Zaira A Serious Opera In Two Acts Adapted From Voltaires Tragedy As Represented At The Kings Theatre In The Haymarket Etc Ital Eng
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Author |
: ZAÏRE. |
Publisher |
: |
Total Pages |
: 62 |
Release |
: 1805 |
ISBN-10 |
: BL:A0024172575 |
ISBN-13 |
: |
Rating |
: 4/5 (75 Downloads) |
Synopsis Zaira. A serious opera, in two acts [adapted from Voltaire's tragedy], as represented at the King's Theatre in the Haymarket, etc. Ital. & Eng by : ZAÏRE.
Author |
: |
Publisher |
: |
Total Pages |
: 68 |
Release |
: 1816 |
ISBN-10 |
: BL:A0024177528 |
ISBN-13 |
: |
Rating |
: 4/5 (28 Downloads) |
Synopsis Zaira. A serious opera, in two acts [adapted from Voltaire's tragedy]; as represented at the King's Theatre, London, etc. Ital. & Eng by :
Author |
: Vincenzo Federici |
Publisher |
: |
Total Pages |
: 47 |
Release |
: 1810 |
ISBN-10 |
: OCLC:172861301 |
ISBN-13 |
: |
Rating |
: 4/5 (01 Downloads) |
Synopsis Zaira by : Vincenzo Federici
Author |
: Zaira |
Publisher |
: |
Total Pages |
: 72 |
Release |
: 1805 |
ISBN-10 |
: OXFORD:591081333 |
ISBN-13 |
: |
Rating |
: 4/5 (33 Downloads) |
Synopsis Zaira, a serious opera [adapted from Voltaire. In Ital. and Engl.]. by : Zaira
Author |
: Voltaire |
Publisher |
: Forgotten Books |
Total Pages |
: 66 |
Release |
: 2017-11-09 |
ISBN-10 |
: 026066412X |
ISBN-13 |
: 9780260664129 |
Rating |
: 4/5 (2X Downloads) |
Synopsis Zaira by : Voltaire
Excerpt from Zaira: A Serious Opera, in Two Acts; As Represented at the King's Theatre, London Oitos. Why then this sadness? Do you fear the full possession of my soul? Oinly object of my afi'ection! I have loved you alone, and love like mine can know no decay. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author |
: Ernesto Buonaiuti |
Publisher |
: |
Total Pages |
: 57 |
Release |
: 1809 |
ISBN-10 |
: OCLC:636047966 |
ISBN-13 |
: |
Rating |
: 4/5 (66 Downloads) |
Synopsis Pirro, a Serious Opera, in Two Acts: as Represented at the King's Theatre in the Hay-Market. With Additions and Alterations by : Ernesto Buonaiuti
Author |
: Voltaire |
Publisher |
: |
Total Pages |
: |
Release |
: 2016-05-23 |
ISBN-10 |
: 1358971129 |
ISBN-13 |
: 9781358971129 |
Rating |
: 4/5 (29 Downloads) |
Synopsis Zaire by : Voltaire
Author |
: Henry S. Edwards |
Publisher |
: |
Total Pages |
: |
Release |
: 1977 |
ISBN-10 |
: OCLC:780384037 |
ISBN-13 |
: |
Rating |
: 4/5 (37 Downloads) |
Synopsis History of the Opera by : Henry S. Edwards
Author |
: John Denison Champlin |
Publisher |
: |
Total Pages |
: 508 |
Release |
: 1893 |
ISBN-10 |
: HARVARD:HN38DE |
ISBN-13 |
: |
Rating |
: 4/5 (DE Downloads) |
Synopsis Cyclopedia of Music & Musicians by : John Denison Champlin
Author |
: Dan H. Marek |
Publisher |
: Rowman & Littlefield |
Total Pages |
: 259 |
Release |
: 2016-10-20 |
ISBN-10 |
: 9781442235892 |
ISBN-13 |
: 1442235896 |
Rating |
: 4/5 (92 Downloads) |
Synopsis Alto by : Dan H. Marek
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.