Conditioned by local ways of knowing and doing, Great Zimbabwe develops a new interpretation of the famous World Heritage site of Great Zimbabwe. It combines archaeological knowledge, including recent material from the author’s excavations, with native concepts and philosophies. Working from a large data set has made it possible, for the first time, to develop an archaeology of Great Zimbabwe that is informed by finds and observations from the entire site and wider landscape. In so doing, the book strongly contributes towards decolonising African and world archaeology. Written in an accessible manner, the book is aimed at undergraduate students, graduate students, and practicing archaeologists both in Africa and across the globe. The book will also make contributions to the broader field such as African Studies, African History, and World Archaeology through its emphasis on developing synergies between local ways of knowing and the archaeology.

Since the monumental architecture of the Zimbabwe Plateau first became known to Westerners in the 16th century, speculation about the people that created it has been continuous and inventive. Tales of strongholds in the interior were taken home by the first Portuguese chroniclers of the Swahili coast, and their narratives became part of the geographic lore of the 17th and 18th centuries. In the mid-19th century, the lore was spun into fantastic and mysterious yarns about long-lost riches that lured adventurers and traders. Pikirayi (history, U. of Zimbabwe) aims to set the record straight by examining the growth of precolonial states on the plateau and adjacent regions, with a focus on the their historical and cultural development during the second millennium AD. c. Book News Inc.

The first single-volume history of Zimbabwe with detailed coverage from pre-colonial times to the present, this book examines Zimbabwe's pre-colonial, colonial and postcolonial social, economic and political history and relates historical factors and trends to recent developments in the country. Zimbabwe is a country with a rich history, dating from the early San hunter-gatherer societies. The arrival of British imperial rule in 1890 impacted the country tremendously, as the European rulers exploited Zimbabwe's resources, giving rise to a movement of African nationalism and demands for independence. This culminated in the armed conflict of the 1960s and 1970s and independence in 1980. The 1990s were marked by economic decline and the rise of opposition politics. In 1999, Mugabe embarked on a violent land reform program that plunged the nation's economy into a downward spiral, with political violence and human rights violations making Zimbabwe an international pariah state. This book will be useful to those studying Zimbabwean history and those unfamiliar with the country's past.

An in-depth look at Zimbabwe, this guide provides information on wildlife, safaris, music and activities, such as bungee jumping, river boarding, kayaking and white water rafting. There is also a helpful language section and an explanation of Zimbabwean English.

There is more to Zimbabwe than Robert Mugabe, as this book demonstrates by analysing alternative histories of the nation's politics from independence to the present

In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.

Saving Zimbabwe is the gripping story of a group of extraordinary black and white Zimbabweans who lived together forming ‘The Community of Reconciliation’. They chose love over hate and integration over segregation. They believed in harmony over discord and that loving your former enemies was a higher way of life. Against all odds they succeeded in transforming a region of the nation in to a life-giving community. By example they demonstrated that the course of Zimbabwe could be changed, and provided a working model for the road ahead. Tragically on 25 November 1987, the sixteen white members of the Community made the ultimate sacrifice and were martyrd. Their killers thought they were ‘liberating’ their people but in fact drove the black community back under the oppressive forces of poverty. Why did they die? This book takes you on a journey to discover the answer to that haunting question and more. With the current political and economic uncertainty in Zimbabwe, the message of Saving Zimbabwe is more relevant than ever. The country needs transformation which should start in the heart of her people. The destiny of a nation and millions of lives are at stake.

Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.

Zimbabwe??'s ruling party is currently experiencing its most intense economic and political challenge in its 20-year history. This book, written in an easy-to-read journalistic style, charts these troubled times.