A guide to the artistry that lifts a sentence from good to great. We all know the basic structure of a sentence: a subject/verb pair expressing a complete thought and ending with proper punctuation. But that classroom definition doesn’t begin to describe the ways in which these elements can combine to resonate with us as we read, to make us stop and think, laugh or cry. In 25 Great Sentences and How They Got That Way, master teacher Geraldine Woods unpacks powerful examples of what she instead prefers to define as “the smallest element differentiating one writer’s style from another’s, a literary universe in a grain of sand.” And that universe is very large: the hundreds of memorable sentences gathered here come from sources as wide-ranging as Edith Wharton and Yogi Berra, Toni Morrison and Yoda, T. S. Eliot and Groucho Marx. Culled from fiction, nonfiction, drama, poetry, song lyrics, speeches, and even ads, these exemplary sentences are celebrated for the distinctive features—whether of structure, diction, connection/comparison, sound, or extremes—that underlie their beauty, resonance, and creativity. With dry humor and an infectious enjoyment that makes her own sentences a pleasure to read, Woods shows us the craft that goes into the construction of a memorable sentence. Each chapter finishes with an enticing array of exercises for those who want to test their skill at a particular one of the featured twenty-five techniques, such as onomatopoeia (in the Sound section) or parallelism (in the Structure section). This is a book that will be treasured by word nerds and language enthusiasts, writers who want to hone their craft, literature lovers, and readers of everything from song lyrics and speeches to novels and poetry.

A guide to the artistry that lifts a sentence from good to great. We all know the basic structure of a sentence: a subject/verb pair expressing a complete thought and ending with proper punctuation. But that classroom definition doesn’t begin to describe the ways in which these elements can combine to resonate with us as we read, to make us stop and think, laugh or cry. In 25 Great Sentences and How They Got That Way, master teacher Geraldine Woods unpacks powerful examples of what she instead prefers to define as “the smallest element differentiating one writer’s style from another’s, a literary universe in a grain of sand.” And that universe is very large: the hundreds of memorable sentences gathered here come from sources as wide-ranging as Edith Wharton and Yogi Berra, Toni Morrison and Yoda, T. S. Eliot and Groucho Marx. Culled from fiction, nonfiction, drama, poetry, song lyrics, speeches, and even ads, these exemplary sentences are celebrated for the distinctive features—whether of structure, diction, connection/comparison, sound, or extremes—that underlie their beauty, resonance, and creativity. With dry humor and an infectious enjoyment that makes her own sentences a pleasure to read, Woods shows us the craft that goes into the construction of a memorable sentence. Each chapter finishes with an enticing array of exercises for those who want to test their skill at a particular one of the featured twenty-five techniques, such as onomatopoeia (in the Sound section) or parallelism (in the Structure section). This is a book that will be treasured by word nerds and language enthusiasts, writers who want to hone their craft, literature lovers, and readers of everything from song lyrics and speeches to novels and poetry.

A guide to the artistry that lifts a sentence from good to great. We all know the basic structure of a sentence: a subject/verb pair expressing a complete thought and ending with proper punctuation. But that classroom definition doesn’t begin to describe the ways in which these elements can combine to resonate with us as we read, to make us stop and think, laugh or cry. In 25 Great Sentences and How They Got That Way, master teacher Geraldine Woods unpacks powerful examples of what she instead prefers to define as “the smallest element differentiating one writer’s style from another’s, a literary universe in a grain of sand.” And that universe is very large: the hundreds of memorable sentences gathered here come from sources as wide-ranging as Edith Wharton and Yogi Berra, Toni Morrison and Yoda, T. S. Eliot and Groucho Marx. Culled from fiction, nonfiction, drama, poetry, song lyrics, speeches, and even ads, these exemplary sentences are celebrated for the distinctive features—whether of structure, diction, connection/comparison, sound, or extremes—that underlie their beauty, resonance, and creativity. With dry humor and an infectious enjoyment that makes her own sentences a pleasure to read, Woods shows us the craft that goes into the construction of a memorable sentence. Each chapter finishes with an enticing array of exercises for those who want to test their skill at a particular one of the featured twenty-five techniques, such as onomatopoeia (in the Sound section) or parallelism (in the Structure section). This is a book that will be treasured by word nerds and language enthusiasts, writers who want to hone their craft, literature lovers, and readers of everything from song lyrics and speeches to novels and poetry.

"A collection of ten short stories that all take place in the same day about kids walking home from school"--

In this wickedly humorous manual, language columnist June Casagrande uses grammar and syntax to show exactly what makes some sentences great—and other sentences suck. Great writing isn’t born, it’s built—sentence by sentence. But too many writers—and writing guides—overlook this most important unit. The result? Manuscripts that will never be published and writing careers that will never begin. With chapters on “Conjunctions That Kill” and “Words Gone Wild,” this lighthearted guide is perfect for anyone who’s dead serious about writing, from aspiring novelists to nonfiction writers, conscientious students to cheeky literati. So roll up your sleeves and prepare to craft one bold, effective sentence after another. Your readers will thank you.

This carefully edited collection of "JULES VERNE: 25 Greatest Books in One Volume (Illustrated Edition)" has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Twenty Thousand Leagues Under the Sea (1870) Around the World in Eighty Days (1872) The Mysterious Island (1875) Journey to the Center of the Earth (1864) From the Earth to the Moon (1865) Around the Moon (1869) Michael Strogoff: The Courier of the Czar (1876) In Search of the Castaways or, The Children of Captain Grant (1868) Adrift in Pacific or, Two Years' Vacation (1888) Five Weeks in a Balloon (1863) Robur the Conqueror or, The Clipper of the Clouds (1886) Master of the World (1904) The Adventures of Captain Hatteras (1866) Tribulations of a Chinaman in China (1879) Mathias Sandorf (1885) Hector Servadac or, Off on a Comet (1877) Facing the Flag (1896) The Begum's Fortune (1879) Dick Sand, A Captain at Fifteen (1878) The Survivors of the Chancellor(1875) The Underground City or, The Child of the Cavern (1877) Eight Hundred Leagues on the Amazon (1881) The Purchase of the North Pole or, Topsy Turvy (1889) Cæsar Cascabel (1890) The Castle of the Carpathians (1892) Jules Verne (1828-1905) was a French novelist who pioneered the genre of science fiction.A true visionary with an extraordinary talent for writing adventure stories, his writings incorporated the latest scientific knowledge of his day and envisioned technological developments that were years ahead of their time. Verne wrote about undersea, air, and space travel long before any navigable or practical craft were invented.

The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.

This book examines errors in writing from several different perspectives. The most important perspective is contextual: what may be an error in one kind of writing may not be an error in another kind. Another perspective is a hierarchical one: some errors are more significant than others. A third perspective deals with genres such as fiction vs. nonfiction, written vs spoken language. Throughout the book, the emphasis is on Standard Written American English (SWAE), which is presented as the gold standard of writing. Other factors that affect writing errors are examined in detail, such as the role of social movements and trends. Examples are drawn from the LGBTQO community and the roles of social media. Throughout the text, errors are presented, along with grammatical explanations and correction strategies. The book takes into consideration that language and language standards change, as exemplified by the upheaval in pronoun usage tied to dramatic changes in gender roles and identities.

Where did the term “lazy Susan” come from? What do you call someone who hails from Michigan? How did the United States end up with regional differences in dialect? The answer to all these questions lies in the colorful history of the English language. Teacher, writer, editor and language expert Rob Kyff — aka “The Word Guy” — is a master of words. Through his snappy weekly column, he shares grammar tips and offers history lessons on the origins of the English language and its unexpected evolution. “Mark My Words” provides handy tips on punctuation and usage, promising to elevate any reader’s writing skills. But it also puts forth quirky and spirited word games, quizzes and fun facts that will delight anyone with an interest in language.

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?