Confessions of a Mask tells the story of Kochan, an adolescent boy tormented by his burgeoning attraction to men: he wants to be “normal.” Kochan is meek-bodied, and unable to participate in the more athletic activities of his classmates. He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety. Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.

Based on William Scott Wilson's definitive translation, adapted by scriptwriter and comic book/manga author Sean Wilson, and with lively drawings by well-known illustrator Chie Kutsuwada, this first-ever graphic treatment of what's considered the most influential of all samurai treatises is sure to delight manga fans, martial arts enthusiasts, and students of Japanese culture. Reminiscent of The Arabian Nights in structure, Hagakure is a collection of tales and anecdotes that offer instruction and insight into the philosophy and code of behavior that foster the true spirit of Bushido—the Way of the Warrior. A young, upcoming samurai seeks the advice of an older, seasoned warrior who has become a Zen monk. The ambitious young samurai humbly begs to learn from the old master, who consents. So begins a series of eventful meetings. At each sitting. the master tells his young student tales of samurai past. Tales of famous warriors are recited, as well as ignoble gaffs. With brutal, unrelenting samurai justice, wrongs are righted and judgment is enacted. With each incident, the young novice learns what it means to be a samurai. Learns what courage and right thought are. Learns the harsh realities and subtle wisdom of his age. Writer Sean Wilson and illustrator Chie Kutsuwada both bring ample experience in the genre to this project. And, as an added bonus, William Scott Wilson, the translator of the original Kodansha International version of the book, provides an illuminating Afterword.

Although Mishima's main literary ambition was to write philosophical novels in the tradition of Goethe and Thomas Mann, Deadly Dialectics is the first critical study to take this objective seriously: it also provides the first adequate account of Mishima's intellectual background and characteristic modes of thought and it is the first book to show the intimate and integral relation between his thought and his psychology and militant politics - or, more specifically, between his nihilism, his sexuality and his propensity to violence.

Traces the life of the Japanese author who went from sickly youth to dedicated student of the martial arts, looking at his family life, the wartime years, and his career as a writer who advocated for traditional values.

On November 25, 1970, Japan's most renowned postwar novelist, Yukio Mishima, stunned the world by committing ritual suicide. Here, Marguerite Yourcenar, a brilliant reader of Mishima and a scholar with an eye for the cultural roles of fiction, unravels the author's life and politics: his affection for Western culture, his family and his homosexuality, his brilliant writings, and his carefully premeditated death.

Novelist, playwright, film actor, martial artist, and political commentator, Yukio Mishima (1925-1970) was arguably the most famous person in Japan at the time of his death. Henry Scott Stokes, one of Mishima's closest friends, was the only non-Japanese allowed to attend the trial of the men involved in Mishima's spectacular suicide. In this insightful and empathetic look at the writer, Stokes guides the reader through the milestones of Mishima's meteoric and eclectic career and delves into the artist's major works and themes. This biography skillfully and compassionately illuminates the achievements and disquieting ideas of a brilliant and deeply troubled man, an artist of whom Nobel Laureate Yasunari Kawabata had said, "A writer of Mishima's caliber comes along only once every two or three hundred years."

All eyes are upon Rikio. And he likes it, mostly. His fans cheer from a roped-off section, screaming and yelling to attract his attention—they would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells “action”; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions. Being a star, constantly performing, being watched and scrutinized as if under a microscope, is often a drag. But so is life. Written shortly after Yukio Mishima himself had acted in the film “Afraid to Die,” this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams. With exquisite, vivid prose, Star begs the question: is there any escape from how we are seen by others?