Celebrating sixty years of Yves Saint Laurent, this collection juxtaposes YSL creations with fine art masterpieces from major museums. In January 1962, Yves Saint Laurent launched his very first collection. To celebrate the sixtieth anniversary of the founding of his couture house, the Musée Yves Saint Laurent, Paris, is looking back at the couturier’s work and juxtaposing his creations with art works from the collections of five major Paris institutions: the Musée d’Orsay, the Louvre, the Centre Pompidou, the Musée d’Art Moderne de la Ville de Paris, and the Musée Picasso, as well as presenting a behind-the-scenes glimpse into the secrets of couture at the Musée Yves Saint Laurent. From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colors, carved out new forms, and rethought the structure of garments in order to create his own masterpieces. Here, androgynous silhouettes and Proustian gowns stand alongside Édouard Manet’s Le Déjeuner sur l’Herbe, feather patterns respond to Jackson Pollock’s drip paintings, flowing silhouettes merge with a mural by Raoul Dufy, Lucio Fontana’s neon lights make metallic fabrics sparkle, and the motifs on a coat echo The Dance by Henri Matisse. Exploring the couturier’s deliberate homages to the masters of art and his never-ending quest for new means of aesthetic expression, Yves Saint Laurent and Art takes readers on an unforgettable journey through art history with Yves Saint Laurent as a guide.

Yves Saint Laurent and Pierre Berge amassed this collection together before the Saint Laurent's death in 2008. The works, which had adorned their Paris flats, the Chateau Gabriel in Normandy and their home in Morocco, include antiquities, Old Master and 19th-century paintings and drawings, Art Deco pieces and European furniture and art."

A comprehensive biography of the late designer, Karl Lagerfeld, and his infamous rivalry with Yves Saint Laurent. In the 1970s, Paris fashion exploded like a champagne bottle left out in the sun. Amid sequins and longing, celebrities and aspirants flocked to the heart of chic, and Paris became a hothouse of revelry, intrigue, and searing ambition. At the center of it all were fashion's most beloved luminaries - Yves Saint Laurent, the reclusive enfant terrible, and Karl Lagerfeld, the flamboyant freelancer with a talent for reinvention - and they divided Paris into two fabulous halves. Their enduring rivalry is chronicled in this dazzling exposè of an era: of social ambitions, shared obsessions, and the mesmerizing quest for beauty. "Deliciously dramatic... The Beautiful Fall crackles with excitement."-New York Times Book Review "Fascinating." -New York Times "Addictive." -Philadelphia Inquirer "It's like US Weekly, 1970s style." -Gotham "A story constructed as exquisitely as a couture dress. . . . It moves stylishly forward, with frequent over-the-shoulder glances at some very dishy background." -Boston Globe

"Retrospective exhibition of twenty-five years of ... [Yves Saint Laurent's] work ... This book, published in connection with the exhibition, features over two hundred of Saint Laurent's couture designs, more than seventy in full color ... Also included is a fully illustrated survey of Saint Laurent's work photographed in black and white by Pierre Boulat and Nicholas Vreeland, supplemented by historically important photographs published in the fashion magazines of the era taken by such renowned photographers as Richard Avedon, Irving Penn, Bert Stern, Neal Barr, and Bill King"--Cover.

Yves Saint Laurent is a name synonymous with style, elegance, and high fashion. When he came on the scene at Dior and then started his own line, he quickly changed the way people regarded haute couture and the world of fashion itself. He revolutionized women’s evening wear when he introduced Le Smoking, a woman’s tuxedo, and made couture accessible to a younger generation. Yves Saint Laurent is Roxanne Lowit’s personal photographic history of Saint Laurent, the man and the fashion, from 1978, the year she first met him, to the last show he gave in 2002. With contributions from YSL’s muses and admirers, including Catherine Deneuve, Betty Catroux, Lucie de la Falaise, Pat Cleveland, and Valerie Steele, this reduced format hardcover represents the backstage experience at YSL’s shows as Lowit saw them herself. Whether surrounded by beautiful models or peeking at the catwalk from the wings, every moment was a magnificent photo opportunity. Lowit shares magical moments of YSL with the world—intimate, social, absorbed in fashion—and creates a unique portrait of this towering figure of postwar couture.

A photographic record of the major pieces from the collection of Yves St Laurent and Pierre Bergé in their homes before being sold in Paris on 23 February 2009 after the death of St Laurent. A complete catalogue of the items and the prices when auctioned by Christies, France is included-- Cataloguer's note.

The world's most talented photographers and prestigious models grace the pages of this classic volume that celebrates Yves Saint Laurent's illustrious career, reprinted in a smaller format on the eve of his fortieth anniversary. From pret-a-porter to haute couture, from the runway to the studio to the earth's most exotic settings, images from nearly fifty photographers, including Richard Avedon, Horst, Peter Lindbergh, Duane Michals, Helmut Newton, Irving Penn, Francesco Scavullo, Snowdon, and Bruce Weber bring YSL's renowned creations to glorious life. One of the few designers who has brought fashion to the level of an art, Yves Saint Laurent has amassed a body of work that speaks to every woman who appreciates beauty. Documenting a career of history-making photography and design, this classic volume displays not only that broad appeal and ingenuity, but the combined efforts of the world's most talented fashion photographers in a book that is as beautiful and rewarding as one of Yves Saint Laurent's creations.

Saint Laurent was a key artist of the 20th century. Today to many his name evokes the reefer jacket, the trench-coat, the Mondrian dress, the smoking jacket and feminine trouser suits. He is remembered as the man who gave the safari jacket a new lease of life and as the man who stood out from the rest with his famous transparent dresses. The first fashion designer to parade Asian and African models on the catwalk, he also worked in tandem with the theatre and cinema. Furthermore, he was the first leading couturier to lend his name to a pret-à-porter range, Rive Gauche, while maintaining his haute couture activities. But what do we really know about the man beyond his renown? Here, the author opens up the door to Yves Saint Laurent's studio and invites us into the great creator's nerve centre, where everything took place, where the work and artist became one. Here we see how Saint Laurent set about his creations, the secrets behind his approach, providing a voyage of initiation through his hideaway where the master alchemist shares his secret formulae.

Founded by Yves Saint Laurent and Pierre Berge in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

"Betty Catroux, Yves Saint Laurent's female double, embodies in the couturier's eyes the androgynous woman and a certain feminine ideal. She personified, better than anyone else, the fascinating enigma of Saint Laurent and his long silhouettes, celebrated around the world and immune to passing trends. One of his closest friends, she was the only model able to keep prototypes of each collection. A collection she just donated to the Yves Saint Laurent Museum 1,200 pieces (clothing and accessories). This book presents photographs from the museum's collections and Betty Catroux's personal collection, selected by Anthony Vaccarello." -- Website.