Brilliant new poems and an expansive gathering from six collections by a Pulitzer Prize winner celebrated as “indispensable.” What Goes On displays the evolving style and sensibility of a major award-winning poet, and a traceable growth that has blossomed into a provocative confrontation with questions of consciousness and existence. Stephen Dunn’s poems probe life’s big questions without ever losing sight of the significance of the mundane.

Justly celebrated as one of our strongest poets, Stephen Dunn selects from his eight collections and presents sixteen new poems marked by the haunting "Snowmass Cycle."

“A wonderful example of the poet’s ability to satisfy readers and anticipate their thoughts.”—Elizabeth Lund, Washington Post In his sixteenth collection, Stephen Dunn continues to bring his imagination and intelligence to what Wallace Stevens calls “the problems of the normal,” which of course pervade most of our lives. The poem “Don’t Do That” opens with the lines: “It was bring-your-own if you wanted anything / hard, so I brought Johnnie Walker Red / along with some resentment I’d held in / for a few weeks.” In other poems, Dunn contemplates his own mortality, echoing Yeats—“That is no country for old men / cadenced everything I said”—only to discover he’s joined their ranks. In “The Writer of Nudes” his speaker is in search of the body’s “grammar” but tells his models, “Don’t expect to see yourself as other / than I see you.” Full of grace, wit, humor, and masterful precision, the poems in Here and Now attest to the contradictions we live with in the here and now. Political and metaphysical, these astonishing poems remind us of the essential human comedy of getting through each day. from "The House on the Hill" . . . from out of the fog, a large, welcoming house would emerge made out of invention and surprise. No things without ideas! you'd shout, and the doors would open, and the echoes would cascade down to the valleys and the faraway towns.

Committed to exploring the role of poetry and poets in our culture, Stephen Dunn provides new, expanded versions of the essays originally published by W. W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry. Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.

“One of the finest poets of the last fifty years.” —Salt to the Nth, like the truth of an ending unskeined across the crust of the white field. Though it happened only once, I am sending the thought of the thought continuing. To return to the field before the mowing. When a goldfinch swayed on a blue stem stalk, and the wind and the sun stirred the hay. —from “After the Mowing” Cinder: New and Selected Poems gathers for the first time poetry from across Susan Stewart’s thirty-five-year career, including many extraordinary new poems. From brief songs to longer meditative sequences, and always with formal innovation and exquisite precision, Stewart evokes the innocence of childhood, the endangered mysteries of the natural world, and deeply felt perceptions, both acute and shared. “Stewart explores our insatiable desire to remember and make meaning out of this remembering,” Ange Mlinko writes in The Nation. “Stewart’s elegiac bent has broadened, over time, from the personal lyric . . . to what might be called the cultural lyric. Fewer and fewer of her poems reference what she alone remembers; they are about what you and I remember.” Reading across this retrospective collection is a singular experience of seeing the unfolding development of one of the most ingenious and moving lyric writers in contemporary poetry.

“An indispensable volume.” —Ron Charles, Washington Post Book Club A radiant celebration of Pulitzer Prize–winning poet Stephen Dunn’s enduring oeuvre. Hailed as "indispensable" (David Wojahn), Pulitzer Prize–winning poet Stephen Dunn masterfully shifts between the metaphysical and the ironic, never wavering in his essential honesty. His graceful poems confront our contradictions with tenderness and wit, enliven the ordinary with penetrating observation, and alert us to the haunting wonders and relationships that surround us. The Not Yet Fallen World draws from all nineteen of Stephen Dunn’s crystalline volumes, including his most recent, Pagan Virtues (2019); the National Book Critics Circle Award Finalist Loosestrife (1996); and the Pulitzer Prize–winning Different Hours (2000). By turns sardonic and profound, Dunn examines the disguises we don to hide from ourselves and reveals sublime beauty hidden within seemingly mundane interactions. Nine new poems extend the poet’s inquiry into the paradoxes of contemporary life; as he writes in "Love Poem Near the End of the World," "Something keeps me holding on / to a future I didn’t think possible." Arranged to further Dunn’s signature themes—mortality, morality, and the roles we play in the essential human comedy of getting through each day—this final collection captures the breadth of an acclaimed poet’s achievement. His legacy is a poetic expanse suffused with fearless generosity and perceptive wisdom.

“Fire to Fire should solidify Doty’s position as a star of contemporary American poetry. . . . The poems combine close attention to the fragile, contingent things of the world with the constant, almost unavoidable chance of transcendence.” — Publishers Weekly A landmark collection of new and published works by one of our finest poets that is a testament to the clarity and thoughtful lyricism of his poems Fire to Fire collects the best works from seven books of poetry by Mark Doty, acclaimed poet and New York Times bestselling author of two memoirs, Firebird and Dog Years. Doty’s subjects—our mortal situation, the evanescent beauty of the world, desire’s transformative power, and art’s ability to give shape to human lives—echo and develop across twenty years of poems. His signature style encompasses both the plainspoken and the artfully wrought; here one of contemporary American poetry’s most lauded, recognizable voices speaks to the crises and possibilities of our times.

"Between Angels affirms what we are capable of in our best moments—grace, tenderness, love—while acknowledging that the human heart can be merciless. It's a book of great breadth."--Gregory Djanikian, Philadelphia Inquirer

The subject of a front-page New York Times article, Frank Messina takes the same seat at every New York Mets home game. His self proclaimed title as “The Mets Poet” is emblazoned across the back of his Mets jersey and printed on the season–ticket-holder plaque next to his seat. A collection of seventy-five of his poems that pay homage to his favorite team, Full Count is the ideal inspiration for any Mets fan, whether in those all-too-long, quiet stretches of life between games or for impassioned recitation in the bleachers or in front of the TV.

Juxtaposes the ridiculousness and absurdities of daily life with the imagined life through poems about finding a lost cat and not being invited to a party.