Yves Klein is one of the most extraordinary and influential figures in post-war avant-garde art. In less than a decade - up until his untimely death in 1962 - he forged a career and built up a body of work that together have influenced and inspired contemporaries and subsequent generations of artists worldwide. Klein sought in his art to liberate the senses, to heighten our sensibility and to intensify our experience of life. In this comprehensive review of his art and ideas, Sidra Stich examines the full range of his diverse creative output - his paintings and sculptures, installations, meticulously documented performances, his copious writings, and his proposals and drawings for visionary projects - and sets them within the context of the art of the time to assess Klein's originality and his legacy.

A clever, quirky read-aloud biography of a leading modern artist, for kids Artist Yves Klein always thought about how he could surprise his audience. One day, he decided that he would only paint in one color - blue. He painted canvases, globes, branches, gallery floors, and even covered people in blue paint. Klein's story is told here with wit and eccentricity, perfectly paired with black-line illustrations and blue splashes galore. Fausto Gilberti brings movement, life, and whimsy to the true life story of one of the most important modern French artists of our time.

How Yves Klein's formative period in Japan formed his dual pursuits of art and judo Yves Klein (1928-62) first traveled to Japan as a young man in 1952, motivated primarily by his interest in judo. During his 15 months abroad, Klein had numerous important creative and philosophical revelations that culminated in the launch of his artistic career upon his return to Paris. Prepared in collaboration with the Yves Klein Archives, this volume details Klein's relationship with Japan through nearly 150 archival documents, photographs and letters, inviting the reader on his journey from martial arts to fine art at the very beginning of his career. Along the way we learn of Klein's important encounters with art critic Takachiyo Uemura, painter Keizo Koyama and design professor Masaki Yamaguchi. Yves Klein: Japan provides essential insight into the origins of Klein's oeuvre as both a groundbreaking visual artist and prolific writer whose short-lived career helped to transform postwar art.

In a short but intense creative life of just seven years, Klein painted over a thousand pictures which are among the classics of modern art. This book offers a sample of his work.

Includes around 300 images, many of which are published here for the first time.

French painter Yves Klein (1928?1962) stands as one of the most exciting artists of the 20th century. A founding member of the New Realism movement, he was also a pioneer in performance art and installations, and a forerunner of body art, land art, and conceptual art. During his meteoric eight-year career, Klein expressed his vision through a wide range of media, including pure color (notably a deep, bright blue now known as Yves Klein Blue), architecture, sculpture, literature, and music. This book looks afresh at Klein's works, and especially those that involve fire. Klein used fire to represent the mysterious and intangible elements of the world: He believed that an artist's transfiguration of reality could change a viewer's personal values, and his aim was to usher in an age of happy and fulfilled humankind. Here, images of his spectacular mur de feu or ?wall of fire,” along with his monochromes, monogolds, drawings, letters, and articles, as well as pictures of Klein producing his works, are testament to the artist's belief in the spiritual power of art. This magnificent volume includes a fascinating DVD of archival footage of Klein creating art with fire. The 12-minute DVD shows Klein creating the Mur de feu (Wall of Fire) and the Fontaine de feu (Fountain of Fire) for an exhibition in Germany in 1961, filmed by Yvan Butler, and the Peintures de feu (Fire Paintings) in France in 1962, filmed by Albert Weill. Newly composed music by Daniel Humair accompanies the films.

In April 1958, Yves Klein presented an exhibition in which no painting, no sculpture, no object was visible. Thanks to this 'immaterialization of the painting' he hoped to 'create an ambience, a pictorial climate that is invisible but present'. This book locates the profound unity of the artist's preoccupations.

Denounced as a charlatan and fêted as a mystic, French artist Yves Klein (1928–62) scandalized the art world with his enthusiastic embrace of postwar mass culture and his exploitation of controversial publicity tactics. Today, we know Yves Klein not only as one of the most radical artists of the postwar period, but also as an iconic role model for contemporary practices—he reinvented abstract painting, conceived new horizons for performance art, and was a trailblazer in the realm of land, body, and conceptual art. In this new critical biography, Nuit Banai examines the relationship between Klein’s brief life and his wide repertoire of artistic practices. While surveying the artist’s life, Banai establishes that Klein’s brilliance was, above all, performative, revealing that he created and inhabited myriad public identities: bourgeois, judo expert, painter, avant-garde artist, collaborator, politician, fascist, and showman, among others. With each persona, Banai shows, Klein invented new ways to communicate his paradoxical message of spiritual enlightenment and Dada iconoclasm to a rapt and unsuspecting audience. Illuminating the many facets of Klein’s influential artistic career, Yves Klein is an invaluable introduction to the inventor of the inimitable International Klein Blue.

This is the first complete collection of the writings of the visonary French conceptual artist Yves Klein (1928-1962) to be published in English translation. Klein was an artist with a keen philosophical mind, yet deeply spiritual. Inspired by his study of the Japanese Kata (the abstract movements in Judo), Rosicrucian cosmogony, alchemy, and the phenomenological and psychological philosophies that emerged during his lifetime (particularly the writings of Gaston Bachelard), he constructed his vision of a future art that would purify the soul and society from the ashes of painting.