A collection of new works by the popular poet exemplifying his talent with words and sound patterns

Brilliant new poems and an expansive gathering from six collections by a Pulitzer Prize winner celebrated as “indispensable.” What Goes On displays the evolving style and sensibility of a major award-winning poet, and a traceable growth that has blossomed into a provocative confrontation with questions of consciousness and existence. Stephen Dunn’s poems probe life’s big questions without ever losing sight of the significance of the mundane.

Over 80 poems from the 19th and early 20th centuries, including works about love and war, ships and the sea, farms and family, life and death, heaven and hell.

One of the New York Public Library's 25 "Books to Remember" in 1997 Lux comments on the absurd, the pathetic, and the commonplace in our culture, writing with compassion as well as satire. He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."

America's beloved author, humorist, and storyteller offers a selection of meaningful and enjoyable poems Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by Keillor for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." Good Poems includes verse about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.

At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative.

Although her poems are little know today, Lady Mary Wroth was one of the most accomplished women writers of the English Renaissance. Her poems were circulated among many of the leading authors of her time, including Ben Johnson, who praised her work for its profound understanding of the nature of romantic love. Lady Mary's sonnet cycle, Pamphilia to Amphilanthus, was the first English sequence to be written from a women's perspective. The Countesse of Montgomery's Urania, her romance interspersed with poetry, was one of the first works of prose fiction to be composed by an Englishwoman. In this complete edition of Lady Mary Wroth's verse, Josephine Roberts has brought together and annotated all 192 of the surviving poems, many of which have never been published before. As the eldest daughter of Sir Robert Sidney and Lady Barbara Gamage, Lady Mary took great pride in the Sidney literary heritage. During the years of her marriage she assumed the roles of both poet and patron, an example set for her by her father and her more famous uncle, Sir Philip Sidney. She further followed the precedent of her uncle by choosing for her own work the artistic forms that he had favored -- the sonnet sequence, pastoral romance, and pastoral drama. As a young woman, Lady Mary belonged to Queen Anne's intimate circle, but in the years following her husband's death she suffered a precipitous decline in social status. She violated the social taboos of her age by becoming the mistress of her first cousin, William Herbert, earl of Pembroek, and bearing him two illegitimate children. Her artistic efforts aroused equal controversy when, after the publication of her prose romance, the Urania, several prominent noblemen attacked her for portraying their private lives under the guise of fiction. Despite these obstacles -- and the added burden of the unpaid debts that were the legacy of her disappointing marriage -- Lady Mary maintained an independent spirit and trusted in an ability to make her own decisions. In her prose works she lashed out at the hypocrisies of life at court; in her poetry she wrote of more personal concerns -- the treacherousness of emotion, the eternal elusiveness of love. Rising above well-worn Elizabethan conceits, the best of Lady Mary's poems reveal an ambivalence toward romance and a wise understanding of the vicissitudes of human emotion.

One of the most versatile of Roman poets, Catullus wrote verse of an almost unparalleled diversity and stylistic agility, from the brevity of the epigram to the sustained elegance of the elegy. This collection contains all of Catullus' extant work and includes his lyrics to the notorious Clodia Metelli - married, seductive and corrupt - charting the course from rapturous delight in a new affair to the torment of love gone sour; poems to his young friend Iuventius; and longer verse, such as the extraordinary tale of Attis, a Greek youth who castrates himself in a fit of religious ecstasy. Ranging from the tender, moving and passionate to the vicious and even obscene, these are poems of astonishingly modern force and content.