Nancy, Bess, and George are enrolled in a summer program called Park Pals to learn about birds, trees, and even bugs. But when a rare bird escapes from the park aviary, and one of the boys in the group brags that he'll be the one to find it, the girls rise to the challenge.

This book by the former actor and UNHCR Good-will Ambassador, Yul Brynner, is a personal report on the suffering of some of the refugees and their children who, after the end of World War 2, remained in the refugee camps in Europe up until the early 1960s. He recounts their years of frustration and hopelessness and the situation of thousands of children born in the camps. In the second part of the publication, the author gives his impressions of life in Palestinian refugee camps in the Middle East, following an extensive tour made for the UN in early 1960.

Known as the bald cowboy in The Magnificent Seven and the sexy, charismatic male lead in The King and I, Yul Brynner was a Hollywood paragon of masculinity. Beyond his distinctive appearance and distinguished acting career was a life of intrigue and concocted tales surrounding his youth. Born Youl Bryner in Russia, he played gypsy guitar and worked as a trapeze clown until a severe injury motivated him to pursue his interest in theater. This biography takes readers through Brynner’s formative years in Russia, France and China and describes his journey from sweeping stages in Parisian theaters to a versatile career in theater, television and film, reaching a stardom that began and ended with the classic Rodgers and Hammerstein musical The King and I. With accounts of his personal and professional successes and failures, the book includes his four marriages, his numerous and notorious affairs with such stars as Judy Garland, Joan Crawford and Ingrid Bergman, and his 1985 death from lung cancer. A filmography details his movies and plays, and appendices outline his work in documentaries, music and soundtracks, radio programs and television.

This extraordinary book documents a fascinating moment in the history of American culture - a period in the 1930s, '40s and '50s that give birth to a new notion of male beauty and desire, and to a new type of male icon. Long before Stonewall and the gay pride movement, a small group of daring men - photographers and the models who sat for them - helped pave the way for male sexual liberation. Led by the photographer George Platt Lynes and featuring men such as Jean Marais, Yul Brynner, Paul Cadmus and Tennessee Williams, this group of men - straight as well as gay - shattered taboos surrounding the artistic representations of the male figure. Their ground-breaking work remains as relevant and evocative today as it did half a century ago and its influence can be seen in the work of modern masters such as Bruce Weber, Herb Ritts and Robert Mapplethorpe.

During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."

Presents a selection of two hundred gourmet recipes representing the best of international cuisine and including a wide range of dishes from appetizers to desserts

A remarkable life and a remarkable voice emerge from the journals, letters, and memoirs of Leo Lerman: writer, critic, editor at Condé Nast, and man about town at the center of New York’s artistic and social circles from the 1940s until his death in 1994. Lerman’s contributions to the world of the arts were large and varied: he wrote on theater, dance, music, art, books, and movies for publications as diverse as Mademoiselle and The New York Times. He was features editor at Vogue and editor in chief of Vanity Fair. He launched careers and trends, exposing the American public to new talents, fashions, and ideas. He was a legendary party host as well, counting Marlene Dietrich, Maria Callas, and Truman Capote among his intimates, and celebrities like Cary Grant, Jackie Onassis, Isak Dinesen, and Margot Fonteyn as part of his larger circle. But his personal accounts and correspondence reveal him also as having an unusually rich and complex private life, mourning the cultivated émigré world of 1930s and 1940s New York City, reflecting on being Jewish and an openly homosexual man, and intimately evoking his two most important lifelong relationships. From a man whose literary icon was Marcel Proust comes an unparalleled social and emotional history. With eloquence, insight, and wit, he filled his journals and letters with acute assessments, gossip, and priceless anecdotes while inimitably recording both our larger cultural history and his own moving private story.

It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a "barbarian" by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story.

Graham's unique autobiography reveals, through personal anecdote and his own collection of exclusive and intimate photos, the numerous and often surprising stories that have occurred behind and in front of the camera.