In the Pueblo IV period (1275-1600) potters began to make distinctive polychrome vessels, which have been linked by archaeologists to new ideologies and religious practices in the area. This research examines interaction networks along settlement clusters in the Zuni region of west-central New Mexico in the thirteenth and fourteenth centuries, using analytical techniques such as INAA sourcing of ceramic pastes.

When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.

One of the few bright spots in the conduct of government toward the native people of North America.

A state-by-state guide for folk art enthusiasts to learn about the masked dances still carried out in Mexico's Indian and mestizo communities.

In 1974 Seven Families in Pueblo Pottery was published to accompany an exhibit at the Maxwell Museum of Anthropology: twenty years later there are some 80,000 copies in print. Like Seven Families, this updated and greatly enlarged version by Rick Dillingham, who curated the original exhibition, includes portraits of the potters, color photographs of their work, and a statement by each potter about the work of his or her family. In addition to the original seven--the Chino and Lewis families (Acoma Pueblo), the Nampeyos (Hopi), the Guteirrez and Tafoya families (Santa Clara), and the Gonzales and Martinez families (San Ildefonso)--the author had added the Chapellas and the Navasies (Hopi-Tewa), the Chavarrias (Santa Clara), the Herrera family (Choti), the Medina family (Zia), and the Tenorio-Pacheco and the Melchor families (Santo Domingo). Because the craft of pottery is handed down from generation to generation among the Pueblo Indians, this extended look at multiple generations provides a fascinating and personal glimpse into how the craft has developed. Also evident are the differences of opinion among the artists about the future of Pueblo pottery and the importance of following tradition. A new generation of potters has come of age since the publication of Seven Families. The addition of their talents, along with an ever-growing interest in Native American pottery, make this book a welcome addition to the literature on the Southwest.

The Zuni are a Southwestern people whose origins have long intrigued anthropologists. This volume presents fresh approaches to that question from both anthropological and traditional perspectives, exploring the origins of the tribe and the influences that have affected their way of life. Utilizing macro-regional approaches, it brings together many decades of research in the Zuni and Mogollon areas, incorporating archaeological evidence, environmental data, and linguistic analyses to propose new links among early Southwestern peoples. The findings reported here postulate the differentiation of the Zuni language at least 7,000 to 8,000 years ago, following the initial peopling of the hemisphere, and both formulate and test the hypothesis that many Mogollon populations were Zunian speakers. Some of the contributions situate Zuni within the developmental context of Southwestern societies from Paleoindian to Mogollon. Others test the Mogollon-Zuni hypothesis by searching for contrasts between these and neighboring peoples and tracing these contrasts through macro-regional analyses of environments, sites, pottery, basketry, and rock art. Several studies of late prehistoric and protohistoric settlement systems in the Zuni area then express more cautious views on the Mogollon connection and present insights from Zuni traditional history and cultural geography. Two internationally known scholars then critique the essays, and the editors present a new research design for pursuing the question of Zuni origins. By taking stock and synthesizing what is currently known about the origins of the Zuni language and the development of modern Zuni culture, Zuni Origins is the only volume to address this subject with such a breadth of data and interpretations. It will prove invaluable to archaeologists working throughout the North American Southwest as well as to others struggling with issues of ethnicity, migration, incipient agriculture, and linguistic origins. CONTENTS Foreword by William H. Doelle Preface: Constructing and Refining a Research Design for the Study of Zuni Origins David A. Gregory and David R. Wilcox Acknowledgments Part I Large-Scale Contexts for the Study of Zuni Origins: Language, Culture, and Environment 1. Introduction: The Structure of Anthropological Inquiry into Zuni Origins David R. Wilcox and David A. Gregory 2. Prehistoric Cultural and Linguistic Patterns in the Southwest since 5 BC Cynthia Irwin Williams (1967) 3. The Zuni Language in Southwestern Areal Context Jane H. Hill 4. Archaeological Concepts for Assessing Mogollon-Zuni Connections Jeffery J. Clark 5. The Environmental Context of Linguistic Differentiation and Other Cultural Developments in the Prehistoric Southwest David A. Gregory and Fred L. Nials 6. Zuni-Area Paleoenvironment Jeffrey S. Dean Part II Placing Zuni in the Development of Southwestern Societies: From Paleoindian to Mogollon 7. The Archaic Origins of the Zuni: Preliminary Explorations R. G. Matson 8. Zuni Emergent Agriculture: Economic Strategies and the Origins of Zuni Jonathan E. Damp 9. A Mogollon-Zuni Hypothesis: Paul Sidney Martin and John B. RinaldoÕs Formulation David A. Gregory 10. Adaptation of Man to the Mountains: Revising the Mogollon Concept David A. Gregory and David R. Wilcox (1999) 11. Mogollon Trajectories and Divergences Michael W. Diehl Part III Zuni in the Puebloan World: Mogollon-Zuni Connections 12. Zuni in the Puebloan and Southwestern Worlds David R. Wilcox, David A. Gregory, and J. Brett Hill 13. A Regional Perspective on Ceramics and Zuni Identity, AD 200--1630 Barbara J. Mills 14. Mogollon Pottery Production and Exchange C. Dean Wilson 15. R

Native American pottery of the U.S. southwest has long been considered collectible and today can fetch many thousands of dollars per piece. Authors, collectors, and dealers Carol and Allen Hayes provide readers with a concise overview of the pottery of the southwest, from its origins in the Bastketmaker period (around 400 AD) to the Spanish entrada (1540 AD-1879 AD) to today's new masters. Readers will find dozens of color images depicting pottery from the Zuni, Hopi, Anasazi, and many other peoples. Maps help readers identify where these master potters and their peoples lived (i.e. the Pueblo a tribal group or area). Pottery of the Southwest will serve as a useful introduction as well as a lovely guide for enthusiasts.

The Zuni Pueblo,150 miles west of the Rio Grande Valley on the Arizona border in New Mexico, is the source of beautiful traditional Zuni pottery. With many photographs, this work presents some of the finest current pots and the talented young potters whose heritage has lead them to this exciting art form.

Primarily a women's art, American Indian pottery reflects a heritage of powerful social, religious, and aesthetic values. Even now, modern American Indian women use the clay, paint, and fire of pottery making to express themselves, creating designs that range from dutifully traditional to strikingly original. This book - written in conjunction with one of the most important exhibitions of American Indian pottery ever mounted - provides an in-depth look at a unique North American art form.