in what was a global war, have been largely ignored. Such is the case for the war in India which persisted for much of the French Revolutionary and Napoleonic periods and peaked in the years 1798?1805 with the campaigns of Arthur Wellesley – later the Duke of Wellington – and General Lake in the Deccan and Hindustan. That is why this new study by Martin Howard is so timely and important. While it fully acknowledges Wellington’s vital role, it also addresses the nature of the warring armies, the significance of the campaigns of Lake in North India, and leaves the reader with an understanding of the human experience of war in the region. For this was a brutal conflict in which British armies clashed with the formidable forces of the Sultan of Mysore and the Maratha princes. There were dramatic pitched battles at Assaye, Argaum, Delhi and Laswari, and epic sieges at Seringapatam, Gawilghur and Bhurtpore. The British success was not universal.

The teach yourself history series offers a refreshing alternative to dense academic historical books, its content being extensive yet written in an accessible and engaging style. All titles in this series are informative and compelling. Assuming no prior knowledge and full of anecdotes and fascinating details, these books will keep the reader hooked from beginning to end. At its greatest extent the British Empire covered one quarter of the globe and contained one sixth of the world's population. This book considers the fascinating and unique history of the British Empire from its origins and development to its demise and legacy. Michael Lynch considers the countries, motives and individuals involved with engaging objectivity. He pays particular attention to India, the 'Jewel in the Crown', and the Scramble for Africa before shifting the focus to the people of the Empire. He offers an original and fascinating insight into the lives of the adventurers, missionaries, settlers and administrators, as well as the colonised themselves.

The idea of Britain has been understood largely in terms of sectarian conflict and state formation, whereas emigration has most often been explored in terms of economic and social history. This book explores the relationship between two subjects normally studied in isolation, and includes emigration from Ireland as a social phenomenon which cannot be understood in isolation from modern British History, as well as the impact of British emigration on the ethos and identity of the British Empire at its zenith at the turn of the Nineteenth and Twentieth centuries.