WINNER OF THE BIG BOOK AWARD, THE LEO TOLSTOY YASNAYA POLYANA AWARD AND THE BEST PROSE WORK OF THE YEAR AWARD SHORTLISTED FOR THE 2020 READ RUSSIA PRIZE RUNNER-UP FOR THE EBRD LITERATURE PRIZE, 2020 A sweeping, multi-award winning novel set in the aftermath of the Russian Revolution, as gangs of marauding soldiers terrorise and plunder the countryside. Zuleikha, the 'pitiful hen', is living in the home of her brutal husband and despotic mother-in-law in a small Tatar village. When her husband is executed by communist soldiers for hiding grain, she is arrested and sent into exile in Siberia. In the first gruelling winter, hundreds die of hunger, cold and exhaustion. Yet forced to survive in that harsh, desolate wilderness, she begins to build a new life for herself and discovers an inner strength she never knew she had. Exile is the making of Zuleikha.

One of the world's oldest recorded folktales tells the story of a handsome young man and the older woman in whose house he resides. Overcome by her feelings for him, the woman attempts to seduce him. When he turns her down she is enraged, and to her husband she accuses the young man of attacking her. The husband, seemingly convinced of his wife's innocence, has the young man punished. But it is precisely that punishment that leads to the hero's vindication and eventual rise to power and prominence. In the West we know this tale--classified in folklore as the Potiphar's Wife motif--from its vivid narration in the Hebrew Bible. But as Shalom Goldman demonstrates in this book, the Bible's is only one telling of a story that appears in the scriptures and folklore of many peoples and cultures, in many different eras, including ancient Egypt, classical Greece, and ancient Mesopotamia, as well as post-Biblical Jewish literature, the Qur'an, and Inuit culture. Goldman compares and contrasts the treatment of this motif especially in the literature and lore of the ancient Near East, Biblical Israel, and early Islam, at the same time touching on gender issues--the status of women in Middle Eastern societies and the varying constructions of male-female relationships--and the vexed question of "originality" in the narratives of the monotheistic traditions.

Offering writings in Middle East studies by renowned scholars and by the new generation of scholars of Islam and gender, this collection includes a wide variety of cases from Middle Eastern and Islamic societies. By including case-based articles, the collection highlights the clear links between concepts and theories and actual practices.

Zuleika Dobson, or, an Oxford love story, is the only novel by English essayist Max Beerbohm, a satire of undergraduate life at Oxford published in 1911. It includes the famous line "Death cancels all engagements" and presents a corrosive view of Edwardian Oxford. The all-male campus of Oxford—Beerbohm’s alma mater—is a place where aesthetics holds sway above all else, and where witty intellectuals reign. Things haven’t changed for its privileged student body for years . . . until the beguiling music-hall prestidigitator Zuleika Dobson shows up. The book’s marvelous prose dances along the line between reality and the absurd as students and dons alike fall at Zuleika’s feet, and she cuts a wide swath across the campus—until she encounters one young aristocrat for whom she is astonished to find she has feelings. As Zuleika, and her creator, zero in on their targets, the book takes some surprising and dark twists on its way to a truly startling ending—an ending so striking that readers will understand why Virginia Woolf said that “Mr. Beerbohm in his way is perfect.” In 1998, the Modern Library ranked Zuleika Dobson 59th on its list of the 100 best English-language novels of the 20th century.

The Big Green Tent epitomizes what we think of when we imagine the classic Russian novel. With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable work tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. A man and his wife each become collaborators, without the other knowing; an artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward. Ludmila Ulitskaya’s novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: it is a work consumed with politics, love, and belief—and a revelation of life in dark times.

Betrayal, bereavement, exile, belonging - these are the themes that resonate throughout This Other Salt. A writer torn between two loves looks for his lost words in the gap between memory, mourning and desire; a poet revenges herself on her faithless lover by turning their romance into a legend of biblical proportions; and a teenage boy's life uncannily begins to resemble the role he plays in a school operetta ...Combining satire, legend, poetry, history and memoir, the linked stories of This Other Salt reveal an author of uncommon talent at the height of his craft.

This unique exploration of Russian prose fiction about the Soviet labour camp system since the Stalin era compares representations of identity, ethics and memory across the corpus. The Soviet labour camp system, or Gulag, was a highly complex network of different types of penal institutions, scattered across the vast Soviet territory and affecting millions of Soviet citizens directly and indirectly. As Gulag Fiction shows, its legacies remain palpable today, though survivors of the camps are now increasingly scarce, and successive Soviet and post-Soviet leaders have been reluctant to authorise a full working through of the Gulag past. This is the first book to compare Soviet, samizdat and post-Soviet literary prose about the Gulag as penal system, carceral experience and traumatic memory. Polly Jones analyses prose texts from across the 20th and 21st centuries through the prism of key themes in contemporary Soviet historiography and Holocaust literature scholarship: selfhood and survival; perpetration and responsibility; memory and post-memory.

Learned by heart and copied by hand in the Volga region for generations, Kyssa’i Yusuf (The Story of Joseph) is today the only surviving work by the founder of Bulgar-Tatar literature Kol Gali (1183–1236) and is here rendered into English for the first time in its entirety by Fred Beake and Ravil Bukharaev. Supporting the translation, which is fully annotated, are forty specially commissioned illustrations by one of Russia’s leading contemporary artists Azat Minnekaev. The volume also includes a facsimile of one of the newly discovered handmade copies of the nineteenth century, together with a full introduction presenting the historical and literary context of the work. Kyssa’i Yusuf, comprising over a thousand stanzas, is an Islamic version of the well known biblical tale, and is presumed to have been a ‘popularized’version based on an earlier Islamic narrative – not unlike the late-twentieth century ‘interpretation’ found in the popular musical Joseph and His Technicolour Dreamcoat. The translation will be of special interest to biblical scholars as well as students of Islamic literature and those pursuing inter-faith studies.